For people in the North Adams, Massachusetts area, please join the Boiler House Poets Collective, currently in residence with The Studios at MASS MoCA, for a free reading at Bear & Bee Bookshop, 28 Holden St., North Adams at 7 PM with light refreshments to go along with the great poetry!
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/10/09/one-liner-wednesday-on-my-walk/
Later today, I’ll be travelling to North Adams, Massachusetts to begin the 2024 Boiler House Poets Collective workshop-in-residence at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts).
It’s been lovely seeing the enthusiasm among my fellow poets as we’ve been doing our final preparations. Unfortunately, due to my current health complications, I’ve mostly been feeling apprehensive.
I’m used to spending long days and evenings during residency writing, editing, visiting the museum, workshopping, and eating/socializing with my poet-friends, but this year I have scaled my plans back significantly in deference to my current struggles with tinnitus, blurred vision, neck pain and stiffness, balance problems, fatigue, and brain fog. I’ve planned to do creative work in the mornings when I’m most likely to have mental clarity, spend most of the afternoon resting, and re-join the group for the evening.
This plan might work – or it might not. I need to be careful to listen to what my body is able to do that day and adjust because, if I push too hard, I risk the next day being a total loss.
I am not putting pressure on myself to generate new work if I don’t have the mojo to do so. There are plenty of poems that I could work on revisions. There’s also a lot of submission work I could do, which isn’t especially creative but does involve careful attention to detail.
It’s not that I haven’t had life complications at past residencies. I’ve done them during the final years of my parents’ lives when I was involved with their care and after their deaths when I was in the early phases of grief.
This situation feels different, though. While my brain was working differently when I was highly stressed or grieving, I still recognized what was happening in my head. The brain fog is more difficult. I need to divert part of my attention to processing what I see and hear and to how I move in order to keep my balance. My thoughts are slowed down and I easily lose my train of thought. I’m accustomed to mulling poems in my head before I sit down to write but it’s rare now that my brain has the power to generate a creative seed and allow it to germinate.
I think part of me is afraid that this state is my “new normal.” Without a diagnosis, treatment is elusive. We are working on that but it’s frustrating that I don’t have my accustomed level of mental acuity to bring to the process.
I’m also sad that I haven’t been able to workshop poems for months here with the Grapevine Poets and that will continue this week with BHPC. I miss seeing others’ work in progress and hearing the discussion about possible revisions. It’s a reciprocal relationship among the poets and very valuable for someone like me who came to poetry later in life without formal training in craft. I miss being able to do it, even though I always feel that I get more than I’m able to give in feedback to others.
As you can see from the graphic on this post, we will be doing a public reading on Wednesday, October 9 at 7 PM at the Bear & Bee Bookshop. I am determined to do that as well as I can. I am reading first when I’m most likely to have the needed energy. I chose poems and wrote out the welcome remarks I need to make so that I don’t babble or forget what I need to say. I haven’t practiced as much as I probably ought to have but will make sure to do at least a couple of run-throughs before Wednesady evening.
You may be asking why on earth I am still trying to do the residency in my compromised state. I am committed to the Boiler House Poets Collective and my current role as liaison to The Studios. Still, I wouldn’t be able to do this were it not for my trust in the BHPC members. Last year, we planned for members to take on different aspects of organizing the residency and everyone has stepped up to do their part and more. I am able to carpool with my local BHPC members so I don’t have to drive. I know that any of them will be willing to give me a hand, perhaps literally if I need it to help with my balance. I absolutely could not do this without their support and I appreciate it.
I’ll try to get some posts in from the residency to let you know how things are going. Prose is generally easier for me to write than poetry so maybe that will work out. Maybe not.
I’ll try to listen to my body.
Wish me luck.
For North Adams, Massachusetts area folks, the Boiler House Poets Collective invites you to a reading at the Bear & Bee Bookshop, 28 Holden St., North Adams, on Wednesday, October 9, at 7 PM.
This is our only public event during our week as a workshop-in-residence at the Studios at MASS MoCA.
The reading will be a sampler of the work of our ten residents this year, lasting about an hour, followed by Q&A and light refreshments.
