SoCS: singing

I like to sing.

I have been singing for as long as I can remember. When I started school, we had a music teacher who came once a week to lead music class. Our classroom teacher also played the piano and would sometimes have us sing in the classroom which was combined first through fourth grade. She had been trained at a normal school before there were education colleges in our area and I think that grammar school teachers for young children had to learn piano as part of their program.

When I was in sixth grade, I was old enough to sing in the choir at church. Because it was a small church, the choir only sang at Christmas and for Holy Week. I sang with them until my sophomore year in high school when I became the organist. Then, I was always singing as I played the hymns. It helps your playing because you are more observant of reflecting when breaths should be taken.

In high school in a city about twenty miles from our little town, I got to sing every day! I sang with the mixed chorus and later also with a small girls’ ensemble. I learned to smile, sing, and do a bit of choreography at the same time, a skill that doesn’t seem all that useful but actually is. It makes it easier to convey the emotion of what you are singing to your audience.

When I was at Smith College, singing was a big part of my life. I worked my way through the extensive choral program at the time, starting with Choir Alpha as a first year, College Choir the next year, and my final two years in Glee Club. I also accompanied for two years for Choir Alpha. As an organist who was Catholic, I also frequently played for mass at Helen Hills Hills Chapel. I got married there the month after I graduated.

When we moved to Broome County, NY, I began to sing with the (Binghamton) University Chorus. (Actually, B had already moved and was working out here when we married, so I guess I should have said when I moved.) I sang with them until they unceremoniously disappeared, just prior to the pandemic. I still miss that group, which was a town/gown group, meaning that we had singers both from the university (students/faculty/staff) and from the broader community.

Until 2005, I also did some singing at my church with our Resurrection Choir, which ministered at funerals. It was sometimes difficult but was so important for the family to have us there to represent the parish in their time of grief.

I had thought when University Chorus ended that I would never have another choir gig but, after the pandemic shutdown, I attended a concert with the Madrigal Choir of Binghamton and found out they had openings for sopranos. This was a bit of a shock as choirs usually have more sopranos than they know what to do with but some people had moved away during the pandemic so they had lost some singers. I knew the director because I had sung with him when he directed University Chorus for 25 or so years before he retired and was very happy when he accepted me into Madrigal Choir.

Despite my current health issues, I’ve been continuing to sing with them and hope to as long as I’m able and my voice holds out. I’m lucky that I don’t have a big natural vibrato, which helps my voice to not get as much shake or wobble as some older singers get.

I hope.
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Linda’s prompt for Stream of Consciousness Saturday this week is “sing.” Join us! Find out more here: https://lindaghill.com/2025/05/02/the-friday-reminder-and-prompt-for-socs-may-3-2025/

Double-header Saturday

I realize that title seems like baseball, but it’s not, although Cooperstown is involved…

Despite my current health issues, I managed to attend two major events on Saturday.

In the afternoon, I sang-along with parts two and three of Handel’s Messiah. This was an event offered by the Madrigal Choir of Binghamton, with whom I serve as a singer and board member. Our artistic director, John M. Vaida, conducted a volunteer chamber orchestra and soloists with a chorus made up of those who showed up to sing along. Most of us were members of Madrigal Choir or Downtown Singers, although I think there were a few who aren’t presently in either group. It was a lot of fun to sing with old and new friends without the pressure of performance. Madrigal Choir hopes to do more events like this in the future.

Next up was heading to the Fenimore Art Museum, just outside Cooperstown, for the Write Out Loud ’25 reading, made possible only because spouse B did the driving, as we live about an hour and a half from there. I had been accepted to Write Out Loud ’24 last year with a poem from my chapbook, Hearts. When submissions opened for this year’s event, I sent the call on to my poet-friends in the area and I’m pleased to say that the Grapevine Poets from the Binghamton area were well represented this year with Merrill Oliver Douglas, Jessica Dubey, Richard Braco, and me all having work accepted.

