Writing

I’m a bit of – okay, more than a bit – an outlier in Linda’s Just Jot It January event in that I seldom use the provided prompts other than for One-Liner Wednesdays and Stream of Consciousness Saturdays. My blog is called Top of JC’s Mind because I write about whatever is at the top of my mind, which could be family, poetry, health, politics, spirituality, environmental issues, movies, or anything else. Today, though, I provided the #JusJoJan24 prompt, writing, hoping it would be an easy one for all of us, including me (especially me?), to use.

When I was in grammar school, we did a lot of both creative and academic/utilitarian writing in our two-room school which went up through grade 8. Besides learning to write theme papers and business and friendly letters and such, we also wrote stories and poems. I remember writing outside of school for fun, too. My sisters and I would often make our own greeting cards with poems we wrote ourselves.

At the high school I attended about twenty miles from home, there was still a lot of writing but very little of it was creative. Busy with academic writing, I stopped writing poetry and fiction. This trend continued when I was a student at Smith College – lots of writing, but none of it in fiction or poetry. I’ve wondered if the Boutelle-Day Poetry Center had existed back in my student days whether I would have written and studied poetry as an undergrad. As it happened, I made the happy discovery that I could write music; composition became an important part of my major. As a singer, organist, and composer, words were often entwined with my musical experiences, which kept me in conversation with poetry and literary writing, even when I wasn’t practicing it myself.

There has been a lot of writing in my life after Smith. There has always been correspondence, first on paper and later mostly electronic. Many of my volunteer activities had major writing components. In my years on the liturgy committee at my church, I wrote prayers and what we jokingly termed “homilettes” on seasonal themes. I worked on documents on curriculum development as a volunteer on curriculum and honors diploma committees when my daughters were in school. I researched and wrote commentary on the dangers of fracking for years as part of the rapid response team in New York State. Every once in a while, I would be inspired to write a poem, but nearly all my writing was utilitarian prose.

That changed when I turned fifty. My friend Yvonne was leading a year-long book study of Dr. Clarissa Pinkola Estés’s Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. A circle of women met monthly to discuss a section of the book and then create art in response. I spontaneously started to write poems to accompany my art pieces, a practice known as ekphrasis, though I didn’t know the word at the time. I had lost the church that had sometimes performed my music and I think that creative energy found a home in writing poetry.

After a poem I had written was chosen as part of a National Poetry Month initiative at our local public broadcasting radio station, I learned about the Binghamton Poetry Project and started attending their community poetry workshops, which are led by graduate students at Binghamton University. I quickly became serious about poetry and wanted to submit work for publication. One of the BPP directors found a local circle of poets meeting regularly to workshop poems that I could join. We are now known as the Grapevine Poets and I will be forever grateful to them for all their help and support with my poems and manuscripts. Last year was a milestone for me when Kelsay Books published my first chapbook of poetry, Hearts.

Running roughly concurrently with the resurgence of poetry in my life has been my blogging life. When I was writing so much fracking and political commentary, friends suggested I give blogging a try. I wasn’t sure if I could make it work but Top of JC’s Mind turned ten last September. I just passed 1,900 posts total, so there’s a lot there if anyone cares to rummage around! As part of my tenth anniversary celebration, I also finally got my own domain name, so you can also visit the blog through my author site at joannecorey.com.

Words are powerful and nearly all of us are writers, whether we are doing it for personal use or public audience. I hope that, whatever writing you do, it brings you some sense of peace, joy, clarity, outreach, and stability.

Write on!

SoCS: headshots

My family is not that big on taking photographs all the time. I am particularly disinclined to selfies, so there are not a lot of close-ups of me.

As a poet, though, one often has to submit headshots to accompany poems and bios, so…

I was lucky that relatively early in my publishing experience I wrote a poem on a prompt from Silver Birch Press for their MY MANE MEMORIES series, which was about our hair. My poem was called “Crowning Glory.” We had to send a close-up photo of ourselves, illustrating the poem, so spouse B and I went into our backyard on a sunny day to show off my silver locks in the sunshine.


Since then, I’ve used this photo whenever I needed to submit a headshot. It’s appeared in a number of journals and is on the back cover of my chapbook, Hearts (Kelsay Books, 2023). It’s the photo that is used here at Top of JC’s Mind and on its Facebook page. When I don’t have a more relevant photo to go with a blog post on Instagram, I use this headshot.

At this point, this close-up is a bit out of date. After cataract surgery, I no longer wear glasses on a regular basis. Due to some dental issues that required using orthodontia to correct my bite, my smile looks a bit different. I have a few more smile wrinkles now.

