Tag: publication

Reblog: Carol Mikoda’s Outside of Time now available!

Originally published on the Boiler House Poets Collective site here: https://boilerhousepc.wordpress.com/2025/11/26/carol-mikodas-outside-of-time-now-available/

Photo caption: Carol Mikoda reading from Outside of Time at the North Adams Public Library (photo by Mary Beth Hines)

When Kelsay Books published Carol Mikoda’s Outside of Time in October, she celebrated with a reading at the North Adams Public Library. Carol was in residence at the Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) as a member of the Boiler House Poets Collective. Participating in the reading marking the tenth anniversary of the Boiler House Poets were fellow Kelsay authors Joanne Corey (Hearts), Jessica Dubay (All Those Years Underwater), and Mary Beth Hines (Winter at a Summer House), along with Merrill Oliver Douglas, Judith Hoyer, Kyle Laws, Deborah Marshall, Eva Schegulla, and Wendy Stewart.

You can read and hear more of Carol Mikoda’s work on her Substack, The Yellow Table.

One-Liner Wednesday: Thanksgiving

As we here in the United States are preparing to celebrate Thanksgiving tomorrow, I’m giving thanks for all the people who visit my blog, especially those who have stuck with me despite my irregular posting as I deal with personal and family health issues. ❤

Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2025/11/26/one-liner-wednesday-what-did-you-do-yesterday/. Also, congratulate Linda on the publication of her new book, which came out yesterday!

Felling Trees by Samantha Terrell now available!

As promised, Samantha Terrell’s Felling Trees: Selected Poems 2000-2025 from Low Hanging Fruit Publishing is now available! You can order through Amazon or ask your favorite bookstore to order it for you.

The publisher describes the collection: “Felling Trees gathers twenty-five years of sharp, unflinching verse from Pushcart and Forward Prize-nominated poet Samantha Terrell. Known for her clarity of vision and emotional honesty Terrell charts the evolution of a voice both politically alert and deeply personal. With selections from acclaimed collections and anthologized work, this retrospective offers a resonant exploration of resilience, justice, and human connection.”

One of the things I most enjoy about Samantha Terrell’s work is her extensive use of nature imagery, which she brings to bear in conversation with our present day issues. Here is a sample of that from the collection:

Fourth of July at the Beach

Fireworks burst, then fall in glittery strands
Like willow tree branches

Stretch to the earth –
White phosphorous bursts –

Disappearing into
Liquid blackness.

The rhythmic roar
Of the ocean’s engine drones on –

A reliable backdrop;
Steady slaps on a shore

That we, in ignorance
Or arrogance,

Still dare to call America.
Here, where

Colors rage against the sky,
We wait to see

If this great experiment
Can survive its newest threat

Of tyranny,
And we

Can save us
From ourselves.

*****
Congratulations, Samantha, on your new collection! Thank you to Low Hanging Fruit for bringing it into print!

One-Liner Wednesday: Eric Carle socks!

Eric Carle, beloved author/artist of The Very Hungry Caterpillar and many other books, lived in western Massachusetts where I grew up and I’m very happy that Bombas chose to honor his legacy with a line of socks for both children and adults.

Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2025/07/30/one-liner-wednesday-i-heart-tomatoes/

My Poem in Paterson Literary Review!

2025 Paterson Literary Review cover: Maria Mazziotti Gillan, Woman in Red Asian Shawl

Yesterday, I was thrilled to receive my contributor copy of the 2025 Paterson Literary Review. The link is to their site; the 2025 issue is not yet available to order but should be shortly.

For those of you who may not be familiar, the founding editor of the Paterson Literary Review is Maria Mazziotti Gillan, poet, editor, educator, artist, and Bartle Professor Emerita of English and creative writing at Binghamton University. I live in the Binghamton area and, while I never had the privilege of studying with her, many of the local poets that I have learned from through the Binghamton Poetry Project and through other local workshops were her students and often referred to her and used her books of prompts in our work together.

Having a poem in PLR is a dream come true for me. It’s an honor to be in the company of such distinguished poets. I’d start naming names but the post would go on too long and, with a 53 year history, I’d invariably leave out someone whom I should include.

