Tag: poet

My Poem in Paterson Literary Review!

2025 Paterson Literary Review cover: Maria Mazziotti Gillan, Woman in Red Asian Shawl

Yesterday, I was thrilled to receive my contributor copy of the 2025 Paterson Literary Review. The link is to their site; the 2025 issue is not yet available to order but should be shortly.

For those of you who may not be familiar, the founding editor of the Paterson Literary Review is Maria Mazziotti Gillan, poet, editor, educator, artist, and Bartle Professor Emerita of English and creative writing at Binghamton University. I live in the Binghamton area and, while I never had the privilege of studying with her, many of the local poets that I have learned from through the Binghamton Poetry Project and through other local workshops were her students and often referred to her and used her books of prompts in our work together.

Having a poem in PLR is a dream come true for me. It’s an honor to be in the company of such distinguished poets. I’d start naming names but the post would go on too long and, with a 53 year history, I’d invariably leave out someone whom I should include.

My poem is “Giovanni” and is about my maternal grandfather. It’s part of my yet-to-be-published full-length collection, The Beyond Place, which centers on the North Adams, Massachusetts area, where I grew up and several generations of my family lived. The Hoosac Tunnel is part of the fabric of this poem.

Because of my health issues, I haven’t been able to do much poetry work, including submissions, for months. I submitted “Giovanni” last September and it was accepted in November, but, because the Paterson Literary Review is a huge undertaking to print – this edition has over 300 pages – it is just arriving now. It’s good for me to have a reminder that I am still acknowledged as a poet, even when I’m not able to do much work at the moment.

Thank you, Maria Mazziotti Gillan, for the honor of appearing in the Paterson Literary Review!

SoCS: two years of Hearts!

Linda’s prompt for Stream of Consciousness Saturday this week is “something that opens.”

Something that opens is my first chapbook, Hearts. In a shameless exercise in self-promotion, I’m using this post to draw attention to a post that I just finished about the second anniversary of Hearts.

Check it out!

Reblog: Marilyn McCabe on Gail DiMaggio

Marilyn McCabe and Gail DiMaggio are original members of the Boiler House Poets Collective, which is how we met. I am pleased to reblog this post from Marilyn’s blog, O Write, in which she offers her reflections on Gail’s poem, “Metta for Judy who Loved a Biker”.

I don’t want to steal any thunder from Marilyn or Gail here, but urge you to check it out.
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Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/23/daily-prompt-jusjojan-the-23rd-2024/

One-Liner Wednesday: Ross Gay on language

Rather than acknowledge the fact of male-centered or male-dominant or nonmale erasing thinking which the universal “he” enacts — magically, in his book, converting all imagined readers and writers into men — it’s magic, rally, how language stokes the imagination, and the imagination language; actually, it’s not magic at all — rather than pushing into language, pushing against it, dancing with it, so that it not only expresses the multiplicity of possible pronouns and genders and worlds but engages the language such that the difficulty, the richness, the loveliness of an author’s thinking might be contained and expressed.

Ross Gay, The Book of Delights, #32 Nota Bene

This very long sentence, showing off what a poet can do when writing prose, is shared with you through Linda’s One-Liner Wednesdays. Join us! Learn more here: https://lindaghill.com/2023/08/30/one-liner-wednesday-tough-week-so-far/

Carol Mikoda’s new book!

Poet-friend and fellow Grapevine poet Carol Mikoda has a new book forthcoming from Finishing Line Press, Wind and Water, Leaf and Lake.

Carol’s nature poems have great depth. Of the book, James Crews writes, “The tender, attentive poems of Carol Mikoda show us how to look up and outside of ourselves to notice the intricate aliveness at play in clouds, leaves, and water—to feel the whole world.”

Through August 25th, you can pre-order your copy so you will be among the first to read it in October when it is released. Bonus: you will receive $2 off the list price!

Order today by clicking on the link above!

One-Liner Wednesday: postage

Yesterday, I mailed a copy of my chapbook, Hearts, to the Poetry Center at Smith College, my alma mater, for their collection of books by alumnae poets, using an assortment of old stamps I had on hand.

Please join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2023/06/07/one-liner-wednesday-how-smoky-is-it/

One-Liner Wednesday: Hearts!

My first poetry chapbook Hearts is now available from Kelsay Books and Amazon!

This joyous announcement is brought to you through Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2023/05/31/one-liner-wednesday-sorry-3/

SoCS: imposter syndrome

So, here goes one of those dangerous Stream of Consciousness Saturday endeavors…

When I read Linda’s prompt yesterday, which is to use sink/sank/sunk in some way, I did not really have a thought in my head about it and assumed I would not participate this week.

This morning, I was reading this article in Highly Sensitive Refuge on imposter syndrome among the highly sensitive population and it really resonated. Not that every point feels true to my experience, but most do.

I have a tendency to sink into imposter syndrome from time to time. Maybe frequently? Maybe less now than in my younger years? It’s really hard to say.

