Beauty and the Beast

Having given up on the concept of chronology in blogposting, I thought today I’d post on going to see the new live-action Beauty and the Beast film with spouse B and daughter T last week while we were in Missouri to visit T.

I remember going to see the animated Disney film with daughter E, who would have been about five years old at the time, with T being too young for movies. I was impressed with the beauty of the animation in the opening sequence and knew that we would buy and watch the video many, many times. We later had the soundtrack of the Broadway version. I was very interested in how this new, live-action film would fit into the Disney history with these other versions.

I was impressed with the new film. What I most appreciated was the addition of depth of characterization and backstory. Maurice, Belle’s father, is portrayed in a much fuller and more poignant way, set up by a new song near the beginning of the movie. We also learn more about Belle’s mother and about the prince’s parents, which makes the plot flow more easily.

I appreciated the new songs, which brought more emotion to the story, and which gave us an opportunity to hear the glorious voice of Audra McDonald.  I thought that Emma Watson did a good job as Belle and that her singing served the characterization well. I also liked the richness of the orchestration and the chorus numbers.

All in all, I liked this version of the story because it is more human – which is the moral of the story.

the solace of music

2016 has been stressful, hectic, and, at times, overwhelming. If anything, the last few weeks have seem an acceleration of these trends.

One of the things that has kept me from total meltdown has been music.

My personal background is strongest in church music and it continues to bring solace.  One recent example is watching daughter T cantor for Mass on All Saints’ Day. Her singing truly touched my heart.

One of the things for which I am most grateful is that University Chorus, with whom I am in my 35th year as a singer, is preparing Brahms’ Requiem this semester. Of all the masterworks I have sung over the decades, this is my favorite to sing. Brahms’ selection of texts is thoughtful and the music is crafted exquisitely to its meaning.

Our director notes that Brahms chose to set texts that bring comfort to the living. I need comfort now, not only as we continue to navigate the loss of Grandma but also as we deal with family health issues and the upheaval, dissension, and trauma caused by the recent campaign and election.

I have prepared and performed the Requiem several times in years past. I have sung it before when I was mourning a loss, but this time my emotions are so raw that I wonder if I will get through the December third performance without tearing up. A few weeks ago, when I was having a particularly difficult day, we were rehearsing the central movement of the work, which, translated into English, is called “How Lovely is Thy Dwelling Place.” I started crying and couldn’t stop myself. I managed to keep singing; at least, I know that if it happens in the performance, I will be able to keep going.

If I am still living here when I die, I would like members of University Chorus to come sing that movement at my funeral, in German, of course. I apologize if that sounds morbid, but it is a thing that church musicians tend to do – plan their funeral music…

I do wish that each of you find solace somewhere, whether in music or nature or silence or fellowship or some other means.

We all need it.

Florence Foster Jenkins

A family friend when I was a child often said, “Well, bless her heart,” whenever someone did something well-meaning or wholeheartedly.

Meryl Streep discussing Florence Foster Jenkins, whom she portrays in the new film of the same name, says that people at the time had one of two reactions to hearing Florence sing, either “bless her” or laughter.

Both of these are shown in the film.

Florence was a piano prodigy as a child, who lost her ability to play due to a physical condition. She continued to love music and, in adulthood. became an important musical philanthropist in New York City.

Florence liked to sing with heart and emotion. What she didn’t realize was that her physical malady had adversely affected both her ability to sing on pitch and her recognition that she was not singing on pitch. In order not to hurt her, her husband and her friends protected her from finding out the truth.

I love Meryl Streep’s work. She always brings depth into her portrayals as she does here. As a singer myself, although a choral soprano rather than a coloratura who can toss off the “Queen of the Night” aria at the drop of a hat, I was amazed at Streep’s ability to sing as Florence did – almost, but not quite up to the pitch.

On Fandango, the movie is listed as both a comedy and a drama. While there are moments of laughter, I can’t think of the film as a comedy. I think it is better characterized as a reflection on the power of music, service, friendship, and love in the face of adversity.

Florence, bless your heart. Meryl, thank you for bringing this powerful story to us.

Brahms, Beethoven, and Binghamton

On April 16, I sang with the Binghamton University Chorus in the final concert with Josè-Luis Novo as director of the Binghamton Philharmonic.