My poem is “Giovanni” and is about my maternal grandfather. It’s part of my yet-to-be-published full-length collection, The Beyond Place, which centers on the North Adams, Massachusetts area, where I grew up and several generations of my family lived. The Hoosac Tunnel is part of the fabric of this poem.

Because of my health issues, I haven’t been able to do much poetry work, including submissions, for months. I submitted “Giovanni” last September and it was accepted in November, but, because the Paterson Literary Review is a huge undertaking to print – this edition has over 300 pages – it is just arriving now. It’s good for me to have a reminder that I am still acknowledged as a poet, even when I’m not able to do much work at the moment.

Thank you, Maria Mazziotti Gillan, for the honor of appearing in the Paterson Literary Review!

SoCS: two years of Hearts!

Linda’s prompt for Stream of Consciousness Saturday this week is “something that opens.”

Something that opens is my first chapbook, Hearts. In a shameless exercise in self-promotion, I’m using this post to draw attention to a post that I just finished about the second anniversary of Hearts.

Check it out!

25 months of Hearts

A little over two years ago, Hearts, my first poetry chapbook was published by Kelsay Books. The poems center around my mother, concentrating on her final years as she lived with heart failure.

I know that many people are unfamiliar with the term “chapbook.” A chapbook is a short book that is usually organized around a central theme.

As someone who didn’t pursue poetry until later in life, I am honored to have a book in print. There are several ways to buy a copy: directly from Kelsay Books, from Amazon, on special order from any bookstore that has access to Ingram, or directly from me, in person or by mail. (Please send me an email at jcorey.poet@gmail.com to make arrangements.)

People who have been following my history as a poet know that I had very little formal coursework in poetry; I have developed my skills through the generous sharing of my poetry community, including the Binghamton Poetry Project, the Grapevine Poets, and the Boiler House Poets Collective.

What has been more difficult is developing the publicity skills needed to promote a book. I am by nature an introvert and struggle with self-promotion. I’m also not great with asking people to spend money. Unfortunately, there have been other obstacles in the form of personal and family health struggles that have kept me from doing a great job at selling my book.

I am very grateful for the friends – and the people who are unknown to me – who have read my book. I especially appreciate those who have reached out to me about Hearts, often sharing stories about their own loved ones. I write in order to connect with others and am deeply honored that my work resonates with them.

One thing that I hadn’t anticipated was what it feels like to lose friends who have read Hearts and written or spoken to me about it. It adds another aspect to their loss. I also wonder what will become of the copies that they had, especially when they are inscribed. I somehow imagine someone picking up a copy in a secondhand bookstore and wondering who the prior owner was and how I was connected to them.

I still hope to publish another book some day/year but I will always be pleased that my first book was about my mom.

And every time I see bleeding hearts, I think about Hearts and about her.

Merrill Oliver Douglas and Suzanne Cleary at BCAC!

Yesterday, it was my pleasure to attend a reading by my fellow Grapevine and Boiler House Poets Collective friend Merrill Oliver Douglas and Suzanne Cleary at the Broome County (NY) Arts Council.

Merrill and Suzanne met decades ago in Binghamton, where Suzanne grew up and where Merrill re-located for graduate school and then settled. Merrill grew up in New York City and Suzanne has lived in that area for over thirty years. Their mirrored biographies drew together a fun mix of people in attendance, including Merrill’s Grapevine poet-friends and some of Suzanne’s high school classmates. We filled the Artisan Gallery at the Broome County Arts Council, commandeering extra chairs as needed. Bonus: In addition to poetry, we enjoyed the BCAC Members’ Juried Exhibition on display this month.

The impetus for the reading was the release of Merrill’s first full-length poetry collection, Persephone Heads for the Gate, winner of the Gerald Cable Book Award published by Silverfish Review Press. We were treated to several poems from the new book, including the title poem, as well as a number of more recently written poems. As always with Merrill’s work, I was impressed by her ability to bring a unique but no-nonsense perspective to everyday objects and occurrences, curating just the right details to reveal the essence of her subjects. Persephone joins Parking Meters into Mermaids (Finishing Line Press, 2020) on the shelves at the Artisan Gallery. For those outside our area, they can also be ordered through the provided links.

