With the recent death of Peg Johnston, Broome County (NY) has lost one of its anchors of the arts. She was well known for her involvement with the Cooperative Gallery in Binghamton and the Department of Public Art, which created many of the murals in our area.
In Peg’s memory, I’m posting the poem I wrote as a representative of the Binghamton Poetry Project for the Broome County Arts Council‘s Heart of the Arts Award dinner in 2016, when Peg was honored with that award along with Emily Jablon. (A video of my reading the poem is here.)
Thanks to the Department of Public Art ~~ by Joanne Corey
for Emily Jablon, Peg Johnston, and all whose hearts are in the arts
Stencils and murals on descending levels of the Water Street parking ramp time-travel through that historic corner – Link Blue Box flight simulators evolve from pipe organs – punching in on Bundy time recording machines in the days before IBM and the move to Endicott – on street level “Welcome to the birthplace of virtual reality”
We walk back walk through move forward cover recover remember build rebuild renovate together
Walking along the Chenango more murals – diverse faces in shades of gray with colorful songbird overlay – hot air balloons float over green hills – BINGHAMTON in bold letters filled with landmarks proclaiming their location
We draw paint photograph digitize share write read view review create recreate together
Across Court Street a riot of mosaics flowing around curves moving through the spectrum patterns shapes florals the clear message “BE INSPIRED, BE BINGHAMTON”
Broken shards of glass and lives re-order re-assemble tessellate shine in the sun glisten in the rain reflect renew touch together
We sing play listen dance act react interact applaud together
We live breathe eat drink laugh sigh smile artfully thoughtfully cooperatively with heart
I was honored that, after the dinner, Peg had asked for a copy of my poem, which I gladly gave. I hope that, over these last few years, she looked at it occasionally and that it made her smile.
May she rest in peace and may her contributions to the arts be remembered for decades to come.
Yesterday, the proof book for my chapbook, Hearts, arrived.
It’s amazing to hold my book for the first time!
My immediate job is to review it and send final edits to Kelsay. The corrections I had sent in the first round had all been addressed, so there was not much to comment on.
I sent the email today, on what would have been my mom’s 91st birthday.
Yesterday, Merrill Oliver Douglas and I did our first ever appearance as featured readers at the Tioga Arts Council In Owego, NY.
We were excited to have a full house! I also like that in this photo you can see how beautiful the gallery space at the Tioga Arts Council is. At the moment, they are exhibiting artwork from high school students in Tioga county.
The person at the podium is poet Dante Di Stefano, who was serving as our host. His spouse Christina Di Stefano is the executive director of TAC.
I read first. This was the first time I’ve ever done a twenty minute set. I chose to structure my reading in three segments. The first group was four poems that centered around my mother, two from my chapbooks Hearts, forthcoming from Kelsay Books, one from my unpublished collection Small Constellation, and one that was written for the 2022 Women of Words reading at the Broome County Arts Council. Next came four poems that were reactions to happenings in the world or my world, including “The Banned Bookmobile” which was published by Rat’s Ass Reviewhere. I concluded with four poems that center on the North Adams, Massachusetts area, all of which are included in Small Constellation and one of which, “Sprague Suite” (published by Wilderness House Literary Review here) is also in my new chapbook manuscript of ekphrastic poems based on artwork from MASS MoCA (the Massachusetts Museum of Contemporary Art).
I was very happy that the audience connected with my poems. Besides applause, there were nods, smiles, and even a few chuckles at appropriate points. I tried very hard to choose a few poems that had lighter elements, like “Liz Truss or Lettuce.” I think that helped to balance out some of the heavier topics, like the pandemic poem I had included.
What I hadn’t quite expected was that Dante would offer some brief comments on my reading before introducing Merrill. Dante holds a PhD and is widely published, so it was special to hear him praise elements of my work. I have a bit of a complex about my lack of academic credentials in writing, so it meant a lot to me that he recognized the heart of my work.
I was happy to be able to sit back and enjoy Merrill’s reading. She read a few poems from her chapbook Parking Meters Into Mermaids and some of her more recent work, including selections from her collection that is currently looking for a publishing home. Because Merrill and I are both part of the Grapevine Poets, I knew many of the poems from our workshopping sessions, but I love hearing how Merrill chose to edit her poems after we discussed them. As always, I was impressed with Merrill’s ability to choose just the right details to enable us to find our way into the depths of the poem. I am particularly moved by the way she writes about her mother, who is now facing a number of health issues in her elder years.