He is an amazingly talented conductor who not only knows orchestral instruments well but also understands vocal technique. His conducting is clear and expressive. And, what is even rarer among orchestral conductors, he is encouraging and personable in rehearsal. I truly appreciated the opportunity to work with him several times over the thirteen years he has been in Binghamton and will miss him. The orchestra members will miss him even more.

The week leading up to the Saturday evening concert was intense. The chorus rehearsed Monday, Tuesday, Thursday, and Friday evenings to prepare. (We had been rehearsing weekly for twelve weeks prior, lest you think we learned our music in a week!) For me, this week coincided with the final week of cleaning out Grandma’s cottage to turn it back over to her retirement community, so it was especially exhausting. Unfortunately, singing all evening makes it difficult to fall asleep afterward, increasing the fatigue.

Still, adrenaline does take over for the performance. It’s hard not to be excited when there is a full house in front of you.

The first piece on the program was Gesang der Parzen (Song of the Fates),a setting by Johannes Brahms of a Goethe poem. It is dark and dramatic and difficult. I had struggled with it throughout the semester; our scores had only vocal parts, which made it difficult to anticipate our entrances, and I was singing the first alto part in the six-part setting, which did not lay well in my voice. (I usually sing second soprano.) Still, we managed a compelling and nuanced performance. The piece was dedicated to one of the cellists who had recently lost his battle with cancer. He was only fifty.

Next on the program was Beethoven’s Meeresstille und  glückliche Fahrt (Calm Sea and Prosperous Journey). It is also a Goethe setting. The first part is about a ship becalmed at sea and is soft and subtle. In the second part, the wind returns and things really move! It’s great fun to sing – once you get the German in the your head.

Next, we had a presentation to Maestro Novo with tributes and a gift, a framed program from his first concert with the Philharmonic and his last. Have I mentioned how sorry we all are to see him go?

After intermission, we settled in for the evening’s main event, Beethoven’s Ninth Symphony. One of the great things about being in the chorus for the Ninth is that you get to sit and enjoy the first three movements. I especially enjoyed watching Maestro Novo conduct. It’s frustrating when one is in the audience because you are looking at the conductor’s back and cannot fully appreciate his artistry and skill, but a chorus member with nothing to do for three movements has the best viewpoint possible.

Of course, the trick is that, when it is finally time to sing, you haven’t vocalized at all for over an hour and you suddenly have to sing some very high, fast passages…

The truth is that Beethoven did not write especially well for chorus. It’s very difficult for the choral parts to be heard over the large orchestra – and the hall and its acoustics were not helping us.

Have I mentioned adrenaline?

In our excitement, we sang at least 20% louder than we ever had in rehearsal, also helped by the fact that, unlike being in rehearsal, you know you only have to sing it once.

At the final cadence, there was an immediate standing ovation, which lasted through at least half a dozen sets of bows for the soloists, chorus, orchestra, and conductors, including Bruce Borton, the longtime director of the Binghamton University Chorus.

We saved our loudest ovations for Maestro Novo.

We miss him already.

 

crying does not help dry eyes

B and I traveled to Syracuse yesterday to attend the last service and concert that daughter T will do with the Hendricks Chapel Choir. Although she is a student at ESF, not Syracuse U., she is able to participate in activities at SU.

On the ride up, I had told B that, at some point, I would probably dissolve in tears. Since Grandma died six weeks ago, I’ve barely teared up. I thought that I might be okay until we were with our daughters at the graveside service later this month, but I didn’t know.

On Saturday, we had attended the funeral of the mother of one of B’s co-workers. I had managed to get through the whole funeral, even though we were singing some of the familiar hymns that usually evoke tears.

I was not expecting the confluence of events on Sunday.

I expected some emotion as we witnessed the last in a very long string of academic choral events, stretching from E’s first concert as a kindergartener, going through both daughters’ elementary, middle and high schools, college, and finally T’s last service and concert as a master’s student.

Of course, there is still the fresh memory of Grandma’s death, ever-present below the surface.

What hit harder than I expected, though, was that this was the final ecumenical Christian service being held at Hendricks Chapel by Rev. Colleen, the last in an 85-year string of chaplains provided to the university by the United Methodist church.

Endings are sad.

This one, in particular, as a dynamic, young woman was being pulled away from a community that she loved and served and that loved her in return. The choir is having to search for a new musical mission, as their primary function for decades has been to  provide music for this service every Sunday.

What was unexpected for me was that this dynamic called forth not only the obvious present losses but also many long-ago ones.

