As we here in the United States are preparing to celebrate Thanksgiving tomorrow, I’m giving thanks for all the people who visit my blog, especially those who have stuck with me despite my irregular posting as I deal with personal and family health issues. ❤
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2025/11/26/one-liner-wednesday-what-did-you-do-yesterday/. Also, congratulate Linda on the publication of her new book, which came out yesterday!
Vote for Democracy #48
(Photo by Lucas Sankey on Unsplash)
I’ve been experiencing life here in the United States with increasing alarm.
The cruelty, lawlessness, and incompetence of the Trump administration continues to accelerate while the suffering here and abroad continues to mount.
I will spare you a stream-of-consciousness list of all the component parts of this catastrophe, but the destruction by Trump of the East Wing of the White House presents a decent metaphor – lie about what you are planning and rush in and wreck things.
Millions upon millions of people here are fighting back to save our democracy and have a chance to re-build it and slowly repair to the extent possible the global damage inflicted but we haven’t been able to turn the tide yet. I don’t know how long it will take but we won’t give up.
Joyce Vance published her first book this week, entitled Giving Up is Unforgivable: A Manual for Keeping a Democracy. It’s what we need to do.
We won’t give up.
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “alarm.” Join us! Find out more here: https://lindaghill.com/2025/10/24/the-friday-reminder-and-prompt-for-socs-oct-25-2025/
As promised, Samantha Terrell’s Felling Trees: Selected Poems 2000-2025 from Low Hanging Fruit Publishing is now available! You can order through Amazon or ask your favorite bookstore to order it for you.
The publisher describes the collection: “Felling Trees gathers twenty-five years of sharp, unflinching verse from Pushcart and Forward Prize-nominated poet Samantha Terrell. Known for her clarity of vision and emotional honesty Terrell charts the evolution of a voice both politically alert and deeply personal. With selections from acclaimed collections and anthologized work, this retrospective offers a resonant exploration of resilience, justice, and human connection.”
One of the things I most enjoy about Samantha Terrell’s work is her extensive use of nature imagery, which she brings to bear in conversation with our present day issues. Here is a sample of that from the collection:
Fourth of July at the Beach
Fireworks burst, then fall in glittery strands
Like willow tree branches
Stretch to the earth –
White phosphorous bursts –
Disappearing into
Liquid blackness.
The rhythmic roar
Of the ocean’s engine drones on –
A reliable backdrop;
Steady slaps on a shore
That we, in ignorance
Or arrogance,
Still dare to call America.
Here, where
Colors rage against the sky,
We wait to see
If this great experiment
Can survive its newest threat
Of tyranny,
And we
Can save us
From ourselves.
*****
Congratulations, Samantha, on your new collection! Thank you to Low Hanging Fruit for bringing it into print!
I’m happy to share the news that, on September 25th, Felling Trees: Selected Poems 2000-2025 by Samantha Terrell will be released by Low Hanging Fruit!
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2025/09/10/one-liner-wednesday-not-a-duck-or-goose-in-sight/
Linda’s prompt for Stream of Consciousness Saturday this week is “something that opens.”
Something that opens is my first chapbook, Hearts. In a shameless exercise in self-promotion, I’m using this post to draw attention to a post that I just finished about the second anniversary of Hearts.
Check it out!
A little over two years ago, Hearts, my first poetry chapbook was published by Kelsay Books. The poems center around my mother, concentrating on her final years as she lived with heart failure.
I know that many people are unfamiliar with the term “chapbook.” A chapbook is a short book that is usually organized around a central theme.
As someone who didn’t pursue poetry until later in life, I am honored to have a book in print. There are several ways to buy a copy: directly from Kelsay Books, from Amazon, on special order from any bookstore that has access to Ingram, or directly from me, in person or by mail. (Please send me an email at jcorey.poet@gmail.com to make arrangements.)
People who have been following my history as a poet know that I had very little formal coursework in poetry; I have developed my skills through the generous sharing of my poetry community, including the Binghamton Poetry Project, the Grapevine Poets, and the Boiler House Poets Collective.
What has been more difficult is developing the publicity skills needed to promote a book. I am by nature an introvert and struggle with self-promotion. I’m also not great with asking people to spend money. Unfortunately, there have been other obstacles in the form of personal and family health struggles that have kept me from doing a great job at selling my book.
I am very grateful for the friends – and the people who are unknown to me – who have read my book. I especially appreciate those who have reached out to me about Hearts, often sharing stories about their own loved ones. I write in order to connect with others and am deeply honored that my work resonates with them.
One thing that I hadn’t anticipated was what it feels like to lose friends who have read Hearts and written or spoken to me about it. It adds another aspect to their loss. I also wonder what will become of the copies that they had, especially when they are inscribed. I somehow imagine someone picking up a copy in a secondhand bookstore and wondering who the prior owner was and how I was connected to them.
I still hope to publish another book some day/year but I will always be pleased that my first book was about my mom.
