Tag: singing

Epiphany

[Note: I wish I were writing a post addressing the murder of Renée Good and the horrible actions of the Trump administration both in the United States and throughout the world but I don’t have enough brainpower to do so between the brain fog and jet lag, so something lighter today. I drafted this and had intended to post it for January 6th – itself a fraught date for those of us in the US – but our travel complications derailed my intent to do so.]

On January 6th, Catholics in the UK celebrate Epiphany, observing the visit of the Magi to the infant Jesus. This ends the twelve days of Christmas, although the Christmas season continues liturgically through the celebration of Jesus’s baptism in the Jordan River by John.

Interestingly, in the United States, the observance of Epiphany is moved to Sunday rather than celebrated on January 6.

One of the most meaningful parts of our trip to London has been attending Mass with daughter E, son-in-law L, and granddaughters ABC and JG. I especially have enjoyed the Saturday vigil Masses because L has served as organist with E as songleader.

I’ve always loved listening to E sing. She was very musical from the time she was young and always sang in choirs at church and school. She majored in music in college and studied voice there. Because we live so far away from each other, I don’t get to hear her sing often, so it was a treat to hear her – and sing along – at Masses during our trip.

This post is part of Linda’s Just Jot It January. Join us! Find out more here: https://lindaghill.com/2026/01/09/daily-prompt-jusjojan-the-9th-2026/

holiday singing

After two very successful concerts of Lessons & Carols for Christmas on Thanksgiving weekend with the Madrigal Choir of Binghamton, a smaller ensemble prepared for two Christmas-themed performances on December 12th. In the afternoon, we sang at a local nursing home. In the evening, we sang as part of the Roberson Museum’s Home for the Holidays exhibition.

It had been many years since I had done this kind of small group singing out in the community. I was happy that skills I had learned in high school, when I first did that kind of performance, came back to me all these decades later, although, fortunately, we did not have to also do choreography as we did back then.

Singing at the nursing home was especially meaningful. In their later years, my parents had lived in a senior community and experienced various levels of care, so I could recognize some of the challenges that our audience there was facing. The ones who were missing being able to attend church and concerts as they had before health problems intervened. The one who was able to sing along, even though she was no longer able to carry on a conversation because music learned long ago is stored in a different part of the brain. The woman cuddling her baby doll that never leaves her side. The man with his eyes closed who seems to be asleep but who is letting the familiar tunes wash over him. It was a privilege to bring some music to the residents that touched their hearts as they prepared for Christmas.

The evening performance was more lively. We sang in the library of the historic mansion that is part of the Roberson Museum complex. There is a beautiful grand piano to use for accompanied pieces and singalongs and the room houses several of the dozens of trees decorated by various community organizations that are part of the Home for the Holidays exhibition. While some of the audience sat in the library and listened to the whole hour-length performance, others strolled through as they toured the mansion, listening to a piece or two before continuing on their way. There were people of all ages, but everyone was in a festive mood and enjoyed the performance.

I hope that I will have more opportunities to sing out in the community next year with the Madrigal Choir. It’s nice to be spreading cheer in a more intimate setting. It reminds me of singing with the Drury High School Girls’ Ensemble at Rotary Club luncheons, Hadassah teas, and nursing home monthly birthday parties.

Music brings meaning and emotion to performers and listeners alike. It’s wonderful to be close to the audience and see the joy in their eyes while we sing.

SoCS: singing

I like to sing.

I have been singing for as long as I can remember. When I started school, we had a music teacher who came once a week to lead music class. Our classroom teacher also played the piano and would sometimes have us sing in the classroom which was combined first through fourth grade. She had been trained at a normal school before there were education colleges in our area and I think that grammar school teachers for young children had to learn piano as part of their program.

When I was in sixth grade, I was old enough to sing in the choir at church. Because it was a small church, the choir only sang at Christmas and for Holy Week. I sang with them until my sophomore year in high school when I became the organist. Then, I was always singing as I played the hymns. It helps your playing because you are more observant of reflecting when breaths should be taken.

In high school in a city about twenty miles from our little town, I got to sing every day! I sang with the mixed chorus and later also with a small girls’ ensemble. I learned to smile, sing, and do a bit of choreography at the same time, a skill that doesn’t seem all that useful but actually is. It makes it easier to convey the emotion of what you are singing to your audience.