Hearing the pipe organ reminded me of how much I miss playing – or even hearing – a pipe organ on a regular basis. Nearly all the organs I hear in churches at home are electronic. I can no longer play due to orthopedic problems. I have generally made peace with that, but there are moments…

The ending of a church as we have known it also brought back two other similar losses.

First was the loss of chaplaincies and regularly held services at Smith College, my alma mater.

I had spent many, many hours in Helen Hills Hills chapel, practicing, service playing, rehearsing, singing, and accompanying. I was married there a few weeks after my commencement.  When I returned to campus, I always visited the chapel and a tree planted beside it in memory of a member of my class who died in a plane accident our senior year.

I still go to visit, but it is so odd to see the chapel, which was modeled on New England Congregational churches, without its pews, replaced by clunky wooden chairs, stacked or arranged in circles or rows, depending on if the last event has been a concert or lecture or whatever. It feels empty in a way it never did when I was there alone but when it was being used for services of various traditions on a regular basis.

Second, was the loss of our home church eleven years ago. This was even more painful as T and I went through it together. T lost the only church she had ever known, where she was baptized and made her first communion, where she had sung in choir since she was in third grade and had rung handbells since sixth grade. I had been in liturgical service, both in liturgy planning and music ministry for many years. I had written music for the choir and congregation. I had accompanied E and T’s choirs, although, as my orthopedic problems worsened, I had been doing more conducting than playing.

All of these things just flooded over me and I cried – a lot.

It was comforting to have B beside me. I also was not crying alone; there were many, many tears being shed.

Rev. Colleen, while herself struggling with the forced loss of her ministry, led a beautiful “service of celebration, healing, and transition.” Despite her own tears and grief, she was able through a series of rituals to lead everyone to reflect upon and let go of what we needed to and to find joy to share. After communion, she also offered to anoint anyone who wished.

I was very grateful that she made this offer. As a Catholic, I follow the wishes of my church and do not receive communion in Protestant churches, even though they would welcome me. I don’t do it as a blind following of rules, but as a sign of personal penance and sorrow at the division among Christians.

But, anointing is a powerful, ancient practice in which I could participate.

Almost everyone came forward to be anointed, either on the forehead or hands.

What I really wanted to do was to ask Rev. Colleen after she anointed me if I could anoint her, but I decided not to ask. We had never even been introduced and I didn’t want to throw another unknown element into what was already an emotional situation.

But I do send my blessing to Rev. Colleen:  May God, who is our Creator, Redeemer, and Sustainer, hold you in love and strengthen you for service all the days of your life.

Amen.

 

 

SoCS: What?

What might I be doing later today?

Attending a singalong of the Vivaldi Gloria with the Binghamton Madrigal Choir.

I have sung it before, although it has been many years. Fortunately, perfection will not be expected, as some people will be sightreading. Fortunately, the Madrigal Choir will lead and their director, Bruce Borton, who is also the longtime director of the Binghamton University Chorus, with whom I have sung for decades, will be conducting.

The best part is that my younger daughter T is still at home on break from her master’s program and she will be able to come and sing with me. I love the opportunity to sing with my daughters whenever it presents itself. T currently sings with the Hendricks Chapel Choir of Syracuse University, even though she is a student of SUNY-ESF. It’s been a great benefit to her that the two campuses share classes and activities, so that she has a great place to sing. I think it’s neat that she made one of the auditioned choirs, which are mostly filled with music majors from Syracuse.

It would be fun if my older daughter E and her husband L were still here because they also love to sing and are also people who have formal training and multiple degrees in the music field. But Honolulu is a bit too far away to come join us!

Here is a link to Vivaldi Gloria.  Enjoy!

You’re welcome.
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This post is part of Linda’s Stream of Consciousness Saturdays. This week’s prompt is to begin with the word “what.” Join us! Find out how here:  http://lindaghill.com/2016/01/15/the-friday-reminder-and-prompt-for-socs-jan-1616/

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It is also part of Linda’s Just Jot It January.  http://lindaghill.com/2016/01/16/just-jot-it-january-16th-what-socs/

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To find the rules for Just Jot It January, click here and join in today.

Our Christmas Eve and Day

Two blogger friends, Tric of My Thoughts on a Page and Jay Dee of I Read Encyclopedias for Fun, have done recent posts about their (and others’) and their countries’ experiences of Christmas. Tric is from Ireland and Jay Dee is from Canada but has lived in Japan for a number of years. They each asked for comments about their readers’ Christmas experiences, so this post is doing triple duty – for my own readers and to put in the comments for Tric and Jay Dee.

