Angelus

During Just Jot It January, I thought I’d share some of my previously published poems that have been out for a while, as I did on New Year’s Day. I usually don’t put poems within posts when a poem is first published so that people will visit the site that has been so gracious in publishing my work. I will, though, always include the link, even though I am putting the poem in the post.

Today, I’m sharing the poem “Angelus” that I wrote in February, 2020 in response to an Ekphrastic Review Writing Challenge. I wrote a post about it at the time. I constructed a narrative inspired by The Angelus, the 1859 painting by the French artist, Jean-Francois Millet, shown below. I used part of the Angelus prayer in my poem. My home parish when I was growing up rang Angelus bells three times a day as a reminder to pray this prayer. Our pattern was to ring the bell in three groups of three followed by a group of nine. The Angelus rang at 6 AM, noon, and 6 PM, which I used in the poem. I have no idea what the tradition was in France at the time of painting but it worked for the poem, so poetic license?

Angelus by Joanne Corey

The Angel of the Lord declared unto Mary,
And she conceived of the Holy Spirit.

At the six o’clock bells, she pauses.
Her hands that had been preparing
breakfast, now clasped in front of her, drift
down to rest over her womb,
which, like Mary’s, conceals 
a miracle.

And the Word was made flesh,
And dwelt among us.

As everyone in the market stops
buying and selling to pray
at the noon bells, she reflects
that another’s flesh is forming
within her, dwelling
in mystery.

Pray for us, O holy Mother of God,
That we may be made worthy of the promises of Christ.

The evening Angelus rings
across the field. As she stands
bowed beside her husband,
she beseeches God that this time
the promised child
will be born.

*****
Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/05/daily-prompt-jusjojan-the-5th-2024/

New poem on POETiCA REViEW

I’m pleased to announce that I have a poem published in the special 20th anniversary edition of POETiCA REViEW. You can find my poem, “The Bridge,” by clicking on my name, Joanne Corey, on the first page of the pdf which opens at the link.

Many thanks to the team at POETiCA REViEW for choosing my poem for this special edition. Thanks also to Trish Hopkinson, who published the submission call and an interview with editor Mark A. Murphy. Mark had mentioned in the interview that they wished they had more submissions of ekphrastic poetry, so I happily obliged and suspect that that was part of the reason that they chose “The Bridge” for publication. I was pleased to see that the painting that served as inspiration for the poem, Claude Monet’s The Japanese Footbridge and the Water Lily Pool, Giverny, appears on the page with my poem.

I wrote the poem initially in June, 2023 in response to an Ekphrastic Review Writing Challenge. While it wasn’t chosen for publication in the responses to that challenge, I workshopped it with both the Grapevine Poets and the Boiler House Poets Collective to revise it to the form that POETiCA REViEW published.

One of the things that I appreciated about the interview that Trish Hopkinson did with Mark Murphy was the response articulating POETiCA REViEW‘s mission “to reach out to ordinary people, who might not otherwise consider themselves as poets.” This resonates with me as someone who does not have an academic background in poetry. I very much consider myself a “community poet” who has learned about poetry through my connections with the Binghamton Poetry Project; my local poetry circles, the Grapevine Poets and the sadly missed Sappho’s Circle; and the Boiler House Poets Collective, as well as through poet-friends and through reading a wide range of poems and articles about poetry.

I also appreciate POETiCA REViEW‘s tagline, “for the many, not the few.” I have found that my poems are more likely to be published by journals and presses that are seeking a more general audience. For example, Kelsay Books, who published my chapbook Hearts this spring, states in their submission requirements that “submissions should be accessible to a general audience.” I think that many people were scared off poetry in school, thinking they couldn’t understand it properly. I try to write in a way that invites people to bring their own experiences and memories to the poem so it doesn’t feel foreign or intimidating.

I hope you will enjoy the 20th anniversary edition of POETiCA REViEW and more editions available in their archive. Consider submitting to them, in keeping with their mission! And, as always, comments are welcome here at Top of JC’s Mind.