When I was at Smith College, singing was a big part of my life. I worked my way through the extensive choral program at the time, starting with Choir Alpha as a first year, College Choir the next year, and my final two years in Glee Club. I also accompanied for two years for Choir Alpha. As an organist who was Catholic, I also frequently played for mass at Helen Hills Hills Chapel. I got married there the month after I graduated.

When we moved to Broome County, NY, I began to sing with the (Binghamton) University Chorus. (Actually, B had already moved and was working out here when we married, so I guess I should have said when I moved.) I sang with them until they unceremoniously disappeared, just prior to the pandemic. I still miss that group, which was a town/gown group, meaning that we had singers both from the university (students/faculty/staff) and from the broader community.

Until 2005, I also did some singing at my church with our Resurrection Choir, which ministered at funerals. It was sometimes difficult but was so important for the family to have us there to represent the parish in their time of grief.

I had thought when University Chorus ended that I would never have another choir gig but, after the pandemic shutdown, I attended a concert with the Madrigal Choir of Binghamton and found out they had openings for sopranos. This was a bit of a shock as choirs usually have more sopranos than they know what to do with but some people had moved away during the pandemic so they had lost some singers. I knew the director because I had sung with him when he directed University Chorus for 25 or so years before he retired and was very happy when he accepted me into Madrigal Choir.

Despite my current health issues, I’ve been continuing to sing with them and hope to as long as I’m able and my voice holds out. I’m lucky that I don’t have a big natural vibrato, which helps my voice to not get as much shake or wobble as some older singers get.

I hope.
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “sing.” Join us! Find out more here: https://lindaghill.com/2025/05/02/the-friday-reminder-and-prompt-for-socs-may-3-2025/

Double-header Saturday

I realize that title seems like baseball, but it’s not, although Cooperstown is involved…

Despite my current health issues, I managed to attend two major events on Saturday.

In the afternoon, I sang-along with parts two and three of Handel’s Messiah. This was an event offered by the Madrigal Choir of Binghamton, with whom I serve as a singer and board member. Our artistic director, John M. Vaida, conducted a volunteer chamber orchestra and soloists with a chorus made up of those who showed up to sing along. Most of us were members of Madrigal Choir or Downtown Singers, although I think there were a few who aren’t presently in either group. It was a lot of fun to sing with old and new friends without the pressure of performance. Madrigal Choir hopes to do more events like this in the future.

Next up was heading to the Fenimore Art Museum, just outside Cooperstown, for the Write Out Loud ’25 reading, made possible only because spouse B did the driving, as we live about an hour and a half from there. I had been accepted to Write Out Loud ’24 last year with a poem from my chapbook, Hearts. When submissions opened for this year’s event, I sent the call on to my poet-friends in the area and I’m pleased to say that the Grapevine Poets from the Binghamton area were well represented this year with Merrill Oliver Douglas, Jessica Dubey, Richard Braco, and me all having work accepted.

Merrill read her poem, “Meditation in Walmart,” as the second piece in the program, with Richard reading “Pole Star Child” as the next-to-last piece in the program. Accepted writers have the option to read their own work or to have a member of the theater company affiliated with the Fenimore perform their piece. Cait Liberati read Jessica’s poem, “Love Birds.” Jessica wished that she could have been there to read it herself but she was away on a trip. I was thrilled with Sharon Rankins-Burd’s reading of my poem, “The Bridge“! I had planned to have an actor read my poem from the start because my health situation is too uncertain. I also appreciate hearing what a trained actor does with my words.

The Fenimore Art Museum has released the recording on their YouTube channel. If you click “more” in the description, it will open the program with links to the beginning of each piece.

I had figured that expending that much energy in a day would knock me for a loop and it did. I spent most of the day yesterday in bed and will lay low today, too, just going out for physical therapy. I’m grateful that I was able to attend these events and hope that we are able to get a better handle on my diagnosis and treatment options soon so that I have more energy to do two things in one day – or even one thing…

One-Liner Wednesday: upcoming MCOB concert

Binghamton area folks are cordially invited to join the Madrigal Choir of Binghamton on Sunday, March 30, 2025 at St. Thomas Aquinas Church at 4 PM to celebrate “Our Broadway Heritage” with a welcome reception for our new artistic director, John M. Vaida, following the concert.

