Reblog: Carol Mikoda’s Outside of Time now available!

Originally published on the Boiler House Poets Collective site here: https://boilerhousepc.wordpress.com/2025/11/26/carol-mikodas-outside-of-time-now-available/

Photo caption: Carol Mikoda reading from Outside of Time at the North Adams Public Library (photo by Mary Beth Hines)

When Kelsay Books published Carol Mikoda’s Outside of Time in October, she celebrated with a reading at the North Adams Public Library. Carol was in residence at the Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) as a member of the Boiler House Poets Collective. Participating in the reading marking the tenth anniversary of the Boiler House Poets were fellow Kelsay authors Joanne Corey (Hearts), Jessica Dubay (All Those Years Underwater), and Mary Beth Hines (Winter at a Summer House), along with Merrill Oliver Douglas, Judith Hoyer, Kyle Laws, Deborah Marshall, Eva Schegulla, and Wendy Stewart.

You can read and hear more of Carol Mikoda’s work on her Substack, The Yellow Table.

25 months of Hearts

A little over two years ago, Hearts, my first poetry chapbook was published by Kelsay Books. The poems center around my mother, concentrating on her final years as she lived with heart failure.

I know that many people are unfamiliar with the term “chapbook.” A chapbook is a short book that is usually organized around a central theme.

As someone who didn’t pursue poetry until later in life, I am honored to have a book in print. There are several ways to buy a copy: directly from Kelsay Books, from Amazon, on special order from any bookstore that has access to Ingram, or directly from me, in person or by mail. (Please send me an email at jcorey.poet@gmail.com to make arrangements.)

People who have been following my history as a poet know that I had very little formal coursework in poetry; I have developed my skills through the generous sharing of my poetry community, including the Binghamton Poetry Project, the Grapevine Poets, and the Boiler House Poets Collective.

What has been more difficult is developing the publicity skills needed to promote a book. I am by nature an introvert and struggle with self-promotion. I’m also not great with asking people to spend money. Unfortunately, there have been other obstacles in the form of personal and family health struggles that have kept me from doing a great job at selling my book.

I am very grateful for the friends – and the people who are unknown to me – who have read my book. I especially appreciate those who have reached out to me about Hearts, often sharing stories about their own loved ones. I write in order to connect with others and am deeply honored that my work resonates with them.

One thing that I hadn’t anticipated was what it feels like to lose friends who have read Hearts and written or spoken to me about it. It adds another aspect to their loss. I also wonder what will become of the copies that they had, especially when they are inscribed. I somehow imagine someone picking up a copy in a secondhand bookstore and wondering who the prior owner was and how I was connected to them.

I still hope to publish another book some day/year but I will always be pleased that my first book was about my mom.

And every time I see bleeding hearts, I think about Hearts and about her.

Hearts 1st anniversary + Goodreads!

Today marks the first anniversary of the release of my first poetry chapbook, Hearts (Kelsay Books, 2023). It is available from either of those links or directly from me by emailing jcorey.poet@gmail.com. Bonus: I can sign or inscribe for you, if you wish.

The poems in Hearts center on my mother, mostly in her final years when she was living with heart failure. It is a chapbook, so it is only 21 poems. (Chapbooks are generally under fifty pages and are organized around a central theme or device.) One of the blessings of having the book out in the world is that so many people have told me that my experiences with my mother reminded them of taking care of their own loved one. I appreciate that my poems touch people’s hearts and minds and give them an opportunity to reflect on their own lives.

As many of you know, I returned to my childhood love of writing poetry in my fifties and my education in the craft has come largely through my poetry community, which includes the Grapevine Poets, the Boiler House Poets Collective, and the Binghamton Poetry Project, recently re-named the Binghamton Writers Project. At times, I’ve felt the learning curve has been steep, but I’ve managed to keep learning and growing as a poet.