SoCS: a Christmas baking poem

It’s been a busy week and I didn’t look at Linda’s Stream of Consciousness Saturday post until just now, early Saturday morning. (Linda puts it out on Friday so folks have a bit of a heads-up, although huge amounts of advanced planning, as well as edits, are against the SoCS rules.)

As it happens, my post yesterday goes very well with the SoCS prompt today, which is “bake.”

I wrote yesterday about a poem that was just published by Silver Birch Press, “My husband and daughters make Christmas gingerbread.” Yes, it’s “make” rather than “bake” in the title, but baking is definitely involved in the poem.

B has turned into the main baker in the house. This year, with no visits from extended family planned and just the three of us at home, B is not doing our usual Christmas practice of having at least a half dozen kinds of cookies available at once. Instead, he is doing serial baking. So far, he has made pfeffernüsse and pecan puffs.

No gingerbread yet, but I’m sure it will be coming…

Gingerbread Poem on Silver Birch Press!

It’s no secret that submitting poetry for publication is mostly an exercise in rejection, but this week is a time to share some successes. Yesterday, I posted about the publication of three poems in Emulate. Today, I’m happy to share that Silver Birch Press has published my poem “My husband and daughters make Christmas gingerbread” as part of their SPICES & SEASONINGS Series! Many thanks to Melanie and the Silver Birch Press team for including me in this several-months-long-and-counting series!

I submitted to the series back in late August and received the acceptance notification in early September, but assumed, correctly, that they would hold publication until Christmas-cookie-baking season. It’s fun and festive to have it appear now. (Photo is some of our gingerbread from 2010.)

This poem started with a prompt from Heather Dorn in December, 2015, when she was facilitating a women’s poetry workshop called Sappho’s Circle. The middle “action” section of the poem descends from that time. When the Silver Birch Press call for submissions came in this summer, calling for writing about a specific spice or seasoning, I immediately thought of that poem and set about revising it to “spice it up.”

B and I have often discussed how it is the amount of clove in these cookies that distinguishes them so that became the focus of the new opening and closing sections. I was also able to workshop the poem with my fellow Grapevine Poets before submitting to Silver Birch Press.

As it happens, Silver Birch published the poem on their site yesterday, so I was able to share it via social media then, while waiting to do the blog post today, given that I had already posted about the poems in Emulate yesterday and wanted to spread the poetic good news reporting out a bit here at Top of JC’s Mind.

Because of that, I’ve already had a number of comments on Facebook about the poem. One from my college roommate was especially touching, as she referenced her “unexpected joy” at seeing her mother’s words in the cookbook inscription in my poem. My eyes welled with tears, remembering our moms, both of whom died a few years ago.

In workshopping this poem, there was discussion about how much detail to leave in the poem and how much to cut. There is always a tension in revision on this point and I admire poets who can choose just the right detail to impact their audience. I tend to be guilty of too much detail, which sometimes leads to comments of “why should I care?” about some detail or other. I’m grateful, though, that I chose to leave that particular detail in this poem.

Granted, no other reader may have found that specific moment of joy from this poem, but, perhaps, there is another detail that struck them, that reminded them of family or baking or Christmas tradition. It’s not something that I’m likely to ever know.

This poem has been described to me as “lovely” and “charming.” I realize that others would term it overly sentimental or unsophisticated.

Perhaps, it is all of those things.

I do know, though, that it is authentic to who I am as a poet and as a person. I think – or, at least, I hope – that comes through to those who encounter my work.

As always, your comments are welcome, either here, on Facebook, or at the Silver Birch Press post.

Wishing you all a delicious treat that suits your taste!

A poem for Banned Books Week

In honor of Banned Books Week, I’m sharing my poem “The Banned Bookmobile” which was first published in the Fall-Winter 2022 issue of Rat’s Ass Review.

THE BANNED BOOKMOBILE by Joanne Corey
 
Do you need a special license to drive
a bus of books? Children
 
are more fragile; books,
more combustible.
 
Children’s minds need fire,
need those books to start a blaze.
 
How else to know that a pair of penguin
dads can raise a chick?
 