This invitation is brought to you as part of Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2025/03/12/one-liner-wednesday-good-intentions/

One-Liner Wednesday: Welcome, John Vaida!

The Madrigal Choir of Binghamton is thrilled to announce that John M. Vaida will be our next artistic director, beginning in January, 2025, with his first concert with us scheduled for March 30th.

This celebratory announcement is brought to you as part of Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2024/12/18/one-liner-wednesday-such-a-great-idea/

a tribute to Bruce Borton

On Sunday, the Madrigal Choir of Binghamton (MCOB) opened its 46th season with a tribute concert to our late director, Dr. Bruce Borton, who passed away in August. He was only the second artistic director of Madrigal Choir and had served on their board and sung with them before being chosen as artistic director when founder Anne Boyer Cotten retired.

For the first few years of his tenure as MCOB director, Bruce was finishing out his long career with Binghamton (NY) University where I had had the privilege of singing under his direction for 29 years as part of the University Chorus, which included singers from the community as well as staff and students from the university. After the closure phase of the pandemic, with Univeristy Chorus permanently disbanded and Madrigal Choir in need of some additional voices, Bruce welcomed me to the second soprano section and invited me to serve on the MCOB board.

In spring of ’23, Bruce developed a serious illness and was on medical leave for most of the ’23-’24 season. He was, though, able to return to conduct Randall Thompson’s Frostiana for our spring concert in April. I had had a feeling at the time that it would be our last opportunity to sing under his direction but had not expected his decline to advance so quickly. I was grateful to be able to join with members of the Madrigal Choir, the Trinity Memorial Episcopal choir, and some of his former students at the University to sing at his funeral.

Uncharacteristically for me who often writes about difficult things in the moment, I couldn’t bring myself to post about Bruce until now.

The Madrigal Choir concert on Sunday was named for the anthem that Bruce had composed in honor of the 25th anniversary of his friend and colleague, Peter Browne, as music director of their church, Trinity Memorial Episcopal. The text is 1 Corinithians 13, which centers on love and is often used at both weddings and funerals. The second half of the concert began with a tribute to Bruce by Alison Dura, long-time Madrigal Choir singer, officer, and board member, followed by the singing of “Love Never Ends.” It was especially poignant to be singing it at Trinity, accompanied by the organ Peter had played for so many years and where both Peter’s and Bruce’s funerals had been held. The meaningfulness of the text and the beauty of Bruce’s setting were able to help me sing it without breaking.

The concert concluded with Morten Lauridsen’s Lux Aeterna, which re-interprets Latin texts and chant into more modern tonalities. It was a reflective way to remember Bruce as we sang, “Requiem aeternam dona eis, Domine, et lux perpetua luceat eis.” Rest eternal grant to them, O Lord, and let perpetual light shine upon them.

Alleluia. Amen.

One-Liner Wednesday: Madrigal Choir of Binghamton concert on Sunday

If you are in the Binghamton, NY area, please join the Madrigal Choir of Binghamton for this concert, which will include a tribute to our late director, Bruce Borton.

Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/10/23/one-liner-wednesday-no-better-time/

SoCS: concert update

Just back from a long day that featured the first of Madrigal Choir’s Lessons and Carols performances. It was in a small church to our north. Our audience was small but appreciative. It gives me confidence in our performance in our home county tomorrow, which will draw a larger number of listeners.

Now, I need to get some rest…
*****
This short and sweet post is part of Linda’s Stream of Consciousness Saturday series. The prompt this week is “confidence.” You can find out more about SoCS here: https://lindaghill.com/2023/12/01/the-friday-reminder-and-prompt-for-socs-dec-2-2023/

One-Liner Wednesday: Lessons & Carols invitation

For those in the Binghamton/Norwich NY area, please join the Madrigal Choir of Binghamton for our annual Festival of Lessons and Carols this weekend!

This concert promotion message is brought to you as part of Linda’s One-Liner Wednesday series. Join us! Find out more here: https://lindaghill.com/2023/11/29/one-liner-wednesday-sometimes-2/