Bear & Bee will be selling books by our poets with the authors available to do signings.
Please join us for this free event!
SWWIM Every Day is featuring the poem “Anger” by my fellow Grapevine and Boiler House poet Merrill Oliver Douglas, with the special bonus of a recording of Merrill reading her work. Enjoy!
This post is brought to you through Linda’s One-Liner Wednesdays. Find out more here: https://lindaghill.com/2024/09/11/one-liner-wednesday-do-you/
(Photo credit: The Fenimore Art Museum website)
It was my privilege on Sunday to attend a staged reading of Fall Forever by Eva Schegulla at the Glimmer Globe Theatre in the Fenimore Art Museum in Cooperstown, NY. It was part of the NEXT! Staged Reading Series, which offers readings of new plays by regional playwrights.
Eva is a friend and fellow member of the Boiler House Poets Collective, so I was especially happy to attend and to see her. Her writing covers a wide range, including stage plays, screenplays, radio plays, fiction, essays, serials, reviews, blog posts, and poetry, some of which are published under pen names. Her blog, Ink in My Coffee, just celebrated its 20th anniversary.
I had never been to a staged reading before. The actors read from the scripts set on music stands, although there were a few instances of characters moving around a bit. Another actor read the stage directions so that we knew where and when the scenes were taking place. There were also some sound effects, although a full staging of the play would include more. Although it is structured as a 2-act play, the reading was presented all in one block, which felt a bit overwhelming but gave me a new appreciation of intermissions.
The story revolves around the aftermath of the accidental death of Lily, especially with her sister Leah and husband Alan. I especially enjoyed the performance of Sharon Rankins-Burd, who read Leah. She is part of nearly every scene and, though having the script in front of her, Rankins-Burd was able to project who Leah is as she struggles with grief over her sister’s death and additional challenges that arise.
After the reading, there was a talkback session with the playwright, the performers, and the production team. It was interesting to hear Eva talk about the growth of the Fall Forever from a prompt at a workshop with the Williamstown Theatre Festival to its current form, awaiting a final round of edits as the result of the reading to be sent out for submission calls. There were some questions that elucidated the choices Eva had made in the play and how the staged reading format had impacted the version of the piece that we experienced. It was also fun to hear choices of favorite lines from actors – and audience members!
A recording of Fall Forever by Eva Schegulla will soon be available for a limited time. I’ll share the link when it is posted. I hope you will find it to be as enjoyable and meaningful as I did. Update: The video is now available here: https://youtu.be/GSgrLP56Q3Q?feature=shared. It will be taken down in mid-June 2024.
Marilyn McCabe and Gail DiMaggio are original members of the Boiler House Poets Collective, which is how we met. I am pleased to reblog this post from Marilyn’s blog, O Write, in which she offers her reflections on Gail’s poem, “Metta for Judy who Loved a Biker”.
I don’t want to steal any thunder from Marilyn or Gail here, but urge you to check it out.
*****
Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/23/daily-prompt-jusjojan-the-23rd-2024/
Yes, it’s been over a month since I returned home from the Boiler House Poets Collective residency with The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts) in North Adams but I am finally getting around to a wrap-up post. I did post a couple of times during the residency, about Marika Maijala and our reading at the Bear & Bee Bookshop, although that was a far cry from most of our years in residence when I would post daily. Things were very busy, so posting took a back seat and this past month has been loaded with other commitments, such as the launch of the Third Act Upstate New York working group and the first concert of the Madrigal Choir of Binghamton’s 45th anniversary season. I also needed time to reflect on the residency and what it meant for the future of the Boiler House Poets Collective.
Until this year, the Boiler House Poets Collective reunion residencies had always had at least half of the participants being members of the original group that met in 2015 as the first group of poets in residence brought together in a collaboration between Jeffrey Levine of Tupelo Press and The Studios at MASS MoCA. For 2023, the number of participants went from eight to ten, with only myself and Kyle Laws planning to return in 2023. (Sadly, last-minute health complications prevented Kyle from joining us, so I was the lone “original” in 2023. I’m hoping to have this be a one-time occurrence.)