That witches and wizards can be evil
or good or somewhere in the flawed between?
 
That even the bluest eye cannot
confer beauty and love?
 
That it’s a sin to kill
a mockingbird?


(You can read a bit of backstory for this poem in my blog post here.)

Two years without Paco

I work up in the very early morning darkness today thinking about my father, known here and in real life for the last 33-ish years of his life as Paco, the name bestowed on him by my firstborn and his first grandchild E as she was learning to talk.

I suppose this is not surprising because this is the second anniversary of his death. You can read a tribute that I wrote to him a few weeks after his passing here.

What is unfortunate is that in the early morning darkness in which I am now writing this post I am remembering so much of his final years, when I was struggling to get proper support and medical care for him, exacerbated by the pandemic. Even though I was living locally, there were long stretches in which I could not visit in person at all or only for short amounts of time. Phone and video calls were often frustrating, as you can tell from this poem, which was first published in Rat’s Ass Review.

Video Chat with our 95-year-old Father

You said it was scary
today
that we were there

in your bedroom
your three daughters
in pulsating squares

on a screen
You remembered where
home

is for each of us
but not where
it is for you

confused that you
could see us
hear us

but we were not
there
with you

We talked about the snowy
winter, so like our New England
childhoods, when you would

wrangle your orange
snowblower to clear
our way out

We asked if the cut
and bruise on your hand
had finally healed

if you had finished
all the Valentine
goodies we’d sent

Distracted
by a sound
from the living room

you set the tablet
aside
left us

staring at the ceiling

What was most difficult was that, no matter how hard I tried, I couldn’t secure correct diagnoses or treatments for Paco, illustrated by the fact that his death certificate states that he died from end-stage heart failure, but he was only diagnosed with heart failure about ten days before he died. I had been trying for months to tell the staff at his assisted living and then skilled nursing units of his continuing care community that he was having unexplained symptoms and had accompanied him to outside doctors and emergency room visits, when the pandemic protocols allowed me to stay with him, but it was never enough to get to the bottom of his health difficulties.

I thought I had worked my way out of most of the trauma of that but, in the early morning darkness of this anniversary day, apparently there is still some of that pain left. It’s not that I think I could have further prolonged his 96 years – something that would not have served any of us – but that his final months would have been so much easier for him if he could have received timely, proper diagnosis and medications.

One of the comforts of Paco’s death was the thought of his reuniting with my mom, known here as Nana, who died in May, 2019, also of heart failure and, gratefully, before the pandemic struck. I drafted this poem, which was first published by Wilderness House Literary Review, only a couple of weeks after Paco’s death.

We probably should have taken off					

his wedding ring before
he died		    before
his hands cooled	      started
to claw
but we couldn’t		       remove
that symbol
			of Elinor
	of two years
		   three months
			twenty-three days
						left
without		her
after
	sixty-five years
		      one month
			   three days
married to her
			the ring
				of her
even    in    days    of    delirium
	    haze			confusion

his ring		not
	sixty-seven years	  old
		but	   twenty
her gift 	         a remedy
	 for missing		some		thing
		of his
  to cling to 		during his three weeks
			       in the hospital
his chest cracked			 open
     		widow-maker averted
				somehow

She inscribed 		his ring	
      ALL MY LOVE  “ME”
     the way she signed 	cards to him
birthday	anniversary	  Christmas
	St. Patrick’s Day
		valentines
the words against his left
	ring finger		believed
to lead most directly to the heart
	which finally failed
		after ninety-six years
			five months
				nineteen days
as hers had
	after eighty-seven years
		     six days

While I go to the sink
to fetch soap 		to ease
the ring off 	his finger
my sister works
it over	 his reluctant 	knuckle

I carry it 	home 
to my daughter
Elinor’s and Leo’s rings
	   unite
on their granddaughter’s finger

[For those of you who might be new to Top of JC’s Mind, I will note that it is really unusual for me to fold poems into posts like this, but somehow, in the early morning darkness, it seemed appropriate.]