I really should have a new close-up taken.

Still, I’m so attached to this one and have spread it around to so many places, I’m not quite ready to replace it.

Maybe, someday…

[I should have included that I use this photo on my new author site (joannecorey.com), too. I really have plastered it everywhere!]
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “close up/close-up.” Please join us for SoCS and/or Just Jot It January! Find out more here: https://lindaghill.com/2024/01/12/the-friday-reminder-for-socs-jusjojan-2024-daily-prompt-jan-13th/

New poem on POETiCA REViEW

I’m pleased to announce that I have a poem published in the special 20th anniversary edition of POETiCA REViEW. You can find my poem, “The Bridge,” by clicking on my name, Joanne Corey, on the first page of the pdf which opens at the link.

Many thanks to the team at POETiCA REViEW for choosing my poem for this special edition. Thanks also to Trish Hopkinson, who published the submission call and an interview with editor Mark A. Murphy. Mark had mentioned in the interview that they wished they had more submissions of ekphrastic poetry, so I happily obliged and suspect that that was part of the reason that they chose “The Bridge” for publication. I was pleased to see that the painting that served as inspiration for the poem, Claude Monet’s The Japanese Footbridge and the Water Lily Pool, Giverny, appears on the page with my poem.

I wrote the poem initially in June, 2023 in response to an Ekphrastic Review Writing Challenge. While it wasn’t chosen for publication in the responses to that challenge, I workshopped it with both the Grapevine Poets and the Boiler House Poets Collective to revise it to the form that POETiCA REViEW published.

One of the things that I appreciated about the interview that Trish Hopkinson did with Mark Murphy was the response articulating POETiCA REViEW‘s mission “to reach out to ordinary people, who might not otherwise consider themselves as poets.” This resonates with me as someone who does not have an academic background in poetry. I very much consider myself a “community poet” who has learned about poetry through my connections with the Binghamton Poetry Project; my local poetry circles, the Grapevine Poets and the sadly missed Sappho’s Circle; and the Boiler House Poets Collective, as well as through poet-friends and through reading a wide range of poems and articles about poetry.

I also appreciate POETiCA REViEW‘s tagline, “for the many, not the few.” I have found that my poems are more likely to be published by journals and presses that are seeking a more general audience. For example, Kelsay Books, who published my chapbook Hearts this spring, states in their submission requirements that “submissions should be accessible to a general audience.” I think that many people were scared off poetry in school, thinking they couldn’t understand it properly. I try to write in a way that invites people to bring their own experiences and memories to the poem so it doesn’t feel foreign or intimidating.

I hope you will enjoy the 20th anniversary edition of POETiCA REViEW and more editions available in their archive. Consider submitting to them, in keeping with their mission! And, as always, comments are welcome here at Top of JC’s Mind.

One-Liner Wednesday: 100 views

Today’s notification from WordPress: “Congratulations! Your site, Joanne Corey, passed 100 all-time views.” This is my author site and domain name that I finally set up in honor of the release of my first chapbook and the tenth anniversary of Top of JC’s Mind. I suppose it shouldn’t have taken almost two months to get 100 views, but, hey, not bad for a poet. 😉

This super-sized One-Liner Wednesday post is part of a series spearheaded by Linda Hill, author and blogger at Life in Progress. Click the link for a lovely autumnal photo and for instructions on how to join in the #1linerWeds fun!

Remembering Ron Perera

Ronald C. Perera, composer and the Elsie Irwin Sweeney Professor of Music Emeritus at Smith College, passed away on August 4, 2023 at his home in Massachusetts.

Mr. Perera – I’m supposed to call him Ron but can’t quite bring myself to do so – was one of the most important people in my education at Smith (1978-1982). I was fortunate to be placed in his first-year music theory section. At the time, Smith’s sequence for teaching theory was unique. The first semester was based in 20th century music, with an emphasis on studying rhythm and melody. Having almost no background in 20th century music, I was in over my head, but Mr. Perera was always patient, good-humored, and available for extra help. The wisdom of studying the structure of melody early on in theory studies didn’t sink in until much later but it is still a help to me when learning to sing new pieces.

In the second semester, we studied common practice period four-part harmony, which meant a lot of exercises in realizing figured bass, setting hymn tunes, and analyzing Bach chorales. I was an organist at the time and Mr. Perera had been one earlier in his life; I remember us sitting together at the piano in his office geeking out over the intricacies of Bach’s harmonizations. I think some of the class thought we went a bit overboard, but I will always honor the way Mr. Perera deepened my appreciation of the genius of J.S. Bach.