I had inherited the role of liaison with The Studios but also wound up acting as an organizer for this year of transition. I was determined to assemble a full complement of ten and to provide for all the elements that had been part of past residencies, including studio time, museum visits, daily workshopping, a group project, a public reading, and discussion/social time (often accompanied by food and drink). Because, in prior years, we had always had a core of originals, adding in new participants from among our poet-friends as slots became available, we hadn’t felt called to define who we were as a group. I thought, at this juncture, we needed to be more intentional about our identity and our goals. I let people know that we would be having an organizational meeting near the end of the residency to talk about what was important to us and what our plans would be going forward.
I admit that I was really nervous about how things would work out with so many people who had never met each other. For the first time, we had a member who was not herself a poet. In 2022, the BHPC residency overlapped with the residency of Nancy Edelstein, whose work centers around light. With that inspiration, I had designed our group project around the theme of light, inviting each person to contribute work that had to do with light. I had expected a group of poems but the amazing thing was that people began to notice light in new ways. One of our members was inspired to take photographs showcasing light and shadow. We were able to share our light-themed work with each other. It’s not yet clear whether or not we will produce some conglomeration of these that is shareable with the public. If we do, I’ll be sure to share it here.
Another thing that was new for BHPC this year was that we workshopped some pieces that were not poetry, including an essay, scene from a play, and excerpt of a radio play. It was interesting to expand our literary horizons. While we expect to remain grounded in poetry, it’s good to have that flexibility to serve our members’ needs.
I felt that the group had a good vibe from the time of our opening night dinner when we were first together but I was nervous for our organizational meeting when people would be assessing how things had gone and if they wanted to return in 2024. I was thrilled – and a bit teary – when all but one person immediately said they wanted to return next year; the remaining person hopes to but lives across the country, creating a lot more complications than those of us within easy driving distance. People enthusiastically volunteered for organizational roles, including inventing some duties I would never have thought of on my own, so that I will be able to concentrate on just doing the liaison role. I even have a deputy who is shadowing me and can take over if I’m sidelined for any reason. This new constellation has embraced being a collective in a wonderful way and I am immensely grateful.
On a personal level, I appreciated how supportive people were of my work. As regular readers here at Top of JC’s Mind may recall, I grew up in the North Adams area and have two manuscripts, a full-length and a chapbook, that I am submitting to presses and contests. I’m at a crossroads with the full-length collection. I have a contract offer from a hybrid publisher but I’m not sure that is the way I want to go. One day over lunch, people were listening to my concerns and offering suggestions, which were very helpful and have led to my scheduling a manuscript consultation with a professional editor next month. I’m hoping that will help me clarify the path I need to pursue.
I also appreciated that people took my work seriously. One of the poets said that my poems were important in preserving the history of the area. That was so gratifying to me, even though I seldom dare to think in those terms. I do think about those poems as being ones that only I would write, given my perspective as someone who grew up there but that has lived elsewhere most of my adult life. It’s a sort of inside/outside perspective that would be difficult to replicate in quite the same way. I don’t tend to think that my following the dictum to “write what you know” would seem important to someone else, so it was nice to hear. It makes my search for a publisher and my wish to have the book be as strong as possible feel more weighty.
So, I have joyfully marked the dates for the 2024 Boiler House Poets Collective residency on my calendar for next October. I’m looking forward to being among this remarkable group of women again, but I’m also grateful to know that, if something happens that prevents me from being there, the group will go on without me.
My heart will be there, though…
When you are doing improvisation exercises in theater, there is an understanding that you will do “yes, and” to build on whatever came before you. It’s the way that you keep the improvisation going.
I have found, though, that saying “yes, and” on a regular basis in life quickly leads to being overwhelmed.
Sometimes, you need to say “no” – no matter how worthy the cause. Or, at least, “not right now.”
I managed to illustrate this lesson over these last few months. I had planned to spend them concentrating on poetry, learning to market my first chapbook, Hearts, and preparing for the Boiler House Poets Collective residency in late September-early October.
What happened was that I wound up heavily involved with the launch of the Third Act Upstate New York working group and needed to devote extra time to my activities with the Madrigal Choir of Binghamton, where I sing and also sit on the Board.