What I didn’t fully realize before the publication of Hearts was how daunting the whole publicity enterprise is and how little I understood what it would entail. Kelsay provided a helpful packet of information and I initially sent out some queries to get reviews in journals, but no one responded, life intervened, and I dropped it. The thought of entering contests was bewildering. I made some attempts at getting my book into local bookstores but there was a persistent problem with listing at a distributor. I’ve gotten several cold calls from a scammy publicity company, even though I’ve asked to be removed from their call list. I’m grateful to have had a handful of signing and/or reading opportunities locally but I can’t wrap my head around what it would take to organize an actual book tour.

When my first annual royalty payment arrived, I realized that a good percentage of those sales through Kelsay or Amazon were from people that I knew who had ordered from them. I had sold more copies personally than had been ordered online, which was simultaneously a pat on the back and a stark reminder of my responsibility for marketing my book.

While I have (repeatedly) posted about Hearts here at Top of JC’s Mind and cross-posted on Facebook, X/Twitter, and Instagram, I’m pleased to report that, as of today, I am a certified Goodreads author. Many thanks to poet Samantha Terrell, whose review of Hearts on Goodreads led to my claiming an author page there!

Are you on Goodreads? If so, I’d be honored if you would follow me, Joanne Corey, there and follow Samantha Terrell, too. While it’s no longer National Poetry Month, it’s always a great time to support poets and poetry!

“First Grandchild” on Silver Birch Press

I am honored that my poem “First Grandchild” from my chapbook Hearts (Kelsay Books, 2023) is featured today by Silver Birch Press as part of their ALL ABOUT MY MOTHER series. Many thanks to Melanie and the Silver Birch Press team for including me in this series!

The first grandchild in the title is my daughter E, shown in the photo above holding baby ABC with my mother, known here at Top of JC’s Mind as Nana, and me.

You can read a bit more about the writing of the poem in the author’s note at the link above.

Having this appear at this time is especially poignant. May 16th would have been my mother’s 92nd birthday.

Tomorrow, May 22nd, will be the fifth anniversary of her death.

It’s a good day to remember the immense love and care that she showed for all of us for so many years.

Her love lives on.

First Royalties

Last week, I received my first ever royalties payment on the copies of my poetry chapbook Hearts, which was published by Kelsay Books in May, 2023.

The payment covered the copies sold through the Kelsay Books website and on Amazon in 2023. (If you are lucky enough to still have an independent bookstore near you, they can also order Hearts for you through Ingram.)

It turns out that I had sold more copies myself, in person and through mail order, than I had online.

Yay, me?

At any rate, I’m now working on 2024 sales, so feel free to order at either of the links above, through your favorite local independent bookstore, or directly from me. I can arrange to meet up or deliver locally or send by mail in the US. You may email me at jcorey.poet@gmail.com to make arrangements or for more information.

I’m also available to give readings at bookstores, book club meetings, libraries, or anywhere else that might want to invite me. I could discuss Hearts, which revolves around my mother in her final years, or, more likely, read a more wide-ranging selection of my work and take questions. I could even throw in some blogging discussion, if that is of interest. I’m open to travelling to your venue or appearing virtually, so feel free to make a proposal that would suit you and your group!

I’m still near the beginning of the learning curve on the whole promotion aspect of authorship, so, please, also feel free to send along any advice or tips you may have.

Thanks to everyone who has purchased or read Hearts, written a review, and/or communicated with me about their own reflections and reactions. It has been a special experience for me knowing that my poems reach people and remind them of aspects of their own lives.

I also appreciate the support of the readers at Top of JC’s Mind. I’ll continue to keep you posted about my poet-life, plus a whole lot more, here.

In gratitude,
Joanne Corey

Writing

I’m a bit of – okay, more than a bit – an outlier in Linda’s Just Jot It January event in that I seldom use the provided prompts other than for One-Liner Wednesdays and Stream of Consciousness Saturdays. My blog is called Top of JC’s Mind because I write about whatever is at the top of my mind, which could be family, poetry, health, politics, spirituality, environmental issues, movies, or anything else. Today, though, I provided the #JusJoJan24 prompt, writing, hoping it would be an easy one for all of us, including me (especially me?), to use.

