Reblog: Marilyn McCabe on Gail DiMaggio

Marilyn McCabe and Gail DiMaggio are original members of the Boiler House Poets Collective, which is how we met. I am pleased to reblog this post from Marilyn’s blog, O Write, in which she offers her reflections on Gail’s poem, “Metta for Judy who Loved a Biker”.

I don’t want to steal any thunder from Marilyn or Gail here, but urge you to check it out.
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Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/23/daily-prompt-jusjojan-the-23rd-2024/

reflections on BHPC residency ’23

Yes, it’s been over a month since I returned home from the Boiler House Poets Collective residency with The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts) in North Adams but I am finally getting around to a wrap-up post. I did post a couple of times during the residency, about Marika Maijala and our reading at the Bear & Bee Bookshop, although that was a far cry from most of our years in residence when I would post daily. Things were very busy, so posting took a back seat and this past month has been loaded with other commitments, such as the launch of the Third Act Upstate New York working group and the first concert of the Madrigal Choir of Binghamton’s 45th anniversary season. I also needed time to reflect on the residency and what it meant for the future of the Boiler House Poets Collective.

Until this year, the Boiler House Poets Collective reunion residencies had always had at least half of the participants being members of the original group that met in 2015 as the first group of poets in residence brought together in a collaboration between Jeffrey Levine of Tupelo Press and The Studios at MASS MoCA. For 2023, the number of participants went from eight to ten, with only myself and Kyle Laws planning to return in 2023. (Sadly, last-minute health complications prevented Kyle from joining us, so I was the lone “original” in 2023. I’m hoping to have this be a one-time occurrence.)

I had inherited the role of liaison with The Studios but also wound up acting as an organizer for this year of transition. I was determined to assemble a full complement of ten and to provide for all the elements that had been part of past residencies, including studio time, museum visits, daily workshopping, a group project, a public reading, and discussion/social time (often accompanied by food and drink). Because, in prior years, we had always had a core of originals, adding in new participants from among our poet-friends as slots became available, we hadn’t felt called to define who we were as a group. I thought, at this juncture, we needed to be more intentional about our identity and our goals. I let people know that we would be having an organizational meeting near the end of the residency to talk about what was important to us and what our plans would be going forward.

I admit that I was really nervous about how things would work out with so many people who had never met each other. For the first time, we had a member who was not herself a poet. In 2022, the BHPC residency overlapped with the residency of Nancy Edelstein, whose work centers around light. With that inspiration, I had designed our group project around the theme of light, inviting each person to contribute work that had to do with light. I had expected a group of poems but the amazing thing was that people began to notice light in new ways. One of our members was inspired to take photographs showcasing light and shadow. We were able to share our light-themed work with each other. It’s not yet clear whether or not we will produce some conglomeration of these that is shareable with the public. If we do, I’ll be sure to share it here.

Another thing that was new for BHPC this year was that we workshopped some pieces that were not poetry, including an essay, scene from a play, and excerpt of a radio play. It was interesting to expand our literary horizons. While we expect to remain grounded in poetry, it’s good to have that flexibility to serve our members’ needs.

I felt that the group had a good vibe from the time of our opening night dinner when we were first together but I was nervous for our organizational meeting when people would be assessing how things had gone and if they wanted to return in 2024. I was thrilled – and a bit teary – when all but one person immediately said they wanted to return next year; the remaining person hopes to but lives across the country, creating a lot more complications than those of us within easy driving distance. People enthusiastically volunteered for organizational roles, including inventing some duties I would never have thought of on my own, so that I will be able to concentrate on just doing the liaison role. I even have a deputy who is shadowing me and can take over if I’m sidelined for any reason. This new constellation has embraced being a collective in a wonderful way and I am immensely grateful.

On a personal level, I appreciated how supportive people were of my work. As regular readers here at Top of JC’s Mind may recall, I grew up in the North Adams area and have two manuscripts, a full-length and a chapbook, that I am submitting to presses and contests. I’m at a crossroads with the full-length collection. I have a contract offer from a hybrid publisher but I’m not sure that is the way I want to go. One day over lunch, people were listening to my concerns and offering suggestions, which were very helpful and have led to my scheduling a manuscript consultation with a professional editor next month. I’m hoping that will help me clarify the path I need to pursue.

I also appreciated that people took my work seriously. One of the poets said that my poems were important in preserving the history of the area. That was so gratifying to me, even though I seldom dare to think in those terms. I do think about those poems as being ones that only I would write, given my perspective as someone who grew up there but that has lived elsewhere most of my adult life. It’s a sort of inside/outside perspective that would be difficult to replicate in quite the same way. I don’t tend to think that my following the dictum to “write what you know” would seem important to someone else, so it was nice to hear. It makes my search for a publisher and my wish to have the book be as strong as possible feel more weighty.

So, I have joyfully marked the dates for the 2024 Boiler House Poets Collective residency on my calendar for next October. I’m looking forward to being among this remarkable group of women again, but I’m also grateful to know that, if something happens that prevents me from being there, the group will go on without me.