The point is, with my book Hearts soon to be available from Kelsay Books, I have been consciously trying to fight off the feeling that I’m “just” a community poet who doesn’t really deserve to be considered just, well, a poet in her own right.

Part of the issue is that I was brought up with a deep respect for academic achievement. I truly respect all the years of study that go into degree programs in English or writing. Most of the poets I know and the vast majority of poets I read have these credentials and are much more able to bring that knowledge base into their work than I could ever hope to be. I am grateful for all that I’ve learned from the Binghamton Poetry Project and all the other workshops that I’ve been blessed to be a part of, but, for example, our leaders in Binghamton Poetry Project are all graduate students from Binghamton University, so you get the point…

It’s also not that I don’t get loads of support from other poets, both those with academic credentials and those, like me, without them. The vast majority of poets I interact with are encouraging and wonderful in their support of my work and of me personally. I truly appreciate that and use their voices when I’m in an imposter state of doubt, but one of the things about being an HSP is that you notice and take seriously all reactions around you. When I get into my imposter mode, those negative voices are amplified in my head and feed into my own doubts. Even though the voices that are supportive are more numerous, it takes a huge effort of will to beat back the negative.

I am having some success in breaking away from the imposter thoughts as I do my final preparations for my book launch. Instead of sinking into doubts, I’m reminding myself of what I am actually accomplishing. It’s been a bit easier to do after the very successful reading that Merrill and I did earlier this month. It’s easier when I hold the proof copy of Hearts in my hands. It’s easier when I’m dealing with the wonderful team at Kelsay by email as they finish the final steps in the publication process. I’ve learned so much going through all of this and I’m trying to bring that sense to the next new thing I’ll be doing, which is trying to market and sell my book.

Yikes! That is scary!

You need to be able to center yourself and put yourself out there as being a worthy recipient of someone’s money.

Yikes!

Yeah.

Imposter syndrome.

SoCS: reading

I’m overjoyed with how well Merrill’s and my poetry reading went this afternoon! We had a wonderfully receptive audience and I’m very grateful to Tioga Arts Council for inviting us.

Many thanks to director Christina Di Stefano and to her poet-spouse Dante Di Stefano for creating such a welcoming space and for their kind words.

There may be another post after I’ve had a bit more processing time, but, for now, I think I will contentedly settle in for the evening at home.

[Update: Full post on the reading here.]
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Linda’s prompt for Stream of Consciousness Saturday this week is a word that starts with over. Join us! Find out more here: https://lindaghill.com/2023/05/12/the-friday-reminder-and-prompt-for-socs-may-13-2023/

JC’s Confessions #27

In the first few seasons of The Late Show, Stephen Colbert did a recurring skit, then a best-selling book, called Midnight Confessions, in which he “confesses” to his audience with the disclaimer that he isn’t sure these things are really sins but that he does “feel bad about them.” While Stephen and his writers are famously funny, I am not, so my JC’s Confessions will be somewhat more serious reflections, but they will be things that I feel bad about. Stephen’s audience always forgives him at the end of the segment; I’m not expecting that – and these aren’t really sins – but comments are always welcome.

JC

For decades, I’ve dreaded having to answer the question “What do you do?” or to fill in the blank for “occupation” or “profession” on forms.

Usually, those questions are about earning money and the truth is that I have earned very little money over my lifetime.

What I’ve been used to be called housewife, a term I never liked because it sounds like you are married to a house, not a person. I do sometimes choose the homemaker option from lists that don’t allow me to insert a customized response, although that term also seems too centered on the inanimate. I prefer the term caregiver as more reflective of my role as a daughter, spouse, mother, and grandmother. I think it is unfortunate that the current usage of caregiver has focused on the paid or unpaid work of caring for someone with medical needs, although I’ve dealt with more than the usual share of diagnoses among the generations of family involved.

I will often add volunteer, if I’m given the option. I’ve done many things as a volunteer that others are paid to do, such as church music ministry or facilitating a spirituality book study group. I did major committee stints when my daughters were in school, including a site-based decision making team, curriculum planning committees for music and gifted education, and high school honors program planning, for which the teacher participants were paid, a fact they tried to hide from me as they felt badly that I was spending a lot of time working on these things for free. I also spent a lot of time fighting fracking and advocating for action on climate change, although the vast majority of people doing that are volunteers, with just a few people who are paid to be community organizers. (We laughed when the fracking proponents accused us of being paid by George Soros or whomever, which we certainly were not, all the while knowing that some of them were actually being paid by fossil-fuel-company-financed front groups.)

In more recent years, as writing has become an important part of my life, I’ve wondered what to do with that. Should I list myself as a writer on forms? Is it disrespectful to the people who actually make a living as writers to call myself that? To date, I have never been paid to write, although when my chapbook Hearts is published in the coming months, I will make (a tiny bit of) money. On social media, I tend to list myself as poet/blogger. Most poets and most bloggers earn little-to-no income from those activities, so maybe that is a better descriptor than writer?

Or, now that I’m 62, maybe I should just give up and list myself as retired.

But retired from what? The caregiving, volunteering, and writing still go on…