This Christmas, my husband B and I are very happy to have our older daughter E and her husband L visiting from Honolulu and our younger daughter T home on break from grad school in Syracuse, New York, about a 90 minute drive from here.

With most of the holiday tasks under control, we started Christmas Eve day with a trip to a morning showing of the new Star Wars movie, a second time for each of us, although a first time seeing it together. In the afternoon, we did some chores, finished up the gift-wrapping, and rested or took naps to be ready for a late night.

At 5 PM, we were happy to be able to livestream a radio broadcast of Holidays at Hendricks, from Syracuse University. Although T is in grad school at SUNY-Environmental Science and Forestry, she is eligible for music activities at Syracuse University which is directly adjacent to the ESF campus. This year, she is singing with the Hendricks Chapel Choir, so it was extra-special to hear her choir sing on this program.

After dinner, B and I made date nut and cranberry breads for Christmas breakfast and listened to E and T sing Christmas carols, accompanied by L on the piano. So beautiful! I managed not to cry, but barely.

About 11:00, B headed to bed and E, T, L, and I headed to Holy Family for midnight Mass. The church which we attended when the girls were young and in which we all served in music ministry is closed, but we were happy to attend Holy Family where our former music director and good friend landed, along with the music library and handbells from our old parish. T sang and rang handbells at Holy Family before she headed off to grad school. There are enough people we know there that it felt like a homecoming.

There was a half hour prelude by the Genesis (adult) choir, handbell choir, and guest trumpeter, followed by midnight Mass. Father Clarence’s homily brought together the Scripture and our current world, as good homilies do. He reminded the congregation that the Holy Family fled to Egypt for safety as refugees do. He asked what would have happened if Egypt had closed its borders and sent them back. He did not have to mention Syria to get the point across. He also spoke about our need to seek peace, even in the face of violence in the world, by referring to a French man who lost his wife in last month’s Paris attacks but refuses to be bitter.

After a short night’s sleep, most of the household was up at 6:00 to start on Christmas dinner, the gentlemen taking the lead. L was making bread and B made the lasagna, using the recipe from my mother. We started making lasagna for Christmas Day back when my daughters and I used to be involved in music ministry for a Christmas morning children’s mass. We would assemble the lasagna the day before to bake after we got home from church to eat Christmas dinner at noon. Now we continue that tradition.

Between kitchen tasks, we ate breakfast and opened stockings and gifts. E and L went for a walk in the way-warmer-than-it-should-be December weather. A bit before noon, Nana, Paco, and Grandma arrived. Everyone enjoyed dinner, followed by Christmas cookies, fruitcake, and fudge. There was another round of presents. E and L made presents for the grandparents. E made a counted cross-stitch of a row of girls – Japanese for Grandma and Hawaiian for Nana and Paco. L made a paról for each home, including ours. A paról is Filipino star-shaped Christmas ornament, traditionally a bamboo lantern, although these were made from paper. L made them for us in honor of his parents’ home country, where they grew up before immigrating to the UK as young adults.

We had a lovely visit, which was followed by some more family visits facilitated by technology. E and L visited with his family in London by skype. December 25th is also L’s father’s birthday, so there was an extra reason to call. Only  being five time zones away instead of ten as they are in Honolulu was a help. B and I talked by phone with B’s brother. We didn’t talk to my sisters, but they will be arriving in town tomorrow for the continuation of our Christmas celebration.

We played Apples to Apples this evening and have been watching some television while I write this post. I don’t know if our Christmas is a typical US one or not, but it is special for us, especially because we were able to have both daughters here, something that becomes rarer as they get older and head out on their own. I hope other people have had lovely days filled with family, food, and love.

SoCS: concerts

I’m going to miss my daughter’s concert tomorrow. She is singing with the Hendrick’s Chapel Choir at Syracuse University, although she attends SUNY-ESF. They are allowed to take classes and participate in activities on either campus. When she was home for Thanksgiving, she showed me what they would be singing. I’m sure it will be a lovely concert, but it’s too difficult to attend an evening event in Syracuse, drive home for an hour and a half, and then be up early the next morning. B has a 6 AM conference call most weekdays and it seems especially early when daylight hours are so short as they are in our latitude in December.