My heart will be there, though…

The Boiler House Poets Collective 2023

SoCS: “yes, and” and “no”

When you are doing improvisation exercises in theater, there is an understanding that you will do “yes, and” to build on whatever came before you. It’s the way that you keep the improvisation going.

I have found, though, that saying “yes, and” on a regular basis in life quickly leads to being overwhelmed.

Sometimes, you need to say “no” – no matter how worthy the cause. Or, at least, “not right now.”

I managed to illustrate this lesson over these last few months. I had planned to spend them concentrating on poetry, learning to market my first chapbook, Hearts, and preparing for the Boiler House Poets Collective residency in late September-early October.

What happened was that I wound up heavily involved with the launch of the Third Act Upstate New York working group and needed to devote extra time to my activities with the Madrigal Choir of Binghamton, where I sing and also sit on the Board.

I’m not sorry that I did these things; they were valuable and I gained new skills and friendships. They were also all expressions of things that are close to my heart and ways to serve others. It was just that saying “yes, and” a bit too much led to a lot of stress and was unsustainable for more than a few months. It also, unfortunately, meant that something had to give, which turned out being my efforts at book marketing, which was the only thing I could give up without having to sacrifice a group goal.

Realizing all of this, I was able to say “no, at least for now” to being on the Communications Committee for Third Act Upstate NY after our successful launch. The Boiler House Poets Collective residency was a great experience, with the BHPC members coming together to divvy up the work to prepare for next year that had largely fallen to me this year. (I really do need to get to a wrap-up post for the BHPC residency. Coming soon…) Madrigal Choir made it through our first concert of the season with flying colors. The next few weeks will be busy as we prepare and present our annual Lessons & Carols concerts the first weekend in December; there will also be Board work ongoing.

Still, things will be calmer and more manageable than the last few months have been.

I’m excited – and a bit nervous – about an upcoming manuscript consultation for my full-length collection, which I’m hoping will clarify where to seek publication for it. I have a bit more editing to do in advance of that. I’m getting some writing done with the fall season of Binghamton Poetry Project up now and have some more editing and possible new work following up from the BHPC residency.

Oh, and Top of JC’s Mind! Although I’m perpetually behind where I would like to be, I was able to celebrate the tenth anniversary of the blog in September, including the launch of joannecorey.com as an author site with access to TJCM as a feature. No worries if you continue to visit here at topofjcsmind.wordpress.com. That is the permanent address of the blog for all time – or while we still use this technology.

There are some other projects waiting in the wings and, of course, Thanksgiving, Christmas, and New Year’s are coming and I have done literally no planning for them so far.

I don’t know if I can find the impetus to go back to trying to learn book marketing or not. I may have used up my energy for learning new things and being outside my comfort zone for the year.

Maybe if I manage a few months of “no, not now” instead of “yes, and” I’ll be able to recharge…
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Linda’s prompt for Stream of Consciousness Saturday this week was “no” used alone or as part of another word. Join us! Find out more here: https://lindaghill.com/2023/10/27/the-friday-reminder-and-prompt-for-socs-oct-28-2023/

SoCS: Woman Prime

When I saw that Linda’s prompt for Stream of Consciousness Saturday this week was “prime,” the first thing that leapt into my mind was Gail DiMaggio’s first book of poetry, Woman Prime, which won the Permafrost Prize from the University of Alaska.

Gail was one of the original members of the Boiler House Poets Collective, now retired from attending our reunion residencies, but still a much-admired legacy member. I especially admire her ekphrastic work and her remarkable ability to write about difficult topics with insight and grace.

I invite you to check out Woman Prime or Gail’s other work and experience its power for yourself.

You’re welcome!
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Join us for Linda’s Stream of Consciousness Saturdays! Find out more here: https://lindaghill.com/2023/10/06/the-friday-reminder-and-prompt-for-socs-oct-7-2023/

BHPC ’23 reading at The Bear & Bee!

Yesterday morning, the 2023 members of the Boiler House Poets Collective did a reading at The Bear & Bee Bookshop in North Adams, Massachusetts.

It was a lot of fun! We had a mix of family and friends, folks from the community, members of the writers’ group that meets at the Bear & Bee, even someone who came in after a yoga class at the studio next door.

I acted as emcee. We presented in reverse alphabetical order: Wendy Stewart. Eva Schegulla, Kyle Laws (who was unable to attend in person, so I read her poems), Hope Jordan, Mary Beth Hines, Nancy Edelstein (who presented a video of her artwork in relationship with light), Jessica Dubey, Merrill Douglas, Jessica Bane Robert, and me, Joanne Corey. Okay, I broke with the reverse alphabetical order so I could go last and moderate for questions and answers. It wound up that there were no questions, so my job was easy.

Several of us, including me, chose work that deals with the North Adams area. Several chose to incorporate the themes of light and darkness, which ties into Nancy’s work and video and which has been a theme for us this year during our residency. It was a joy to hear so many voices and perspectives concentrated in a short amount of time.

Already making plans for next year, so stay tuned!

Marika Maijala at MASS MoCA

I am here at MASS MoCA, in residence with the Boiler House Poets Collective, where there are always new things happening. MASS MoCA has recently opened the Research & Development Store, which yesterday hosted an artist talk by Marika Maijala, a Finnish artist, illustrator, and author that I was fortunate to attend.