When I was in grammar school, we did a lot of both creative and academic/utilitarian writing in our two-room school which went up through grade 8. Besides learning to write theme papers and business and friendly letters and such, we also wrote stories and poems. I remember writing outside of school for fun, too. My sisters and I would often make our own greeting cards with poems we wrote ourselves.

At the high school I attended about twenty miles from home, there was still a lot of writing but very little of it was creative. Busy with academic writing, I stopped writing poetry and fiction. This trend continued when I was a student at Smith College – lots of writing, but none of it in fiction or poetry. I’ve wondered if the Boutelle-Day Poetry Center had existed back in my student days whether I would have written and studied poetry as an undergrad. As it happened, I made the happy discovery that I could write music; composition became an important part of my major. As a singer, organist, and composer, words were often entwined with my musical experiences, which kept me in conversation with poetry and literary writing, even when I wasn’t practicing it myself.

There has been a lot of writing in my life after Smith. There has always been correspondence, first on paper and later mostly electronic. Many of my volunteer activities had major writing components. In my years on the liturgy committee at my church, I wrote prayers and what we jokingly termed “homilettes” on seasonal themes. I worked on documents on curriculum development as a volunteer on curriculum and honors diploma committees when my daughters were in school. I researched and wrote commentary on the dangers of fracking for years as part of the rapid response team in New York State. Every once in a while, I would be inspired to write a poem, but nearly all my writing was utilitarian prose.

That changed when I turned fifty. My friend Yvonne was leading a year-long book study of Dr. Clarissa Pinkola Estés’s Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. A circle of women met monthly to discuss a section of the book and then create art in response. I spontaneously started to write poems to accompany my art pieces, a practice known as ekphrasis, though I didn’t know the word at the time. I had lost the church that had sometimes performed my music and I think that creative energy found a home in writing poetry.

After a poem I had written was chosen as part of a National Poetry Month initiative at our local public broadcasting radio station, I learned about the Binghamton Poetry Project and started attending their community poetry workshops, which are led by graduate students at Binghamton University. I quickly became serious about poetry and wanted to submit work for publication. One of the BPP directors found a local circle of poets meeting regularly to workshop poems that I could join. We are now known as the Grapevine Poets and I will be forever grateful to them for all their help and support with my poems and manuscripts. Last year was a milestone for me when Kelsay Books published my first chapbook of poetry, Hearts.

Running roughly concurrently with the resurgence of poetry in my life has been my blogging life. When I was writing so much fracking and political commentary, friends suggested I give blogging a try. I wasn’t sure if I could make it work but Top of JC’s Mind turned ten last September. I just passed 1,900 posts total, so there’s a lot there if anyone cares to rummage around! As part of my tenth anniversary celebration, I also finally got my own domain name, so you can also visit the blog through my author site at joannecorey.com.

Words are powerful and nearly all of us are writers, whether we are doing it for personal use or public audience. I hope that, whatever writing you do, it brings you some sense of peace, joy, clarity, outreach, and stability.

Write on!

New poem on POETiCA REViEW

I’m pleased to announce that I have a poem published in the special 20th anniversary edition of POETiCA REViEW. You can find my poem, “The Bridge,” by clicking on my name, Joanne Corey, on the first page of the pdf which opens at the link.

Many thanks to the team at POETiCA REViEW for choosing my poem for this special edition. Thanks also to Trish Hopkinson, who published the submission call and an interview with editor Mark A. Murphy. Mark had mentioned in the interview that they wished they had more submissions of ekphrastic poetry, so I happily obliged and suspect that that was part of the reason that they chose “The Bridge” for publication. I was pleased to see that the painting that served as inspiration for the poem, Claude Monet’s The Japanese Footbridge and the Water Lily Pool, Giverny, appears on the page with my poem.