Merrill read her poem, “Meditation in Walmart,” as the second piece in the program, with Richard reading “Pole Star Child” as the next-to-last piece in the program. Accepted writers have the option to read their own work or to have a member of the theater company affiliated with the Fenimore perform their piece. Cait Liberati read Jessica’s poem, “Love Birds.” Jessica wished that she could have been there to read it herself but she was away on a trip. I was thrilled with Sharon Rankins-Burd’s reading of my poem, “The Bridge“! I had planned to have an actor read my poem from the start because my health situation is too uncertain. I also appreciate hearing what a trained actor does with my words.

The Fenimore Art Museum has released the recording on their YouTube channel. If you click “more” in the description, it will open the program with links to the beginning of each piece.

I had figured that expending that much energy in a day would knock me for a loop and it did. I spent most of the day yesterday in bed and will lay low today, too, just going out for physical therapy. I’m grateful that I was able to attend these events and hope that we are able to get a better handle on my diagnosis and treatment options soon so that I have more energy to do two things in one day – or even one thing…

SoCS: calendar

My calendar used to be filled with meetings, volunteer gigs, poetry workshops and readings, family events, and music rehearsals and concerts.

Now, it’s mostly medical appointments.

I am still holding on to singing with the Madrigal Choir of Binghamton. We are coming up on performance week, which will be a challenge with my diminished energy.

Maybe this next round of tests and specialists will get to a full diagnosis and some kind of treatment to improve my situation. I know that it is unlikely to be fully reversed but I’m trying to retain hope that I can bring back the most important abilities and activities I can’t manage now.

If that happens, maybe my calendar will have somewhat fewer medical appointments and more poetry – with some more travel to see family and outings with friends.

Maybe that can even happen later in 2025.

It depends on what happens with the tests and doctor visits that are in those calendar boxes this spring…
*****
Linda’s prompt for Stream of Consciousness Saturday is “calendar.” Join us! Find out more here: https://lindaghill.com/2025/03/21/the-friday-reminder-and-prompt-for-socs-march-22-2025/

One-Liner Wednesday: upcoming MCOB concert

Binghamton area folks are cordially invited to join the Madrigal Choir of Binghamton on Sunday, March 30, 2025 at St. Thomas Aquinas Church at 4 PM to celebrate “Our Broadway Heritage” with a welcome reception for our new artistic director, John M. Vaida, following the concert.

This invitation is brought to you as part of Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2025/03/12/one-liner-wednesday-good-intentions/

Sharing “A Ukrainian Prayer”

Image by Satheesh Sankaran from Pixabay

I wrote this post in April, 2022, in support of the Ukrainian people suffering the invasion of their country. It shares a recording of the Madrigal Choir of Binghamton singing John Rutter’s “A Ukrainian Prayer” which was written so that people around the world could offer a prayer for the Ukrainians.

I am appalled and sickened by the unconscionable abandoning of Ukraine by Donald Trump, JD Vance, and their administration. I know millions upon millions in the United States are also vehemently opposed to their abandonment of a sovereign, democratic ally in favor of a murderous, corrupt dictator who invaded a neighbor without cause.

I am grateful to the European community and our Canadian neighbors who are convening an emergency meeting to support Ukraine. I, along with the majority of Americans, will be supporting their efforts as we continue our resistance to the Trump administration here at home.

JC’s Confessions #30

In the first few seasons of The Late Show, Stephen Colbert did a recurring skit, then a best-selling book, called Midnight Confessions, in which he “confesses” to his audience with the disclaimer that he isn’t sure these things are really sins but that he does “feel bad about them.” While Stephen and his writers are famously funny, I am not, so my JC’s Confessions will be somewhat more serious reflections, but they will be things that I feel bad about. Stephen’s audience always forgives him at the end of the segment; I’m not expecting that – and these aren’t really sins – but comments are always welcome.

I try to take mental notes as I go through life in order to give myself guideposts for the future, to give myself advice as needed.

I have watched, sadly, some instances when, as people struggled with medical conditions, they stopped doing things because they were embarrassed to be seen needing assistance or having to do things differently.