(For the record, the second year of the theory sequence was a semester of counterpoint, followed by one of chromatic harmony.)

By my junior year, I had declared music as my major and Mr. Perera was my major advisor. Not wanting to finish my required theory sequence with an elective in analysis, I decided to take a semester of music composition. Once again, I was in Mr. Perera’s class. I had, of course, been doing some composition as part of my theory classes, but formally studying composition with Mr. Perera was a revelation. I was inspired to sign on to his music composition seminar for my senior year.

Composition seminar was basically private lessons in composition with occasional meetings with the other students, some of whom were graduate-level, for special presentations. That year deepened my appreciation for Mr. Perera as a teacher. He offered guidance in realizing my artistic vision for the work without interjecting his own style and aesthetic. He was always gentle, patient, and understanding, which became even more important when a family emergency occurred during my senior year. He also taught me that the work of composition is not just the creating and revising. The technical aspects, like score creation and extraction of parts, were also important; I did all of that by hand before there was software available as is common today. My seminar piece, “Psalms of Praise and Justice,” for string quintet, SSA chorus, and mezzosoprano soloist was performed at a concert for student composers and won the Settie Lehman Fatman Prize.

It was also a privilege to hear some of Mr. Perera’s compositions in concerts on campus. I particularly remember a concert featuring “Bright Angels” for organ, percussion, and tape performed in John M. Greene Hall. Mr. Perera wrote and taught electronic music as well as acoustic music and sometimes combined the two in live performance, as he did here. The score was intricate and beautiful. As a former organist, Mr. Perera understood well how to write for the instrument and fully use its capabilities while leaving the performer room to adapt for the particular instrument and room.

The other concert that immediately springs to mind was the world premiere performance of The White Whale, a monodrama for baritone and full orchestra, based on the character Ahab from Herman Melville’s Moby Dick. It is a riveting character study. All these years later, I can still recall the recurring motif, “Have you seen the white whale?”

Mr. Perera was especially well-known for his ability to wed words and music. He composed songs for solo voice, choral music, and several operas, with texts ranging from Sappho to St. Francis of Assisi to Shakespeare to Robert Frost to Mary Oliver. His love for both words and music is evident in his work.

After I graduated, I would try to reconnect with Mr. Perera when I was back at Smith for reunions or events. This became trickier after he retired in 2002. He was often at his home on Cape Cod during my visits to Northampton. I was lucky that he was in town when I returned to campus to sing in the chorus for Mahler’s Second Symphony this spring. Ron treated me to lunch at the Coolidge Park Cafe in the historic Hotel Northampton. We had a wonderful, wide-ranging conversation about family, music, poetry, current events, religion, and life in general. This quote from his obituary expresses it very well. “Ron was deeply and genuinely curious about many things, including each person he encountered. A long, thoughtful conversation was his signature, and his generous listening made everyone feel that they were the most important person in the room.” 

Mr. Perera and Jay, his wife of 56 years, attended the Mahler concert. I was pleased that I got to see them there and re-connect them with some of the other Smith singers from my era who were in attendance.

At that time, I knew that my poetry chapbook Hearts would be published soon and Mr. Perera asked me to send him notice when it became available. I did so and he ordered it. He sent me a lovely note, reflecting on his reading.

I didn’t know that would be my last contact with him.

I am so grateful to have had that wonderful conversation with him over lunch. I told him how much he meant to me when I was his student and how much I admired his ability to empower his students to realize their own artistic vision. He was an inspiration to generations of students and colleagues at Smith and beyond. They are part of his legacy along with his family – his eyes always lit up when he spoke of them – and, of course, his music which will outlive all of us.

Rest in peace, Ron.

He did tell me I should call him Ron.

SoCS: mailing Hearts

It never occurred to me that part of my efforts to learn about publicizing my chapbook Hearts would revolve around envelopes.

I needed to buy envelopes to ship my book, first to family members and the poets who wrote back cover blurbs for me, later to out-of-town folks who ordered directly from me.

Most people ship books like this in padded mailing envelopes for extra protection. The book is 6×9 inches and there are 6×9 padded mailing envelopes, so it seemed straight-forward.

But, no.

Most 6×9 envelopes have that as their internal dimension but don’t accomodoate for thickness, so, even though, as a chapbook, Hearts is not very thick, it wouldn’t fit in most of the envelopes in the store.

I did find one Scotch one that worked because its internal dimensions are 9.25×6. Yay! I bought ten, which was about all they had on the shelf. When I used those up, I bought another ten. The store doesn’t have a lot out at once.