After Merrill’s reading and Dante’s glowing comments, we had a question and answer period. I had been nervous about this part, fearing that someone would ask something that I was ill-equipped to answer, but, of course, everything was fine. With the reading officially completed, there was time for informal conversation and viewing of the art exhibit. The TAC gift shop had copies of Merrill’s book for sale and she was busy signing copies, in addition to having conversations. We were both happy but tired when we left. Spouse B and Daughter T had both been at the reading and treated me to a celebratory (early) dinner out.
Many thanks to the Tioga Arts Council and Dante and Christina Di Stefano for making my first big reading so memorable. Its success is helping me to feel like more of a poet in my own right, although I will forever think of myself as a poet grounded in community, whether the Binghamton Poetry Project, the Grapevine Poets, the Boiler House Poets Collective, or other groups who have claimed me as a member.
Thanks to Gerri Wiley and Burt Myers who sent me photos of the reading. Only the photo of the sign outdoors was mine.
Very special thanks to Merrill Douglas for her support, friendship, advice, and example. I’m sure I would have been much more nervous were it not for her steadiness and companionship. I admire her work and like to think that we have some elements in common, so that my reading set the stage for hers.
Maybe, we will have the opportunity to do it again sometime…
I’m overjoyed with how well Merrill’s and my poetry reading went this afternoon! We had a wonderfully receptive audience and I’m very grateful to Tioga Arts Council for inviting us.
Many thanks to director Christina Di Stefano and to her poet-spouse Dante Di Stefano for creating such a welcoming space and for their kind words.
There may be another post after I’ve had a bit more processing time, but, for now, I think I will contentedly settle in for the evening at home.
As someone who participated in a COVID vaccine clinical trial, who has other vulnerable people in my life, and who tries to be a diligent and responsible community member, I’ve been following the science, public health information, and news about the pandemic over these last, long 3.5 years. I’ve done so many blog posts about it, I’ve lost count.
As you may know, the World Health Organization and the United States are winding down their public health emergency declarations.
This does not mean, though, that the pandemic itself has ended. COVID-19 is still widespread across the world and hundreds die every day as a result. There is still the potential for new variants and COVID is not yet seasonal, like influenza. Eventually, COVID will become endemic, as the flu is, but we aren’t there yet.
While some US programs, such as tracking hospitalization rates and wastewater testing, will continue, others will end. I will miss the COVID maps and risk ratings that the CDC has been providing. Besides the overall community risk assessment, the transmission rate maps were important to me in deciding how much public masking I needed to do or whether large, indoor gatherings were advisable at all. It’s true that, with so many COVID cases discovered through home testing and never officially recorded, the statistics are not as comprehensive as they were during the months of testing centers, but, for example, it’s helpful for me to know that my county has a moderate transmission rate but the county to our east is currently at the highest transmission rate level, two notches higher than here. Having that information could inform a decision between using a drive-through or dining in on my way through the county, as well as alerting me that the higher infection levels could spread in my direction. After Thursday, that information will not be readily available to me.
I’ll still follow the science and public health advice as best I can and will get my next booster when recommended. I’ll test at home if I have symptoms and avoid being in public when I’m sick with anything, COVID or not. I’ll keep a supply of KF94 masks in my size nearby for high-risk situations that may arise. I’ll try to do all the things we should be doing all the time, like eating well, getting enough rest, and practicing good hygiene.
I still, though, don’t want to get COVID if I can help it. To the best of my knowledge, I’ve never been infected, although I could have had an asymptomatic case at some point. I know very few people who are in that category these days.
Will the end of the emergency declarations and the resulting decline in data be a factor in my eventually contracting COVID?
When I read Linda’s prompt yesterday, I immediately thought of the song “I Like It Here.” I did search for the lyrics and to find the writer; I did find some similar versions to what I remember but it seems that no one knows who wrote it. I’m going to use the version from my childhood as I remember it in this post.
My sisters and I used to put on little performances in our basement for a very small audience, my parents and perhaps my grandparents or Harriet and Pres, family friends who were like an honorary aunt and uncle. We would sing and act out songs we learned in school.