I wrote the poem initially in June, 2023 in response to an Ekphrastic Review Writing Challenge. While it wasn’t chosen for publication in the responses to that challenge, I workshopped it with both the Grapevine Poets and the Boiler House Poets Collective to revise it to the form that POETiCA REViEW published.

One of the things that I appreciated about the interview that Trish Hopkinson did with Mark Murphy was the response articulating POETiCA REViEW‘s mission “to reach out to ordinary people, who might not otherwise consider themselves as poets.” This resonates with me as someone who does not have an academic background in poetry. I very much consider myself a “community poet” who has learned about poetry through my connections with the Binghamton Poetry Project; my local poetry circles, the Grapevine Poets and the sadly missed Sappho’s Circle; and the Boiler House Poets Collective, as well as through poet-friends and through reading a wide range of poems and articles about poetry.

I also appreciate POETiCA REViEW‘s tagline, “for the many, not the few.” I have found that my poems are more likely to be published by journals and presses that are seeking a more general audience. For example, Kelsay Books, who published my chapbook Hearts this spring, states in their submission requirements that “submissions should be accessible to a general audience.” I think that many people were scared off poetry in school, thinking they couldn’t understand it properly. I try to write in a way that invites people to bring their own experiences and memories to the poem so it doesn’t feel foreign or intimidating.

I hope you will enjoy the 20th anniversary edition of POETiCA REViEW and more editions available in their archive. Consider submitting to them, in keeping with their mission! And, as always, comments are welcome here at Top of JC’s Mind.

Kelsay authors at MASS MoCA

One of the fun things that happened during the Boiler House Poets Collective (BHPC) annual workshop at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) this year was the chance for poets Mary Beth Hines, Jessica Dubey, and I to celebrate our books, all published by Kelsay Books.

I’m pleased to share the December post from the Kelsay Books blog that features the three of us on our MASS MoCA adventures. While Jessica and I live near one another and are long-time members of the Grapevine Poets and BHPC, this was our first time meeting Mary Beth. Although Mary Beth, as a Massachusite, was already familiar with MASS MoCA, we were thrilled to welcome her to BHPC and look forward to her return next fall for our 2024 reunion residency.

Mary Beth was the first of us to publish with Kelsay. Her debut collection, Winter at a Summer House, was published in November, 2021. Jessica’s second chapbook, All Those Years Underwater, followed in November, 2022. (Jessica’s first chapbook, For Dear Life, had been published by Finishing Line Press in May, 2022.) My first chapbook, Hearts, appeared in May, 2023.

I love this photo of us taken by fellow BHPC member Wendy Stewart! Wendy managed to catch not only, from left to right, me, Mary Beth, and Jessica, with our books and smiles but also a reflection of part of Natalie Jeremijenko’s Tree Logic, the iconic art installation at the main entrance to MASS MoCA. Commonly referred to as “the upside-down trees,” the maples had graced the courtyard since April 1999, with the trees replaced occasionally so that they could re-orient themselves and spread their roots. The image of the upside-down tree had come to symbolize MASS MoCA and was featured on a number of items in the gift shop.

As I was heading home from our residency, I was shocked to read that Tree Logic was ending its almost 25 years on exhibit in just a few days. The final trees are transplanted on the MASS MoCA campus along the Speedway. I’ll make sure to visit them next October when BHPC is again in residence, or, perhaps, I will make it back to the Museum next May for the 25th anniversary celebration.

I know the trees will be reaching for the light in their new orientation, their roots expanding to anchor them to the site of so much change over the decades. Over time, they will straighten, although they will always bear some remembrance of their time of inversion.

SoCS: mailing Hearts

It never occurred to me that part of my efforts to learn about publicizing my chapbook Hearts would revolve around envelopes.

I needed to buy envelopes to ship my book, first to family members and the poets who wrote back cover blurbs for me, later to out-of-town folks who ordered directly from me.

Most people ship books like this in padded mailing envelopes for extra protection. The book is 6×9 inches and there are 6×9 padded mailing envelopes, so it seemed straight-forward.