This was my first opportunity to hear Suzanne Cleary read in-person and I loved it! She somehow manages to maintain energy and insight in longer narrative poems, a skill that I much admire but doubt I will ever attain. In honor of reading back in her hometown, Suzanne chose some poems with local ties, as well as those relating to different time periods and circumstances. Some were from her prior books (listings with ordering information here) while others were newer work. We all loved the first poem she read, which was about her experiences with reading Merrill’s work! We were also thrilled with the news that Suzanne will have a new book, The Odds, published in Spring 2025 by New York Quarterly Books. It was chosen by poet Jan Beatty as winner of the 2024 Laura Boss Narrative Poetry Award. Updated information should be available through the links I’ve provided or ask at your favorite bookstore.

Merrill and Suzanne answered audience questions and then engaged in conversation and book signing. It was a wonderful experience! I encourage you all to check out their work and enjoy!

Poem in The Sandy River Review!

(Cover Art by Charlie Scalia-Bruce <3)

I’m pleased to announce that my poem “Confessional” has been published in the annual print edition of The Sandy River Review. I admit that I love seeing my poems in print; the edition will also be available online at a future date.

Many thanks to the Humanities Department of the University of Maine at Farmington, their Creative Writing students and faculty, and the editorial team for including me in this beautiful volume of poetry, prose, and visual art.

“Confessional” was written in response to a July, 2020 Binghamton Poetry Project prompt based on James Wright’s “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota.” It’s about my first confession as a Catholic second-grader. In the spirit of no poem ever really being finished, a revised version is part of my full-length manuscript which I will begin submitting to contests and presses soon.

Hearts 1st anniversary + Goodreads!

Today marks the first anniversary of the release of my first poetry chapbook, Hearts (Kelsay Books, 2023). It is available from either of those links or directly from me by emailing jcorey.poet@gmail.com. Bonus: I can sign or inscribe for you, if you wish.

The poems in Hearts center on my mother, mostly in her final years when she was living with heart failure. It is a chapbook, so it is only 21 poems. (Chapbooks are generally under fifty pages and are organized around a central theme or device.) One of the blessings of having the book out in the world is that so many people have told me that my experiences with my mother reminded them of taking care of their own loved one. I appreciate that my poems touch people’s hearts and minds and give them an opportunity to reflect on their own lives.

As many of you know, I returned to my childhood love of writing poetry in my fifties and my education in the craft has come largely through my poetry community, which includes the Grapevine Poets, the Boiler House Poets Collective, and the Binghamton Poetry Project, recently re-named the Binghamton Writers Project. At times, I’ve felt the learning curve has been steep, but I’ve managed to keep learning and growing as a poet.

What I didn’t fully realize before the publication of Hearts was how daunting the whole publicity enterprise is and how little I understood what it would entail. Kelsay provided a helpful packet of information and I initially sent out some queries to get reviews in journals, but no one responded, life intervened, and I dropped it. The thought of entering contests was bewildering. I made some attempts at getting my book into local bookstores but there was a persistent problem with listing at a distributor. I’ve gotten several cold calls from a scammy publicity company, even though I’ve asked to be removed from their call list. I’m grateful to have had a handful of signing and/or reading opportunities locally but I can’t wrap my head around what it would take to organize an actual book tour.

When my first annual royalty payment arrived, I realized that a good percentage of those sales through Kelsay or Amazon were from people that I knew who had ordered from them. I had sold more copies personally than had been ordered online, which was simultaneously a pat on the back and a stark reminder of my responsibility for marketing my book.

While I have (repeatedly) posted about Hearts here at Top of JC’s Mind and cross-posted on Facebook, X/Twitter, and Instagram, I’m pleased to report that, as of today, I am a certified Goodreads author. Many thanks to poet Samantha Terrell, whose review of Hearts on Goodreads led to my claiming an author page there!

Are you on Goodreads? If so, I’d be honored if you would follow me, Joanne Corey, there and follow Samantha Terrell, too. While it’s no longer National Poetry Month, it’s always a great time to support poets and poetry!