Christmas ’23

I’ve been struggling with whether or not to write a post for Christmas Day.

Maybe, it’s because I’ve been struggling with just about everything related to Christmas this year.

For so many years, the Christmas season brought most of our extended family together, often over a period of days and in various constellations, but this year, it will be just me, spouse B, and daughter T at home together. Daughter E and her family are celebrating an ocean away at home in London. B’s and my siblings are all busily dealing with their families and/or medical issues.

This lack of planned travel and guests turned out to have a silver lining when T was offered a slot for a needed shoulder surgery last week due to a cancellation in the surgeon’s schedule. So, our already subdued Christmas plan got even quieter as we have factored in the early stages of recovery.

While I’ve done some of the Christmas preparations, like singing in Lessons & Carols with the Madrigal Choir of Binghamton, writing Christmas cards and letters, and some gift-shopping and wrapping, the bulk of the decorating, cooking, and baking has been handled by B, with an assist from T prior to her surgery.

I’m sure that my feeling more somber than festive is not helped by the state of the world. The continuing horrors of war in Ukraine, the Middle East, Sudan, and elsewhere. The ever-increasing evidence of climate change impacts. The increasingly vile political rhetoric and threats against judges, Jewish people, Muslims, immigrants, pubic officials, etc. here in the US. The local battle against CO2 fracking with global implications here in the Southern Tier of New York. Increases in cases of flu and COVID in the Northern Hemisphere as winter sets in.

This somber time we face is also reflected in my religious observances. For many years, I was actively involved in music and liturgy planning for Advent and the Christmas season, but I haven’t been for a number of years now. While I still attend and participate in services, some of the anticipation and joy is muted for me.

It’s also true that there are many difficult issues raised by the nativity narrative that seem particularly salient to me this year. The real dangers that Mary faced as a young woman facing pregnancy before marriage. Her being forced to travel and give birth away from the comforts of home and neighbor-women who could come to her aid. The threats to her baby’s life. The slaughter of children ordered in an attempt to kill him. Fleeing to protect her child and their becoming refugees.

Angels and magi aside, there was a lot of pain, fear, and loss.

With all of this in my head, I went to 10 PM mass at my church for Christmas Eve. There was a photo of the baby Jesus amid rubble as displayed at a Palestinian-Lutheran Church in Bethlehem, the birthplace of Jesus on the West Bank, where Christmas observances usually draw crowds from around the world but are not being publicly held this year because of the war. The homily dealt directly with the struggle that I have been having this year and called on us to have hope. As part of the homily, we sang the first verse of “O Little Town of Bethlehem” near the beginning and the fourth, final verse at the end. We sang:

O holy Child of Bethlehem,
descend to us, we pray;
cast out our sin and enter in;
be born in us today.
We hear the Christmas angels,
the great glad tidings tell;
O come to us, abide with us,
our Lord Emmanuel!

Phillips Brooks

The message is to have hope because God, who is Divine and Eternal Love, is with all people of good will, as the angels announce.

I admit that hope is not one of my better virtues, but I will continue to add my actions, small though they are, in the efforts to make the world safer, more loving, more kind.

After all these centuries, still searching for the peace the angels proclaimed…

Review: American Symphony

Last night, B, T, and I watched American Symphony on Netflix, a documentary which followed the extraordinary musician Jon Batiste in 2022. It is also being shown in theaters.

I had loved watching Jon Batiste on The Late Show with Stephen Colbert. He and his band, Stay Human, were the house band on the show, beginning with its inaugural episode in 2015. I appreciated Jon’s talent, his ability to cross and blend musical genres, and his gentle, positive spirit. While his jazz roots were always in evidence, he would often use elements from classical music or indigenous/folk music in his compositions, arrangements, and improvisations. During the early part of the pandemic when the show was being produced remotely, Jon would often still have a segment with Stephen where they would talk from their respective homes and Jon would play a bit on his piano or sing. Even though things were very different, it was a comfort to hear Jon’s expressive, calming voice in a difficult time.