But, no.

Most 6×9 envelopes have that as their internal dimension but don’t accomodoate for thickness, so, even though, as a chapbook, Hearts is not very thick, it wouldn’t fit in most of the envelopes in the store.

I did find one Scotch one that worked because its internal dimensions are 9.25×6. Yay! I bought ten, which was about all they had on the shelf. When I used those up, I bought another ten. The store doesn’t have a lot out at once.

I was running low again, so went to the store and was happy to see they were on sale. There weren’t any on the shelf, so I asked for a rain check. They said they couldn’t do that but could order online.

Except they couldn’t, apparently because of the brand.

And they didn’t know when or if they’d ever get more in. They offered to substitute another brand but I explained kindly that those didn’t fit.

I tried looking for another supplier but couldn’t find an in-store one and the online shipping was too high to order them online and have them shipped to my home. Also, I did not need a box of 100 envelopes!

One of these days, I’ll go back to the store and see if more have appeared.

Meanwhile, I still have three from my last stash.

Realistically, most people order from Kelsay or Amazon. If you have a local independent bookstore, you can ask them to order it for you through Ingram.

See? I told you I was trying to learn marketing…
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “envelope.” Join us! Find out more here: https://lindaghill.com/2023/08/11/the-friday-reminder-and-prompt-for-socs-aug-12-2023/

two months of Hearts

Almost two months ago, my first chapbook, Hearts, was published by Kelsay Books. It is available from Kelsay, from Amazon, from me personally (if you are local), or by asking your local bookstore to order it through Ingram.

I posted about the first month, so thought I’d do an update.

I’m embarrassed to say that I haven’t yet gotten my bookmarks and business cards printed or made any dates for readings/signings. Soon, I hope…

I have made some new inroads in publicity, thanks to Alignable, where I am listed as Top of JC’s Mind. I was invited to join a couple of groups there, Marketing for the Small Business and Networking for Introverts! (The exclamation point is part of the group name.) As a creative, I admit to being a bit of an odd duck in the groups, but I was lucky to meet Traci Poe of Communicate Great. She graciously offered to video chat with me and sent me a number of suggestions that I am implementing, such as using Instagram as a platform, linking it to my Top of JC’s Mind Facebook page. So, if you are on Instagram, you can now find me there as joannecoreypoet. I don’t know how helpful this will be in terms of promotion, as I don’t have a large following on either platform, but I’m trying. You may also notice that my TJCM post now have a featured image, which makes them directly shareable to Instagram, although Instagram posts use square images and some of mine are rectangular, so they get lopped off. Work in progress…

I’ve also learned to use Canva to create FB/IG posts and Meta Business Suite to schedule them. My skills are rudimentary, but I have managed to schedule out a series of posts featuring quotes from Hearts poems. Traci suggested I choose a color palette as a branding tool, but, so far, I am sticking with a clear, straightforward template with black Garamond type on a light gray background. I guess black and gray are colors. Right?

I have also tried to reach out to several places about reviews but haven’t heard back from any of them after several weeks. Not quite sure what to do about that…

Hearts is available at the Artisan Gallery, the shop of the Broome County Arts Council, and at Riverow Bookshop. I have an inquiry in at another local-ish bookstore, but I haven’t heard back yet. Are you noticing a theme?

Admittedly, my introversion is not helpful in this whole marketing piece that I’m trying to learn. All the outreach efforts are draining and anxiety-producing. None of this is helped by the fact that all my other volunteer commitments have either ramped up or hit unexpected snags lately, so I’m feeling overwhelmed. Not that that isn’t a familiar feeling for me…

It’s apparently a day for ellipses…

And questions?

That might be a bad sign…

Okay. Deep breath.

I can do this.

Maybe not as well as I would like.

Or as expeditiously.

And maybe it won’t matter in the long run if some of it never gets done.

I am trying – and learning as I go along.

And taking you all along with me here at Top of JC’s Mind.