Marika was in the United States for the first time to appear at the Brooklyn Book Festival in celebration of the English translation of her book Rosie Runs, her first children’s book for which she also wrote the text. (Translation by Mia Spangenberg) She was very engaging, self-effacing, and friendly in her talk and in answering numerous questions. She very kindly signed books for us with special messages.

Then, we were all privileged to go to the also recently established studio and gallery of Gary Lichtenstein Editions. During the day, Marika and Gary, an artist with over forty-five years of experience in silkscreen printing, had collaborated to design a new print for the occasion and we got to see Gary do some pulls as they collaborated on the final color run. It was amazing to see Gary’s skill with the press and the subtlety of color he was able to achieve!

I was so grateful to see and hear from both Marika Maijala and Gary LIchtenstein. You can find the work of many artists working in collaboration with Gary at the gallery in North Adams or online at the link above. You can find Rosie Runs at an independent bookstore near you or online at Amazon and other sites. It’s been translated into quite a number of languages, so check to see if it is available in the language of the children who are dear to you.

New Poem in Mania Magazine!

Yesterday, the Boiler House Poets Collective began their annual workshop-in-residence with The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) In North Adams.

Yesterday, my new poem “drinks” appeared in Issue Two of Mania Magazine. Mania Magazine is “a small, independent literary magazine dedicated to your 3AM works!”

It’s ironic that it came out on the opening day of our residency because this poem was written during the 2015 residency with Jeffrey Levine of Tupelo Press at The Studios, only a few weeks after residencies began, that gave birth to the BHPC. (Anyone who is curious can read my blog posts about that experience.) The short version is that I was in waaaaaaaay over my head, and was not sleeping well and overwhelmed most of the time. I did not write this poem at 3 AM but my brain was definitely in that mode, resulting in a somewhat atypical poem for me. I’ve sent it out a few times over the years to journals that had a more expermimental or quirky bent but it has never been picked up until Mania arrived on the scene.

This is only their second issue and I’m so pleased to be included. There’s prose, poetry, art and photography – and you can read and enjoy at any time of the day or night.

Even 3 AM…

One-Liner Wednesday: BHPC reading on Saturday!

Please join members of the ’23 Boiler House Poets Collective for a reading 11 AM Saturday, September 30 at The Bear & Bee Bookshop, Holden Street, North Adams MA (in person only).

This invitation is brought to you through Linda’s One-Liner Wednesday. Join us! Learn more here: https://lindaghill.com/2023/09/27/one-liner-wednesday-on-top-of-everything-else/

B

SoCS: mostly overwhelmed

I’ve spent this summer feeling overwhelmed.

Well, mostly.

I’ve had some rare moments where I feel that things are on the right track so that they will get completed successfully on schedule – and then the next set of complications arises and I’m back to feeling overwhelmed.

I had planned for this summer to be mostly about poetry – learning more about marketing to get Hearts properly launched, working on getting poem and manuscript submissions in, and generating new work and revising after workshopping. Oh, and making preparations for the upcoming Boiler House Poets Collective residency at The Studios at MASS MoCA in North Adams that will begin late this month.

There are a lot of sayings about what happens when you make plans and then life happens and they fall apart. You can insert your favorite here…

I sit on a number of boards or committees as a volunteer, all worthy causes, centered around the environment, social justice, and the arts. They usually only take up a couple of hours a month each, but this summer, all of them seemed to simultaneously encounter a serious obstacle or be presented with an important opportunity that demanded a lot more meetings and a lot of prep work between meetings.

This all plays into my natural tendency to analyse and think deeply and brainstorm possible solutions and really, really care deeply – but this summer, about way too many things at once. With a few family health issues thrown on top and B’s move out of the offices, I’ve been feeling really stressed and that I’m not on top of anything.

Oh, and this month will bring the tenth anniversary of Top of JC’s Mind and I wanted to do some things to celebrate, like finally upgrading to have my own domain name and such. Maybe that will happen?

(You can probably tell I’m having trouble keeping my mind on one thing at a time…)

At least, an end is in sight.

The residency will happen whether or not I’m optimally prepared, followed by the official launch of the Third Act Upstate New York Working Group on October 5 – you’ll be hearing more about that when registration information becomes available – and the first Madrigal Choir of Binghamton concert on October 22nd, which you’ll also be hearing more about closer to the date. And stuff will be going on with church and poetry and blogging and family and the news and on and on.

So, I did say “an end” rather than “the end.”

I know that more complications will arise and there will be more to do and ponder and meet about but I’m making plans to step back in some ways so that I’m not feeling so overwhelmed and can try to concentrate more on poetry again, as I had originally intended.

Not sure if I will manage it or not but you’ll probably (eventually) find out by staying tuned here at Top of JC’s Mind.

At least, I hope so…
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Linda’s prompt for Stream of Consciousness Saturday this week is “mostly/at least.” Join us! Find out more here: https://lindaghill.com/2023/09/08/the-friday-reminder-and-prompt-for-socs-sept-9-2023/