Jon always had multiple projects going on, including performing, recording, and composing. For example, he won an Oscar for best original score as one of the composers for Disney-Pixar’s Soul in 2021. 2022 was set to be another busy, productive year for Jon Batiste, which director Matthew Heineman set out to document on film.

Jon was preparing to premiere his “American Symphony” which would bring together elements of influence of his and American music on stage at Carnegie Hall for a one-time-only performance. He was about to be nominated for 11 Grammy awards across an array of genres. There was still his Late Show gig.

And then, his long-time partner and soon-to-be spouse, the writer/author Suleika Jaouad, had a recurrence of leukemia after ten years in remission and American Symphony transformed from being a documentary about a composer and his music into a film about love, life, living, and how art expresses that all, helps us to process, and propels us forward.

The openness of Jon and Suleika in showing us their pain, anxieties, and vulnerability, as well as their love, art, and joys, is incredibly brave and moving. It was upsetting to me to hear that Jon faced a lot of criticism and negative comments about his eleven Grammy nominations – and eventual five wins, announced while Suleika was beginning chemotherapy. It just seemed so mean-spirited to inflect on a gentle soul at such a vulnerable time. I had known that things were stressful for Jon because he needed to end his years as band leader at The Late Show, but I hadn’t realized the extent of the situation until watching American Symphony.

While being a musician or music-lover will add to your appreciation of this film, it is certainly recommended to all teens and adults who are open to honest expressions of the human condition. It is not for younger children, who might be upset by the intensity of the medical side of the story.

My best wishes to Jon and Suleika for many years of love and art to come. Thank you for sharing so much of yourselves with us.

Photo by Denise Jans on Unsplash

Avis Collins Robinson and Winter

Today is the first day of winter in the Northern Hemisphere and one of the first things I read is this tender, reflective piece from Eugene Robinson of the Washington Post about the unfinished art quilt and essay “Winter” – the last in a series that his spouse Avis Collins Robinson was working on at the time of her death. (The link above is a gift so it will open for everyone without paywall.)

The piece begins:

For Avis Collins Robinson, the artist who created these works heralding the seasons, winter meant both an end and a beginning. The bare trees and sere landscape were stark, but they held the promise of spring and renewal — not a mere hope but a promise.

I wanted to share his words and her art with you as the seasons continue to unfold inexorably before us.

We are fortunate that art and words continue to speak to us, even when their creators have passed away.

Love also endures.

(Photo by Timothy Eberly on Unsplash)

One-Liner Wednesday: five years ago

Our then one-year-old granddaughter ABC enjoying Thanksgiving dinner with her great-grandfather Paco in the background; I’m missing both of them today, one due to distance, the other to death.

Please join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2023/11/22/one-liner-wednesday-clownin-around-2/

Two years without Paco

I work up in the very early morning darkness today thinking about my father, known here and in real life for the last 33-ish years of his life as Paco, the name bestowed on him by my firstborn and his first grandchild E as she was learning to talk.

I suppose this is not surprising because this is the second anniversary of his death. You can read a tribute that I wrote to him a few weeks after his passing here.

What is unfortunate is that in the early morning darkness in which I am now writing this post I am remembering so much of his final years, when I was struggling to get proper support and medical care for him, exacerbated by the pandemic. Even though I was living locally, there were long stretches in which I could not visit in person at all or only for short amounts of time. Phone and video calls were often frustrating, as you can tell from this poem, which was first published in Rat’s Ass Review.