I was running low again, so went to the store and was happy to see they were on sale. There weren’t any on the shelf, so I asked for a rain check. They said they couldn’t do that but could order online.

Except they couldn’t, apparently because of the brand.

And they didn’t know when or if they’d ever get more in. They offered to substitute another brand but I explained kindly that those didn’t fit.

I tried looking for another supplier but couldn’t find an in-store one and the online shipping was too high to order them online and have them shipped to my home. Also, I did not need a box of 100 envelopes!

One of these days, I’ll go back to the store and see if more have appeared.

Meanwhile, I still have three from my last stash.

Realistically, most people order from Kelsay or Amazon. If you have a local independent bookstore, you can ask them to order it for you through Ingram.

See? I told you I was trying to learn marketing…
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “envelope.” Join us! Find out more here: https://lindaghill.com/2023/08/11/the-friday-reminder-and-prompt-for-socs-aug-12-2023/

SoCS: par for the course

One more time…

I thought I had one.

As most of you know, I am a poet. This means doing submissions – and then waiting months for an answer. (Rarely, it is only days or weeks, but it’s usually months and sometimes over six.)

This morning, I saw that I had a response from an online anthology that I thought I had a good shot to win a place.

But, no.

While one of the poems had made the shortlist, I had not won a spot in the anthology.

Sigh.

It’s a good thing that Hearts came out so that I have a huge positive plus in my life as a poet because it cushions the rejections, of which I am on a pretty long streak at the moment.

Maybe soon I’ll get some positive news on a new submission.

Maybe…
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “one/won.” Join us! Find out more here: https://lindaghill.com/2023/07/28/the-friday-reminder-and-prompt-for-socs-july-29-2023/

two months of Hearts

Almost two months ago, my first chapbook, Hearts, was published by Kelsay Books. It is available from Kelsay, from Amazon, from me personally (if you are local), or by asking your local bookstore to order it through Ingram.

I posted about the first month, so thought I’d do an update.

I’m embarrassed to say that I haven’t yet gotten my bookmarks and business cards printed or made any dates for readings/signings. Soon, I hope…

I have made some new inroads in publicity, thanks to Alignable, where I am listed as Top of JC’s Mind. I was invited to join a couple of groups there, Marketing for the Small Business and Networking for Introverts! (The exclamation point is part of the group name.) As a creative, I admit to being a bit of an odd duck in the groups, but I was lucky to meet Traci Poe of Communicate Great. She graciously offered to video chat with me and sent me a number of suggestions that I am implementing, such as using Instagram as a platform, linking it to my Top of JC’s Mind Facebook page. So, if you are on Instagram, you can now find me there as joannecoreypoet. I don’t know how helpful this will be in terms of promotion, as I don’t have a large following on either platform, but I’m trying. You may also notice that my TJCM post now have a featured image, which makes them directly shareable to Instagram, although Instagram posts use square images and some of mine are rectangular, so they get lopped off. Work in progress…

I’ve also learned to use Canva to create FB/IG posts and Meta Business Suite to schedule them. My skills are rudimentary, but I have managed to schedule out a series of posts featuring quotes from Hearts poems. Traci suggested I choose a color palette as a branding tool, but, so far, I am sticking with a clear, straightforward template with black Garamond type on a light gray background. I guess black and gray are colors. Right?

I have also tried to reach out to several places about reviews but haven’t heard back from any of them after several weeks. Not quite sure what to do about that…

Hearts is available at the Artisan Gallery, the shop of the Broome County Arts Council, and at Riverow Bookshop. I have an inquiry in at another local-ish bookstore, but I haven’t heard back yet. Are you noticing a theme?

Admittedly, my introversion is not helpful in this whole marketing piece that I’m trying to learn. All the outreach efforts are draining and anxiety-producing. None of this is helped by the fact that all my other volunteer commitments have either ramped up or hit unexpected snags lately, so I’m feeling overwhelmed. Not that that isn’t a familiar feeling for me…

It’s apparently a day for ellipses…

And questions?

That might be a bad sign…

Okay. Deep breath.

I can do this.

Maybe not as well as I would like.

Or as expeditiously.

And maybe it won’t matter in the long run if some of it never gets done.

I am trying – and learning as I go along.

And taking you all along with me here at Top of JC’s Mind.

poetry scam

It wouldn’t have occurred to me as a possibility until it actually happened, but the publication of my first chapbook Hearts led to a very strange phone call last week.