It seems to be a weekend for missing concerts. I sang this afternoon with the University Chorus and Orchestra at the Anderson Center at SUNY-Binghamton. We sang Orff’s Carmina Burana and it went really well! Unfortunately, no one in my family was able to come hear it.

I hope next semester there will be less missing of concerts…
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Linda’s prompt for this week’s Stream of Consciousness Saturday is”miss.” Come join us!  Find out how here: http://lindaghill.com/2015/12/04/the-friday-reminder-and-prompt-for-socs-dec-515/

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SoCS: Singing

Singing has been a constant in my life. As a child I sang at school and at church. In high school, I sang in the mixed chorus and in my final year made the Girls’ Ensemble. I could sing, do (simple) choreography, and smile all at the same time! I also was in a few musicals, nearly always in the chorus.

I really learned to be a good choral singer in college. At Smith, I finally learned to sing classical music, everything from Gregorian chant up through newly composed work. Granted, in those days, we sang Western music only. Today, I would probably get to do some world music as well. I also got used to singing in different languages. While I had sang mostly in English, with a bit of Latin, before college, I sang frequently in Latin and German, with some Hebrew and French.

For the past 33 seasons, I have sung with the Binghamton University Chorus, which is a town-gown group, meaning we have students, faculty and staff from the university, and community members participating. Some of our members are in their 80s; I know of at least one who has reached her 90s!

I hope that I will still be singing, if I am blessed enough to reach that age.

As the hymn says, “How can I keep from singing?”
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This post is part of Linda’s Stream of Consciousness Saturdays. The prompt this week was to begin the post with a word ending in -ing. Please join us! Find out how here: http://lindaghill.com/2015/10/09/the-friday-reminder-and-prompt-for-socs-oct-1015/

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The Summons

Church yesterday was unexpectedly difficult.

Our younger daughter Trinity was with me, which is a rare occurrence in the last year as she has been away from home for grad school and a summer internship. She pointed out that we were singing some of our favorite hymns, including “The Summons” which we were singing for entrance. (Text is at link; other sources list the author as John Bell.)

I love “The Summons.”  I love its message and its challenge. I love Kelvingrove, the lilting Scottish tune to which it is usually sung. I loved singing it. I loved conducting it during the years that I volunteered as accompanist with our youth and junior choirs.  (I usually accompanied anthems, but conducted hymns.) “The Summons” was an important part of an ordination and first Mass weekend for a member of our parish ten years ago last June.

And that is the problem.

That momentous celebration weekend was also our last with that parish, which had been my church home for over twenty years, where our daughters were baptized and made their first Eucharist, where I volunteered extensively with the music ministry and liturgy committee, where our daughters sang and cantored and rang handbells, where “The Summons” was an important call to mission, where I felt called to serve.

And it all fell apart.

The gospel reading yesterday spoke to what had happened. Someone in authority had fallen victim to an obsessive and slavish regard for the “laws of men” at the expense of love, justice, mercy, and compassion.  I believe that this person suffered from mental illness, but our bishop, to whom we had appealed, would not protect us.

After the ordination/first Mass weekend, we left the parish in solidarity with a staff member who had been unjustly terminated after decades of service.

Ten summers ago, Trinity was transitioning from 9th to 10th grade, which meant that she was in the middle of a two year sequence to prepare for the sacrament of confirmation.  In order to continue, we joined a parish near her school, so that she would already know some of the other students in her confirmation class. The circumstances surrounding our departure from our former parish had been soul-crushing for all of us, but she was in the most vulnerable position. She considered not being confirmed at all.  In the end, she did decide to request confirmation, which involved writing a personal letter to the very bishop who had refused us his protection.   The parish confirmation director told me the letter was honest and powerfully expressed Trinity’s feelings about what had happened.

I’m sure it did. I never saw it. I think that Trinity wanted to spare me any additional pain.

“The Summons” became a painful reminder of what we had all lost. Whenever it came up at Mass during the first six years, I would cry through it, unable to sing. Gradually, as some healing occurred, I found that I could sing it again, especially once Trinity had graduated from college and was singing with the choir at Holy Family.

I thought I was finally over attaching pain to hymn.

Until yesterday.

I was thinking  – it’s ten years. Trinity is beside me, she is strong spiritually, and she is singing this beautiful song of mission which we both love.

And I started crying. Not enough that I wasn’t able to still sing, albeit tremulously and missing a phrase here and there.

Some tears of loss and pain. Some tears of gratitude.

And some tears right now, while writing this…