One I especially remember is “I Like It Here,” a patriotic number that we used to close the show, at least once that I recall.
“I like the United States of America. I like the way we all live without fear.”
In my childhood, living without fear was pretty much a thing I could do, in my tiny, rural New England town. Today, though, there are many fears that are with us all the time – environmental destruction and climate change, gun violence, the troubling rise of authoritarianism, public displays of hate against any number of different groups of people.
“I like to vote for my choice, speak my mind, raise my voice. Yes, I like it here.”
Unfortunately, there are lots of laws in some states that are trying to suppress votes and to silence free speech. It’s discouraging. I appreciate the lawyers and organizations that are challenging these laws.
“I am so lucky to be in America and I am thankful each day of the year, for I can do as I please ’cause I’m free as the breeze. Yes, I like it here.”
While I am happy to be here in the place that is home, the threats to our freedoms are real. We are fighting to keep them but the recent trials of insurrectionists are a stark reminder of how much danger we were in and how much of that animus still remains, even within some in government service.
“I’d like to climb to the top of a mountain so high, raise my head to the sky, and say how grateful am I, for the way that I’m living and working and giving and helping the land I hold dear. Yes, I like it, I like it, I like it here!”
I have felt that, in my small way, I’ve added to life in the United States. For most of my life, I never thought that I would leave it to live in another, but the presidency of DT made me wonder if things would be so changed that I could no longer live here.
I feel horrible for even thinking of abandoning my country and the Biden presidency gives me hope but the bizarre spectacle the once-proud Republican party has become and the staggering level of corruption that has been uncovered are a constant source of worry.
I’m trying to do my part as a citizen to get us back toward the freedom and equality to which we are called by our Constitution and laws. Millions of others are as well, including many who have more power and ability to be effective than I do.
For folks in shouting distance of Owego, NY, please join me and Merrill Douglas for a poetry reading (in-person only) at the Tioga Arts Council, 179 Front St, on Saturday, May 13th, at 1:30 PM. ***** This shameless self-promotion is brought to you by Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2023/05/03/one-liner-wednesday-washi-person/
Since I had my cataract surgeries earlier this month, I’ve been asked many times if it is weird/strange not to be wearing glasses every waking moment – and it is.
I’ve worn glasses since I was six because I was near-sighted. As I got older, I also developed presbyopia, which meant I was also having trouble seeing close up. For the last couple of decades, my glasses have had progressive lenses, which means they have a zone for far, mid-range, and close vision. I also have astigmatism in one eye which was built into my prescription. As I developed cataracts in both eyes, I was also having a lot of difficulty with glare.
And, I also sometimes had trouble with dry eyes, so a lot going on.
I decided to have cataract surgery last year. It took several months to get an appointment with the doctor who had done spouse B’s cataract surgeries, and my parents and mother-in-law’s. He uses advanced laser techniques and gives options to use advanced lens that deal with multiple issues.
B had had good luck with his multifocal lens and only uses glasses for very fine print and low-lighting conditions. In the five years since his surgery, they have added astigmatism correction to multifocal lenses, so I chose those.
The timing of the surgeries was awkward, as they happened while the UK branch of our family was visiting for Easter, but I’m happy with the still-developing results. My distance visit was clear within a day of each surgery. (They were a week apart.) My mid- and near-vision are improving day by day. I’ve used supermarket/drugstore cheaters for a few tasks, although now even the weakest ones are too strong for my “new eyes.” I also have been adjusting the size of my text on screens, although I’m typing this at my prior screen settings, so improvement is definitely happening. It will probably continue for a few more weeks as my eyes heal and my brain adjusts to the new, clearer input.
As I am adjusting to life without glasses, people I know are adjusting, too. I’ve had people comment on it. A few have said I look younger without my glasses. I had thought I might look older – or, at least, more tired – because you can now see all the wrinkles around my eyes and I don’t use make-up so, if I have dark circles under my eyes, they are now easier to see. Of course, I don’t think anyone would tell me I look older without my glasses, even if that is what they thought.
At some point, I suppose I will have to replace the much-beloved headshot I use for Top of JC’s Mind, which B originally took to go with this poem for Silver Birch Press.