As I’ve been dealing with my still undiagnosed health problems since March, I’ve tried to keep some of my commitments going, even though that has meant making major accomodations. For example, I’ve sung the last two Madrigal Choir concerts seated because my balance problems have made standing without support to sing impossible. I also only made it through our afternoon rehearsals by lying down before rehearsal and during our break because it’s difficult to hold my head up unsupported as the day goes on.

I’ve put other commitments on hold totally, even though I get “can’t you just?” comments. The truth is that whatever I do comes at a cost. If I push too hard, I pay for it with a surge of symptoms and fatigue that can go on for days. I choose to do that for a limited number of things but I can’t do it for everything or I literally would not be able to get out of the house – or even out of bed.

We may be close to getting, at least, a partial diagnosis and some treatment, if I’m lucky. I’m alternating between hope and despondency. I don’t know how much longer I can keep this unsatisfying balancing act going.

Do I have the humility to keep asking for the accomodations I need to keep a few of my activities going or do I give up and wait to see if I can get back to doing all the things I want in the way I’m accustomed?

It’s difficult, because I’ve seen too many people lose some joy and time with friends waiting to get better when they never did. With my limited energy and brainpower, I’m fighting to keep some things going, when the alternative would seem to be losing them totally and, perhaps, irrevocably.

So, what am I confessing?

I know my health condition is not a sin. Or what I’m doing to try to cope. Or not being able to power through these situations.

But I do feel guilty for letting people down and not being able to do what I want and not having my accustomed creative and critical thinking skills.

Maybe not for much longer.

Maybe permanently.

One-Liner Wednesday: Welcome, John Vaida!

The Madrigal Choir of Binghamton is thrilled to announce that John M. Vaida will be our next artistic director, beginning in January, 2025, with his first concert with us scheduled for March 30th.

This celebratory announcement is brought to you as part of Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2024/12/18/one-liner-wednesday-such-a-great-idea/

One-Liner Wednesdays: Lessons and Carols on Dec. 1

Binghamton NY area folks, please join the Madrigal Choir of Binghamton for our annual presentation of Lessons & Carols for Christmas on Sunday, Deceember 1st at Trinity Memorial Episcopal Church.

Please join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/11/27/one-liner-wednesday-gasp/

One-Liner Wednesday: Joan’s birthday

in honor of what would have been my friend Joan’s 65th birthday, I’m sharing this post I wrote about her when she passed away in June of this year with love and fond memories.

Please join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/11/20/one-liner-wednesday-my-cup/

another tribute?

Last week, I attended a choral concert at Binghamton University that had been billed as a tribute to Dr. Bruce Borton, who had served in the music department for almost three decades and who passed away in August.

I wrote here about the concert that the Madrigal Choir of Binghamton presented last month and had hoped that the concert at the University would address Bruce’s legacy there, but I was disappointed. It seemed that the choral groups had prepared their fall concert as usual and just tacked a couple of pieces on the end that they tied to Dr. Borton.

The most direct tie was the combined choirs singing “Bogoroditse Devo” from the Rachmaninoff All-Night Vigil. I had sung the piece with the now-defunct University Chorus under Bruce’s direction and this particular movement additional times. It was chosen because Bruce was a scholar of Rachmaninoff and loved this work in particular.

It was difficult for me to listen to it. I knew it well and could notice the differences in interpretation but the most glaring difference was the lack of maturity in the sound, especially from the basses. It’s not, of course, the singers’ fault that their voices are still maturing, but it demonstrated the reason that University Chorus, which included students, staff, and community members, was so important to Bruce. A more age-diverse choir can produce a richer sound and excute a greater expressive range than a younger choir. This might not matter with some repertoire, but it does with Rachmaninoff.

I was disappointed that they hadn’t reached out to the University Chorus alums still in the area to join the students to perform this piece. It wouldn’t have taken much rehearsal to include us as we know the piece well and it would have been very meaningful for us. I wish they had also reached out to us or a faculty member who worked with Bruce to speak about him. As it was, the only spoken tribute was from a former graduate conducting student, read from a cell phone by one of the conductors.

The concert intensified my feelings of loss, not only of Bruce but also of University Chorus, which was so dear to his heart and to our community.