Video Chat with our 95-year-old Father

You said it was scary
today
that we were there

in your bedroom
your three daughters
in pulsating squares

on a screen
You remembered where
home

is for each of us
but not where
it is for you

confused that you
could see us
hear us

but we were not
there
with you

We talked about the snowy
winter, so like our New England
childhoods, when you would

wrangle your orange
snowblower to clear
our way out

We asked if the cut
and bruise on your hand
had finally healed

if you had finished
all the Valentine
goodies we’d sent

Distracted
by a sound
from the living room

you set the tablet
aside
left us

staring at the ceiling

What was most difficult was that, no matter how hard I tried, I couldn’t secure correct diagnoses or treatments for Paco, illustrated by the fact that his death certificate states that he died from end-stage heart failure, but he was only diagnosed with heart failure about ten days before he died. I had been trying for months to tell the staff at his assisted living and then skilled nursing units of his continuing care community that he was having unexplained symptoms and had accompanied him to outside doctors and emergency room visits, when the pandemic protocols allowed me to stay with him, but it was never enough to get to the bottom of his health difficulties.

I thought I had worked my way out of most of the trauma of that but, in the early morning darkness of this anniversary day, apparently there is still some of that pain left. It’s not that I think I could have further prolonged his 96 years – something that would not have served any of us – but that his final months would have been so much easier for him if he could have received timely, proper diagnosis and medications.

One of the comforts of Paco’s death was the thought of his reuniting with my mom, known here as Nana, who died in May, 2019, also of heart failure and, gratefully, before the pandemic struck. I drafted this poem, which was first published by Wilderness House Literary Review, only a couple of weeks after Paco’s death.

We probably should have taken off					

his wedding ring before
he died		    before
his hands cooled	      started
to claw
but we couldn’t		       remove
that symbol
			of Elinor
	of two years
		   three months
			twenty-three days
						left
without		her
after
	sixty-five years
		      one month
			   three days
married to her
			the ring
				of her
even    in    days    of    delirium
	    haze			confusion

his ring		not
	sixty-seven years	  old
		but	   twenty
her gift 	         a remedy
	 for missing		some		thing
		of his
  to cling to 		during his three weeks
			       in the hospital
his chest cracked			 open
     		widow-maker averted
				somehow

She inscribed 		his ring	
      ALL MY LOVE  “ME”
     the way she signed 	cards to him
birthday	anniversary	  Christmas
	St. Patrick’s Day
		valentines
the words against his left
	ring finger		believed
to lead most directly to the heart
	which finally failed
		after ninety-six years
			five months
				nineteen days
as hers had
	after eighty-seven years
		     six days

While I go to the sink
to fetch soap 		to ease
the ring off 	his finger
my sister works
it over	 his reluctant 	knuckle

I carry it 	home 
to my daughter
Elinor’s and Leo’s rings
	   unite
on their granddaughter’s finger

[For those of you who might be new to Top of JC’s Mind, I will note that it is really unusual for me to fold poems into posts like this, but somehow, in the early morning darkness, it seemed appropriate.]

I’ll close this post by explaining the significance of the four-generations photo, taken a few weeks before Paco’s death, that begins this post. It shows Paco, me, eldest grandchild E who named Paco, and great-granddaughters, then 4-year-old ABC and just turned 1-year-old JG. This was the first and only meeting of Paco and JG, who had been born in London, UK, in the early months of the pandemic. ABC lived here in the States with us for her first two years and remembered Paco very well. The restrictions on international travel had kept E and her family from visiting but they were able to get special permission to travel together to come visit Paco one last time.

Paco’s health declined quickly after that visit and I’m so grateful that we all had that brief, sweet time together.

Remembering that final farewell through a few tears in the still-before-dawn darkness of this anniversary morning.

One-Liner Wednesday: remembering Tony Bennett

When asked if he got tired of singing “I Left My Heart in San Francisco,” Tony Bennett replied, “Do you ever get tired of making love?”

This homage to Tony Bennett, who passed away last week at the age of 96, is brought to you through Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2023/07/26/one-liner-wednesday-whats-the-hold-up/

One-Liner Wednesday: Hearts!

My first poetry chapbook Hearts is now available from Kelsay Books and Amazon!