I’ll close this post by explaining the significance of the four-generations photo, taken a few weeks before Paco’s death, that begins this post. It shows Paco, me, eldest grandchild E who named Paco, and great-granddaughters, then 4-year-old ABC and just turned 1-year-old JG. This was the first and only meeting of Paco and JG, who had been born in London, UK, in the early months of the pandemic. ABC lived here in the States with us for her first two years and remembered Paco very well. The restrictions on international travel had kept E and her family from visiting but they were able to get special permission to travel together to come visit Paco one last time.

Paco’s health declined quickly after that visit and I’m so grateful that we all had that brief, sweet time together.

Remembering that final farewell through a few tears in the still-before-dawn darkness of this anniversary morning.

New Poem: On August 24, 2023

For some reason I cannot ascertain, I’ve been having poetic responses spring to mind from current events lately. After having them rejected by the venues that I know that concentrate on current event poems, I am publishing them here at Top of JC’s Mind, as I did last week with my Georgia RICO indictment poem.

This one is much shorter, almost but not quite a haiku. (Syllable counting is difficult when you use numbers.) It is a response to Donald Trump surrendering to authorities at the Fulton County, Georgia jail and then raising money using his scowling mug shot, which I’ve already seen more times than I care to.

As always, comments are welcome.

On August 24, 2023

Inmate P01135809 
says “NEVER SURRENDER!” 
but he does.

Poem on The Purposeful Mayonnaise

My poem “Grandpa’s pipe smoke lingers on the stoop” has just been published in Issue 3.2 of The Purposeful Mayonnaise, a Canadian-based bimonthly literary and art journal-platform. The theme for this issue is “Home.” It’s available for free download at the link above. Make sure to view all the amazing art and writing, including an interview!

My poem is part of my currently unpublished full-length collection that centers around the North Adams area and my family’s experiences there. I wrote it during the 2019 Boiler House Poets Collective residency at The Studios at MASS MoCA.

Its original title was “122 State Street.” For those of you who know North Adams and who would like to be oriented physically, the location is right before heading over Hadley Overpass toward Main Street.

This poem is about my maternal grandparents’ home when I was in the lower grades of primary school, over fifty years ago now. Remember that your comments are always welcome here at Top of JC’s Mind.

SoCS: par for the course

One more time…

I thought I had one.

As most of you know, I am a poet. This means doing submissions – and then waiting months for an answer. (Rarely, it is only days or weeks, but it’s usually months and sometimes over six.)

This morning, I saw that I had a response from an online anthology that I thought I had a good shot to win a place.

But, no.

While one of the poems had made the shortlist, I had not won a spot in the anthology.

Sigh.

It’s a good thing that Hearts came out so that I have a huge positive plus in my life as a poet because it cushions the rejections, of which I am on a pretty long streak at the moment.

Maybe soon I’ll get some positive news on a new submission.

Maybe…
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “one/won.” Join us! Find out more here: https://lindaghill.com/2023/07/28/the-friday-reminder-and-prompt-for-socs-july-29-2023/

losing our first parent

Today is the eighteenth anniversary of my father-in-law’s death. He was the first of B’s and my parents to pass away. I wasn’t blogging or writing poetry then; it took years for me to process enough to write about his death. This poem was first published by Eunoia Review here in 2016. As it happened, he was the only one of our four parents that we were able to be with at the moment of death.

The Last Night
~ ~ ~ by Joanne Corey

Hospice told my husband what to expect
as his father’s death approached,
skin mottled,
eyes open but unseeing.

Crush the morphine,
mix with water,
spoon into his gaping mouth
every two hours.

The death rattle started,
unmistakable,
though we had never
heard it before.

We did what we could,
smoothing his hair,
holding his hand,
another dose of morphine.

I prayed the rosary silently,
lacking beads,
counting the decades
with my fingers.

When he quieted,
breath slow, gentle,
we woke his wife
of fifty-one years.

She lay beside him that last hour.

Breaths shallower,
with pauses between,
longer –
longer still –
until, near dawn,
no next breath comes.

We switch off
the oxygen concentrator.
Silence heralds
his absence.