I’m not sorry that I did these things; they were valuable and I gained new skills and friendships. They were also all expressions of things that are close to my heart and ways to serve others. It was just that saying “yes, and” a bit too much led to a lot of stress and was unsustainable for more than a few months. It also, unfortunately, meant that something had to give, which turned out being my efforts at book marketing, which was the only thing I could give up without having to sacrifice a group goal.
Realizing all of this, I was able to say “no, at least for now” to being on the Communications Committee for Third Act Upstate NY after our successful launch. The Boiler House Poets Collective residency was a great experience, with the BHPC members coming together to divvy up the work to prepare for next year that had largely fallen to me this year. (I really do need to get to a wrap-up post for the BHPC residency. Coming soon…) Madrigal Choir made it through our first concert of the season with flying colors. The next few weeks will be busy as we prepare and present our annual Lessons & Carols concerts the first weekend in December; there will also be Board work ongoing.
Still, things will be calmer and more manageable than the last few months have been.
I’m excited – and a bit nervous – about an upcoming manuscript consultation for my full-length collection, which I’m hoping will clarify where to seek publication for it. I have a bit more editing to do in advance of that. I’m getting some writing done with the fall season of Binghamton Poetry Project up now and have some more editing and possible new work following up from the BHPC residency.
Oh, and Top of JC’s Mind! Although I’m perpetually behind where I would like to be, I was able to celebrate the tenth anniversary of the blog in September, including the launch of joannecorey.com as an author site with access to TJCM as a feature. No worries if you continue to visit here at topofjcsmind.wordpress.com. That is the permanent address of the blog for all time – or while we still use this technology.
There are some other projects waiting in the wings and, of course, Thanksgiving, Christmas, and New Year’s are coming and I have done literally no planning for them so far.
I don’t know if I can find the impetus to go back to trying to learn book marketing or not. I may have used up my energy for learning new things and being outside my comfort zone for the year.
Maybe if I manage a few months of “no, not now” instead of “yes, and” I’ll be able to recharge…
*****
Linda’s prompt for Stream of Consciousness Saturday this week was “no” used alone or as part of another word. Join us! Find out more here: https://lindaghill.com/2023/10/27/the-friday-reminder-and-prompt-for-socs-oct-28-2023/
When I saw that Linda’s prompt for Stream of Consciousness Saturday this week was “prime,” the first thing that leapt into my mind was Gail DiMaggio’s first book of poetry, Woman Prime, which won the Permafrost Prize from the University of Alaska.
Gail was one of the original members of the Boiler House Poets Collective, now retired from attending our reunion residencies, but still a much-admired legacy member. I especially admire her ekphrastic work and her remarkable ability to write about difficult topics with insight and grace.
I invite you to check out Woman Prime or Gail’s other work and experience its power for yourself.
You’re welcome!
*****
Join us for Linda’s Stream of Consciousness Saturdays! Find out more here: https://lindaghill.com/2023/10/06/the-friday-reminder-and-prompt-for-socs-oct-7-2023/
Yesterday morning, the 2023 members of the Boiler House Poets Collective did a reading at The Bear & Bee Bookshop in North Adams, Massachusetts.
It was a lot of fun! We had a mix of family and friends, folks from the community, members of the writers’ group that meets at the Bear & Bee, even someone who came in after a yoga class at the studio next door.
I acted as emcee. We presented in reverse alphabetical order: Wendy Stewart. Eva Schegulla, Kyle Laws (who was unable to attend in person, so I read her poems), Hope Jordan, Mary Beth Hines, Nancy Edelstein (who presented a video of her artwork in relationship with light), Jessica Dubey, Merrill Douglas, Jessica Bane Robert, and me, Joanne Corey. Okay, I broke with the reverse alphabetical order so I could go last and moderate for questions and answers. It wound up that there were no questions, so my job was easy.
Several of us, including me, chose work that deals with the North Adams area. Several chose to incorporate the themes of light and darkness, which ties into Nancy’s work and video and which has been a theme for us this year during our residency. It was a joy to hear so many voices and perspectives concentrated in a short amount of time.
Already making plans for next year, so stay tuned!
Joanne Corey 