This joyous announcement is brought to you through Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2023/05/31/one-liner-wednesday-sorry-3/

Hearts is available!

I’m excited to announce that my first chapbook, Hearts, is now available from my publisher, Kelsay Books, here or from Amazon here.

For local folks, I will also be selling copies myself after my shipment arrives in 2-3 weeks.

For those who might be wondering, a chapbook is a short book, usually centered on a single topic. Hearts is a chapbook of poems that revolve around my mother, including her last years living with heart disease. Long-time readers of Top of JC’s Mind may remember reading posts about my mother, known here as Nana.

I completed the first draft of Hearts in December, 2017, in response to a chapbook contest prompt from QuillsEdge Press. The prompt was “In Transition” and my mother interpretation of that prompt to write about my mother, who was under hospice care. (We didn’t know at the time that her decline would be more prolonged than expected, as she was with us until May, 2019.) Although I didn’t win the contest, I was among the finalists and my poem, “Sixteen Hours,” was included in an anthology of the finalists’ work along with the winning chapbook, Skin Gin, by Rose Maria Woodson.

Given how busy and emotional those next two years were, I didn’t have the wherewithal to send out a new version of the chapbook until spring of 2020. I had continued to write poems during Nana’s continuing struggles and expanded the manuscript with those poems in the months after her death. I benefited from a manuscript review with some of the Grapevine Poets, local poets who meet every other week to workshop individual poems and as needed for manuscript reviews. They were able to offer guidance on ordering the poems and they identified a couple of places where new poems would be helpful to flesh out my mother’s story.

I continued to send Hearts to publishers and contests over the next two years. During that time, I did more revisions, incorporating comments from poet-friends as I went along. In August of 2022, encouraged by Grapevine Poets Jessica Dubey and Burt Myers who had had books accepted by Kelsay Books, I submitted there and received a publication offer from them on September 2nd.

Karen Kelsay and the whole team at Kelsay Books have been amazing! They made the publication process, which was a mystery to me, straightforward. They also were able to move up the publication date, which I had originally thought would be in late summer/early fall.

When I went to the first Tupelo Press/MASS MoCA workshop-in-residence in November of 2015, I had thought that I might be able to put together a chapbook of poem about the North Adams area and my family’s connections there. I set a goal of age 60 to have that book published.

Of course, life events intervened.

That original chapbook idea is now a full-length collection that is being submitted to publishers, unsuccessfully so far.

Now, at age 62, I’m grateful that Hearts is my first published book because it is about my mother, who made my life possible and loving. She was always a strong support for me, whatever the endeavor. It feels right that my first book has her as its heart.

four years

Today is the fourth anniversary of my mother’s death.

As often happens with these dates, sometimes it seems that it couldn’t have been that long and other times it seems longer ago. This warping of time is even more prominent because of the pandemic. I remain grateful that my mother died before we were all faced with the impossible prospect of not being able to visit her in the nursing home where she spent her final months. That would have been a particularly heavy burden for my father, with whom she had celebrated their 65th wedding anniversary a few weeks before she died.

This year feels especially poignant for me as I await the publication of my first chapbook of poetry, Hearts, from Kelsay Books, most likely in June or July. The poems center on my mother with a particular emphasis on her last years dealing with heart failure. She appreciated my writing and I think she would be pleased to know she is the focus of my first book.

She didn’t enjoy having her picture taken, so I will share a photo, taken four years ago in her final days, of one of her favorite flowers, lily-of-the-valley, which was also her birth flower.

Lily of the valley, with Paco’s card to Nana and birthday card made by artist-friend Jim


Love you, Mom. Miss you. Still cry every once in a while…

One-Liner Wednesday: 69

Today would have been my parents’ 69th wedding anniversary.

This (bonus) One-Liner Wednesday comes to you as part of Linda’s One-Liner Wednesday series. Join us! Find out more here: https://lindaghill.com/2023/04/19/one-liner-wednesday-a-battle-to-the-finish/