One evening, the phone rang from a toll-free number that came up without a name attached, asking for me. They started out congratulating me on my recent publication and wanted to know what I was doing for publicity. Most of my efforts have been local, so they started pitching things like national interviews with millions of listeners. I was laughing because the concept seemed totally out of the realm of what one does with a poetry chapbook. They did eventually get around to the cost, $1,000 to $3,000, depending on chosen options, which, of course, was a discount off their regular pricing.

It all sounded very fishy and I would never have said yes, but, while I was explaining why it was unaffordable, given that it would take many hundreds of copies sold to even get back the money paid, they told me they were also a hybrid publisher and that they could publish my book, too, so that I would make more money. I told them in no uncertain terms that I had a five-year contract with Kelsay Books with automatic annual extensions beyond that and that I would never break my legal contract with them.

So, the call ended with me still shaking my head at the absurdity of the whole thing.

The next day, I searched the toll-free number and found that it belonged to a company called Author Reputation Press. Although their mailing address is in Canton, Massachusetts, another site listed their service area as Singapore and nearby areas, which explained the accents of the people who called me. Just a word to the wise, in case any of my writer-friends get publicity or publication calls from them.

Yesterday, though, I did run across a reputable hybrid press, Atmosphere Press. A poet-friend of mine has published with them. In their publishing model, if they accept your book, the author pays the up-front cost of the editorial/design team and publication but then keeps a high percentage of the royalties. It’s not something I want to try now, but I might consider it for my full-length manuscript if I don’t find a home for it over the next couple of years.

Meanwhile, there are more manuscript submissions in my future.

And publicity efforts for Hearts.

At least, I won’t be paying thousands of dollars in a scam, although all the submission fees and such do add up after a while.

More decisions coming soon.

Fingers crossed.

A month of Hearts

Just about a month ago, Kelsay Books published my first chapbook, Hearts, available from Kelsay, from Amazon, from me personally (if you are local), or by asking your local bookstore to order it through Ingram.

The experience has been exciting, gratifying, emotional, and exhausting by turns. There have been new things to learn, like keeping a spreadsheet to track sales tax and profit and signing contracts to place books on consignment. I’ve been trying to get the hang of doing publicity, which is a different universe from writing poetry. Sending notices to my poet-friends and non-poet-friends was relatively straightforward, although I admit it feels strange to ask people to spend money to read my work. I’d never been paid for my writing beyond gratitude and the occasional in-print copy of a publication but I am finding it easier to say writing is a profession for me now, even though the total amount of money I earn from it will be small.

Besides the discomfort of self-promotion, which works against my introverted nature, there is the sobering personal aspect of asking people to read poems about my mother’s final years. I’m grateful to know that the poems touch people’s hearts. I’ve had people tell me that our story reminds them of their own experiences with aging loved ones, that the poems made them cry. My heart goes out to them and it is humbling to think that my words might be a help to them as they continue to deal with their loss.

It’s also gratifying to know that I fulfilled one of my goals with this book. I am seldom overt about my own feelings in my work, preferring to “show rather than tell.” I try to leave space in my poems for people to bring their own reactions and emotions to the work and I seem to have succeeded, at least among those who have communicated with me. Three people have even written Amazon reviews, although it seems a bit surreal that I have an Amazon listing at all.

One thing that has happened since the book came out that I wasn’t expecting is the technical publishing questions that I’m asked. Most of these are a version of “how do you get a book published?” which I don’t feel well-equipped to answer. Generally, the person is asking because a family member writes as a hobby and they want to know how to get a book in print, but publishing poetry is different from fiction or memoir or non-fiction, which often involve having an agent, and self-publishing bypasses all the querying and rejection but means you need to know or hire expertise and have financial resources up front. People have also asked me how many copies I’ve sold but I have no idea. I could count up how many I’ve sold, but I have no idea how many have ordered from Kelsay and Amazon. I do occasionally look at the stat for the Poetry by Women category on my Amazon page; at the moment it’s #720, but I have no idea how that translates into number of copies. I probably won’t know until early next year when I get my first annual royalties payment from Kelsay.

I’m feeling as though I’m through most of my initial promotion list but I have more to do. A friend has offered to help me line up a couple of readings or signings locally. I need to find a printer to do business cards and bookmarks to have at events. There is a list of reviewers and awards to look through, although that seems a bit rarefied for me.

And more promotion.

No doubt, more blog posts here at Top of JC’s Mind.

I’m also trying to do more submissions for my new chapbook, full-length collection, and individual poems. Hearts proved that it can take a few dozen attempts to get an acceptance.

Having a book in print does, though, make it seem more possible that another acceptance will come my way.

And, if not, there will always be Hearts