And every time I see bleeding hearts, I think about Hearts and about her.
Today marks the first anniversary of the release of my first poetry chapbook, Hearts (Kelsay Books, 2023). It is available from either of those links or directly from me by emailing jcorey.poet@gmail.com. Bonus: I can sign or inscribe for you, if you wish.
The poems in Hearts center on my mother, mostly in her final years when she was living with heart failure. It is a chapbook, so it is only 21 poems. (Chapbooks are generally under fifty pages and are organized around a central theme or device.) One of the blessings of having the book out in the world is that so many people have told me that my experiences with my mother reminded them of taking care of their own loved one. I appreciate that my poems touch people’s hearts and minds and give them an opportunity to reflect on their own lives.
As many of you know, I returned to my childhood love of writing poetry in my fifties and my education in the craft has come largely through my poetry community, which includes the Grapevine Poets, the Boiler House Poets Collective, and the Binghamton Poetry Project, recently re-named the Binghamton Writers Project. At times, I’ve felt the learning curve has been steep, but I’ve managed to keep learning and growing as a poet.
What I didn’t fully realize before the publication of Hearts was how daunting the whole publicity enterprise is and how little I understood what it would entail. Kelsay provided a helpful packet of information and I initially sent out some queries to get reviews in journals, but no one responded, life intervened, and I dropped it. The thought of entering contests was bewildering. I made some attempts at getting my book into local bookstores but there was a persistent problem with listing at a distributor. I’ve gotten several cold calls from a scammy publicity company, even though I’ve asked to be removed from their call list. I’m grateful to have had a handful of signing and/or reading opportunities locally but I can’t wrap my head around what it would take to organize an actual book tour.
When my first annual royalty payment arrived, I realized that a good percentage of those sales through Kelsay or Amazon were from people that I knew who had ordered from them. I had sold more copies personally than had been ordered online, which was simultaneously a pat on the back and a stark reminder of my responsibility for marketing my book.
While I have (repeatedly) posted about Hearts here at Top of JC’s Mind and cross-posted on Facebook, X/Twitter, and Instagram, I’m pleased to report that, as of today, I am a certified Goodreads author. Many thanks to poet Samantha Terrell, whose review of Hearts on Goodreads led to my claiming an author page there!
Are you on Goodreads? If so, I’d be honored if you would follow me, Joanne Corey, there and follow Samantha Terrell, too. While it’s no longer National Poetry Month, it’s always a great time to support poets and poetry!
Last week, I received my first ever royalties payment on the copies of my poetry chapbook Hearts, which was published by Kelsay Books in May, 2023.
The payment covered the copies sold through the Kelsay Books website and on Amazon in 2023. (If you are lucky enough to still have an independent bookstore near you, they can also order Hearts for you through Ingram.)
It turns out that I had sold more copies myself, in person and through mail order, than I had online.
Yay, me?
At any rate, I’m now working on 2024 sales, so feel free to order at either of the links above, through your favorite local independent bookstore, or directly from me. I can arrange to meet up or deliver locally or send by mail in the US. You may email me at jcorey.poet@gmail.com to make arrangements or for more information.
I’m also available to give readings at bookstores, book club meetings, libraries, or anywhere else that might want to invite me. I could discuss Hearts, which revolves around my mother in her final years, or, more likely, read a more wide-ranging selection of my work and take questions. I could even throw in some blogging discussion, if that is of interest. I’m open to travelling to your venue or appearing virtually, so feel free to make a proposal that would suit you and your group!
I’m still near the beginning of the learning curve on the whole promotion aspect of authorship, so, please, also feel free to send along any advice or tips you may have.
Thanks to everyone who has purchased or read Hearts, written a review, and/or communicated with me about their own reflections and reactions. It has been a special experience for me knowing that my poems reach people and remind them of aspects of their own lives.
I also appreciate the support of the readers at Top of JC’s Mind. I’ll continue to keep you posted about my poet-life, plus a whole lot more, here.
In gratitude,
Joanne Corey
One of the fun things that happened during the Boiler House Poets Collective (BHPC) annual workshop at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) this year was the chance for poets Mary Beth Hines, Jessica Dubey, and I to celebrate our books, all published by Kelsay Books.
I’m pleased to share the December post from the Kelsay Books blog that features the three of us on our MASS MoCA adventures. While Jessica and I live near one another and are long-time members of the Grapevine Poets and BHPC, this was our first time meeting Mary Beth. Although Mary Beth, as a Massachusite, was already familiar with MASS MoCA, we were thrilled to welcome her to BHPC and look forward to her return next fall for our 2024 reunion residency.
Mary Beth was the first of us to publish with Kelsay. Her debut collection, Winter at a Summer House, was published in November, 2021. Jessica’s second chapbook, All Those Years Underwater, followed in November, 2022. (Jessica’s first chapbook, For Dear Life, had been published by Finishing Line Press in May, 2022.) My first chapbook, