crying does not help dry eyes

B and I traveled to Syracuse yesterday to attend the last service and concert that daughter T will do with the Hendricks Chapel Choir. Although she is a student at ESF, not Syracuse U., she is able to participate in activities at SU.

On the ride up, I had told B that, at some point, I would probably dissolve in tears. Since Grandma died six weeks ago, I’ve barely teared up. I thought that I might be okay until we were with our daughters at the graveside service later this month, but I didn’t know.

On Saturday, we had attended the funeral of the mother of one of B’s co-workers. I had managed to get through the whole funeral, even though we were singing some of the familiar hymns that usually evoke tears.

I was not expecting the confluence of events on Sunday.

I expected some emotion as we witnessed the last in a very long string of academic choral events, stretching from E’s first concert as a kindergartener, going through both daughters’ elementary, middle and high schools, college, and finally T’s last service and concert as a master’s student.

Of course, there is still the fresh memory of Grandma’s death, ever-present below the surface.

What hit harder than I expected, though, was that this was the final ecumenical Christian service being held at Hendricks Chapel by Rev. Colleen, the last in an 85-year string of chaplains provided to the university by the United Methodist church.

Endings are sad.

This one, in particular, as a dynamic, young woman was being pulled away from a community that she loved and served and that loved her in return. The choir is having to search for a new musical mission, as their primary function for decades has been to  provide music for this service every Sunday.

What was unexpected for me was that this dynamic called forth not only the obvious present losses but also many long-ago ones.

Hearing the pipe organ reminded me of how much I miss playing – or even hearing – a pipe organ on a regular basis. Nearly all the organs I hear in churches at home are electronic. I can no longer play due to orthopedic problems. I have generally made peace with that, but there are moments…

The ending of a church as we have known it also brought back two other similar losses.

First was the loss of chaplaincies and regularly held services at Smith College, my alma mater.

I had spent many, many hours in Helen Hills Hills chapel, practicing, service playing, rehearsing, singing, and accompanying. I was married there a few weeks after my commencement.  When I returned to campus, I always visited the chapel and a tree planted beside it in memory of a member of my class who died in a plane accident our senior year.

I still go to visit, but it is so odd to see the chapel, which was modeled on New England Congregational churches, without its pews, replaced by clunky wooden chairs, stacked or arranged in circles or rows, depending on if the last event has been a concert or lecture or whatever. It feels empty in a way it never did when I was there alone but when it was being used for services of various traditions on a regular basis.

Second, was the loss of our home church eleven years ago. This was even more painful as T and I went through it together. T lost the only church she had ever known, where she was baptized and made her first communion, where she had sung in choir since she was in third grade and had rung handbells since sixth grade. I had been in liturgical service, both in liturgy planning and music ministry for many years. I had written music for the choir and congregation. I had accompanied E and T’s choirs, although, as my orthopedic problems worsened, I had been doing more conducting than playing.

All of these things just flooded over me and I cried – a lot.

It was comforting to have B beside me. I also was not crying alone; there were many, many tears being shed.

Rev. Colleen, while herself struggling with the forced loss of her ministry, led a beautiful “service of celebration, healing, and transition.” Despite her own tears and grief, she was able through a series of rituals to lead everyone to reflect upon and let go of what we needed to and to find joy to share. After communion, she also offered to anoint anyone who wished.

I was very grateful that she made this offer. As a Catholic, I follow the wishes of my church and do not receive communion in Protestant churches, even though they would welcome me. I don’t do it as a blind following of rules, but as a sign of personal penance and sorrow at the division among Christians.

But, anointing is a powerful, ancient practice in which I could participate.

Almost everyone came forward to be anointed, either on the forehead or hands.

What I really wanted to do was to ask Rev. Colleen after she anointed me if I could anoint her, but I decided not to ask. We had never even been introduced and I didn’t want to throw another unknown element into what was already an emotional situation.

But I do send my blessing to Rev. Colleen:  May God, who is our Creator, Redeemer, and Sustainer, hold you in love and strengthen you for service all the days of your life.

Amen.

 

 

SoCS: What?

What might I be doing later today?

Attending a singalong of the Vivaldi Gloria with the Binghamton Madrigal Choir.

I have sung it before, although it has been many years. Fortunately, perfection will not be expected, as some people will be sightreading. Fortunately, the Madrigal Choir will lead and their director, Bruce Borton, who is also the longtime director of the Binghamton University Chorus, with whom I have sung for decades, will be conducting.

The best part is that my younger daughter T is still at home on break from her master’s program and she will be able to come and sing with me. I love the opportunity to sing with my daughters whenever it presents itself. T currently sings with the Hendricks Chapel Choir of Syracuse University, even though she is a student of SUNY-ESF. It’s been a great benefit to her that the two campuses share classes and activities, so that she has a great place to sing. I think it’s neat that she made one of the auditioned choirs, which are mostly filled with music majors from Syracuse.

It would be fun if my older daughter E and her husband L were still here because they also love to sing and are also people who have formal training and multiple degrees in the music field. But Honolulu is a bit too far away to come join us!

Here is a link to Vivaldi Gloria.  Enjoy!

You’re welcome.
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This post is part of Linda’s Stream of Consciousness Saturdays. This week’s prompt is to begin with the word “what.” Join us! Find out how here:  http://lindaghill.com/2016/01/15/the-friday-reminder-and-prompt-for-socs-jan-1616/

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It is also part of Linda’s Just Jot It January.  http://lindaghill.com/2016/01/16/just-jot-it-january-16th-what-socs/

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To find the rules for Just Jot It January, click here and join in today.

Our Christmas Eve and Day

Two blogger friends, Tric of My Thoughts on a Page and Jay Dee of I Read Encyclopedias for Fun, have done recent posts about their (and others’) and their countries’ experiences of Christmas. Tric is from Ireland and Jay Dee is from Canada but has lived in Japan for a number of years. They each asked for comments about their readers’ Christmas experiences, so this post is doing triple duty – for my own readers and to put in the comments for Tric and Jay Dee.

This Christmas, my husband B and I are very happy to have our older daughter E and her husband L visiting from Honolulu and our younger daughter T home on break from grad school in Syracuse, New York, about a 90 minute drive from here.

With most of the holiday tasks under control, we started Christmas Eve day with a trip to a morning showing of the new Star Wars movie, a second time for each of us, although a first time seeing it together. In the afternoon, we did some chores, finished up the gift-wrapping, and rested or took naps to be ready for a late night.

At 5 PM, we were happy to be able to livestream a radio broadcast of Holidays at Hendricks, from Syracuse University. Although T is in grad school at SUNY-Environmental Science and Forestry, she is eligible for music activities at Syracuse University which is directly adjacent to the ESF campus. This year, she is singing with the Hendricks Chapel Choir, so it was extra-special to hear her choir sing on this program.

After dinner, B and I made date nut and cranberry breads for Christmas breakfast and listened to E and T sing Christmas carols, accompanied by L on the piano. So beautiful! I managed not to cry, but barely.

About 11:00, B headed to bed and E, T, L, and I headed to Holy Family for midnight Mass. The church which we attended when the girls were young and in which we all served in music ministry is closed, but we were happy to attend Holy Family where our former music director and good friend landed, along with the music library and handbells from our old parish. T sang and rang handbells at Holy Family before she headed off to grad school. There are enough people we know there that it felt like a homecoming.

There was a half hour prelude by the Genesis (adult) choir, handbell choir, and guest trumpeter, followed by midnight Mass. Father Clarence’s homily brought together the Scripture and our current world, as good homilies do. He reminded the congregation that the Holy Family fled to Egypt for safety as refugees do. He asked what would have happened if Egypt had closed its borders and sent them back. He did not have to mention Syria to get the point across. He also spoke about our need to seek peace, even in the face of violence in the world, by referring to a French man who lost his wife in last month’s Paris attacks but refuses to be bitter.

After a short night’s sleep, most of the household was up at 6:00 to start on Christmas dinner, the gentlemen taking the lead. L was making bread and B made the lasagna, using the recipe from my mother. We started making lasagna for Christmas Day back when my daughters and I used to be involved in music ministry for a Christmas morning children’s mass. We would assemble the lasagna the day before to bake after we got home from church to eat Christmas dinner at noon. Now we continue that tradition.

Between kitchen tasks, we ate breakfast and opened stockings and gifts. E and L went for a walk in the way-warmer-than-it-should-be December weather. A bit before noon, Nana, Paco, and Grandma arrived. Everyone enjoyed dinner, followed by Christmas cookies, fruitcake, and fudge. There was another round of presents. E and L made presents for the grandparents. E made a counted cross-stitch of a row of girls – Japanese for Grandma and Hawaiian for Nana and Paco. L made a paról for each home, including ours. A paról is Filipino star-shaped Christmas ornament, traditionally a bamboo lantern, although these were made from paper. L made them for us in honor of his parents’ home country, where they grew up before immigrating to the UK as young adults.

We had a lovely visit, which was followed by some more family visits facilitated by technology. E and L visited with his family in London by skype. December 25th is also L’s father’s birthday, so there was an extra reason to call. Only  being five time zones away instead of ten as they are in Honolulu was a help. B and I talked by phone with B’s brother. We didn’t talk to my sisters, but they will be arriving in town tomorrow for the continuation of our Christmas celebration.

We played Apples to Apples this evening and have been watching some television while I write this post. I don’t know if our Christmas is a typical US one or not, but it is special for us, especially because we were able to have both daughters here, something that becomes rarer as they get older and head out on their own. I hope other people have had lovely days filled with family, food, and love.

SoCS: concerts

I’m going to miss my daughter’s concert tomorrow. She is singing with the Hendrick’s Chapel Choir at Syracuse University, although she attends SUNY-ESF. They are allowed to take classes and participate in activities on either campus. When she was home for Thanksgiving, she showed me what they would be singing. I’m sure it will be a lovely concert, but it’s too difficult to attend an evening event in Syracuse, drive home for an hour and a half, and then be up early the next morning. B has a 6 AM conference call most weekdays and it seems especially early when daylight hours are so short as they are in our latitude in December.

It seems to be a weekend for missing concerts. I sang this afternoon with the University Chorus and Orchestra at the Anderson Center at SUNY-Binghamton. We sang Orff’s Carmina Burana and it went really well! Unfortunately, no one in my family was able to come hear it.

I hope next semester there will be less missing of concerts…
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Linda’s prompt for this week’s Stream of Consciousness Saturday is”miss.” Come join us!  Find out how here: http://lindaghill.com/2015/12/04/the-friday-reminder-and-prompt-for-socs-dec-515/

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SoCS: Singing

Singing has been a constant in my life. As a child I sang at school and at church. In high school, I sang in the mixed chorus and in my final year made the Girls’ Ensemble. I could sing, do (simple) choreography, and smile all at the same time! I also was in a few musicals, nearly always in the chorus.

I really learned to be a good choral singer in college. At Smith, I finally learned to sing classical music, everything from Gregorian chant up through newly composed work. Granted, in those days, we sang Western music only. Today, I would probably get to do some world music as well. I also got used to singing in different languages. While I had sang mostly in English, with a bit of Latin, before college, I sang frequently in Latin and German, with some Hebrew and French.

For the past 33 seasons, I have sung with the Binghamton University Chorus, which is a town-gown group, meaning we have students, faculty and staff from the university, and community members participating. Some of our members are in their 80s; I know of at least one who has reached her 90s!

I hope that I will still be singing, if I am blessed enough to reach that age.

As the hymn says, “How can I keep from singing?”
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This post is part of Linda’s Stream of Consciousness Saturdays. The prompt this week was to begin the post with a word ending in -ing. Please join us! Find out how here: http://lindaghill.com/2015/10/09/the-friday-reminder-and-prompt-for-socs-oct-1015/

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The Summons

Church yesterday was unexpectedly difficult.

Our younger daughter Trinity was with me, which is a rare occurrence in the last year as she has been away from home for grad school and a summer internship. She pointed out that we were singing some of our favorite hymns, including “The Summons” which we were singing for entrance. (Text is at link; other sources list the author as John Bell.)

I love “The Summons.”  I love its message and its challenge. I love Kelvingrove, the lilting Scottish tune to which it is usually sung. I loved singing it. I loved conducting it during the years that I volunteered as accompanist with our youth and junior choirs.  (I usually accompanied anthems, but conducted hymns.) “The Summons” was an important part of an ordination and first Mass weekend for a member of our parish ten years ago last June.

And that is the problem.

That momentous celebration weekend was also our last with that parish, which had been my church home for over twenty years, where our daughters were baptized and made their first Eucharist, where I volunteered extensively with the music ministry and liturgy committee, where our daughters sang and cantored and rang handbells, where “The Summons” was an important call to mission, where I felt called to serve.

And it all fell apart.

The gospel reading yesterday spoke to what had happened. Someone in authority had fallen victim to an obsessive and slavish regard for the “laws of men” at the expense of love, justice, mercy, and compassion.  I believe that this person suffered from mental illness, but our bishop, to whom we had appealed, would not protect us.

After the ordination/first Mass weekend, we left the parish in solidarity with a staff member who had been unjustly terminated after decades of service.

Ten summers ago, Trinity was transitioning from 9th to 10th grade, which meant that she was in the middle of a two year sequence to prepare for the sacrament of confirmation.  In order to continue, we joined a parish near her school, so that she would already know some of the other students in her confirmation class. The circumstances surrounding our departure from our former parish had been soul-crushing for all of us, but she was in the most vulnerable position. She considered not being confirmed at all.  In the end, she did decide to request confirmation, which involved writing a personal letter to the very bishop who had refused us his protection.   The parish confirmation director told me the letter was honest and powerfully expressed Trinity’s feelings about what had happened.

I’m sure it did. I never saw it. I think that Trinity wanted to spare me any additional pain.

“The Summons” became a painful reminder of what we had all lost. Whenever it came up at Mass during the first six years, I would cry through it, unable to sing. Gradually, as some healing occurred, I found that I could sing it again, especially once Trinity had graduated from college and was singing with the choir at Holy Family.

I thought I was finally over attaching pain to hymn.

Until yesterday.

I was thinking  – it’s ten years. Trinity is beside me, she is strong spiritually, and she is singing this beautiful song of mission which we both love.

And I started crying. Not enough that I wasn’t able to still sing, albeit tremulously and missing a phrase here and there.

Some tears of loss and pain. Some tears of gratitude.

And some tears right now, while writing this…

Corpus Christi in Honolulu

Flowers and cross

Aloha! Today, Catholic churches celebrate the solemnity of the Most Holy Body and Blood of Christ, still often called by its Latin name Corpus Christi. This celebration is close to my heart because for the many years that I belonged to Blessed Sacrament parish, we celebrated it as our parish name day. Even though that is no longer my parish, I still feel a special connection to the day.

This year was special because I got to attend mass at St. Patrick Church in Honolulu, where my daughter E and her husband were married and where they serve in the music ministry. My son-in-law is away doing research for his doctoral dissertation, but I attended the 8:30 mass at which their choir sings. The assigned cantor wasn’t able to make it, so E stepped in to do it, which was a lovely bonus for me.

One of the things that drew my attention today was the crucifix, which is carved wood. I was thinking about how appropriate that the corpus on the cross is brown, because Jesus’s skin would have been brown. So often, Jesus is depicted with light skin, which a Jewish man living in the sun-drenched Mediterranean would not have had. I also noticed, as always, the colorful floral arrangement. One of the brothers at the monastery arranges the flowers from their garden every week.

Father C, who presided at E and L’s wedding, presided and preached today. I love how he can say so much with so few words. He used the image of an open hand receiving the host at communion to explain how we should be open to God’s love.

Father C has a tremor disorder, which causes his hands, especially his right hand, to shake markedly when they are outstretched. Yet, when he was praying the Eucharistic prayer and raising the host and the cup, he was able to still his hands.

I appreciated the opportunity to be there to celebrate this special day, with Beth leading us in song. I especially enjoyed singing “Draw Us in the Spirit’s Tether,” a favorite hymn which I have not had the occasion to sing for several years.  The third stanza of the poem by Percy Dreamer begins:

All our meals and all our living
make as sacraments of you,
that by caring, helping, giving,
we may be disciples true.

Amen!

SoCS: putting in “put”

My Saturday is going to be busy, so I am writing this Friday night – late after everyone else is in bed.

Ironically, I spent a lot of time today with the word “put.” The Binghamton University Chorus, in which I have sung for 33 seasons, is preparing Mendelssohn’s Lobgesang for our concert in May, but we are singing it in English rather than the original German.

In movement seven, our scores used the following text, “let us gird on the armour of light,” over and over and over. Unfortunately, the word “gird” is very difficult to sing prettily, especially when the notes are high in our ranges, as they are in this movement. So the hunt was on for a different translation that used less difficult sounds.

After comparing several Biblical translations, our director chose to change “let us gird on” to “and put on us” which is easier to sing and to understand from the audience’s perspective.  So, I spent a bunch of time today writing the text change into my score.

I admit that I only wrote it in for the soprano part, which is the part I sing. Fingers crossed that the other parts write their own changes!

The tricky part comes on Monday – when my mind needs to forget the weeks of singing “gird” and put “put” in there instead.

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This is part of Linda’s Stream of Consciousness Saturday. Join us!  Find the prompt and the rules here:   http://lindaghill.com/2015/03/13/the-friday-reminder-and-prompt-for-socs-march-1415/

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Fall-ing

As some of you know, this fall has been rough, as we deal with myriad health issues with one of the family elders.  (In truth, the fall had a bit of a rough run-up as we dealt with both of my parents having their own medical issues, but things are going much better with them now.)

I have been doing much to-ing and fro-ing and have needed to grab little snatches of consolation, comfort, and beauty as I can find them. I was grateful for the unusually vibrant fall foliage this year, beginning early with the first peaks of gold among the green of the hillsides and ending with our neighbors vivid red Japanese maple.

 Even after all the leaves had fallen, I continued to marvel at the white chrysanthemum on our front porch. I had originally bought the plant from the grocery store to clip some blossoms to fill in for some wilted flowers in a Christmas centerpiece almost three years ago. I had managed to keep it alive indoors and it offered a blossom here and there, but this spring, I asked my husband to re-pot it and put it outdoors.  To my surprise, it flourished and offered hardy white blossoms that withstood several hard frosts until the snows came.

With the cold weather, we started to put out birdseed and suet in our feeders and I delight in catching glimpses of chickadees, jays, finches, woodpeckers, juncos,  tufted titmouse, cardinals, and nuthatches enjoying the food.

The best gift of the fall was the visit of both of our daughters and our son-in-law for Thanksgiving.  I am still holding in my mind the picture of us around the Thanksgiving table with the three grandparents.  We were too busy eating and enjoying each others’ company for photo ops, but here is a photo our older daughter took of her spouse and sister tending to the birdfeeders in the snow. Larry, who grew up in London, was relishing in the eight inches of snow we received. Now living in Hawai’i, he was not used to that much snow at once!

Still, despite my best efforts, I have recently had a bit of a crash. Last Friday, I spent hours working on a letter that I plan to send in lieu of holiday cards this year. I needed to recap the year and finally cried over a lot of the difficulties that I had been powering through because I had to keep going for those who were depending on me.

I thought I had gotten the melancholy out of my system until I was sitting next to my parents in church Sunday morning. The handbell choir and adult choir were both participating, which was emotional for reasons I wrote about here.  The First Sunday of Advent, I had been in church with my daughters and son-in-law all singing beside me. On this Second Sunday, the handbell choir was processing and the choir and assembly were singing “Christ, Circle Round Us”, a setting of the “O” antiphons by Dan Schutte, and my daughters weren’t there to join in. I started crying and barely sang the hymn, even though I love it. I had my face turned away from my mom, hoping she wouldn’t see my tears. I found out later, she was also emotional, thinking back to all the years she had heard her granddaughters singing and ringing in church.

Like the autumn leaves, sometimes tears need to fall, too.

Alice Parker

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This is the first of what I hope will be several followups to the Smith College Alumnae Chorus celebration of Alice Parker ’47 which took place on September 21.  I thought it best to begin with a post concentrating on Alice Parker and her music.

The Alumnae Chorus sang two sets of Miss Parker’s compositions, Three Seas, with three poems by Emily Dickinson as texts, and Incantations, with four poems by Elinor Wylie. We also sang a Parker arrangement of the spiritual “Come On Up.” Miss Parker conducted her pieces in the concert, although we were able to rehearse with her only on Friday afternoon and Sunday morning.

The music was challenging, especially under the circumstances, with each member of the chorus learning the pieces on her own before coming together to have everything performance ready in under 48 hours.  (We also prepared three Ralph Vaughan Williams settings of English folk songs, which were conducted by Jonathan Hirsh, the current Smith Glee Club director.)  I knew there would be mistakes in the concert, but the performance was successful because we were able to communicate the poetry, music, and mood to the audience.  We were relieved to hear Miss Parker reminds us several times during rehearsal that there is no such thing as a perfect performance.

The best part of the experience of working with Miss Parker was hearing her talk about poetry, her process as a composer, and her life.  She read the poems to us in rehearsal – and to the audience in the concert, relishing not only the meaning conveyed but also the sounds of the vowels and consonants tumbling along one after the other.  She talked about how poems in English fall into rhythms in groups of twos and threes, which results in so much of her music being written in 5 or 7 (3+2 or 3+2+2) to follow the word rhythm.  Miss Parker works only on commission, so she always has a specific group for which she is writing and a deadline to deliver the score.  She explained that once she has chosen the texts, she reads them aloud over and over and, as she begins to compose the melody for the text, sings and dances the poems, filling in the harmony and counterpoint in her head. She wants the music to be fluid and alive as long as possible, only committing it to paper when the deadline is looming. She said, “The page is nothing but a prison for music.”  I was so struck by that statement that I hurriedly wrote it down.  It will always remind me that music is alive and not the static black-on-white notation that we struggle to replicate.

Miss Parker also told us stories from her life, especially her famous association with Robert Shaw, with whom she collaborated on many arrangements before taking on solo assignments from him.  The director of the Binghamton University Chorus, with which I have sung for years, also worked with Mr. Shaw and loves to tell stories about him, so it was fun to hear stories about him from a different perspective.

What was most heartening was seeing a woman born in 1925, still engaged in creative work and still engaged with family, friends, community, and her alma mater.  Should we all be so blessed.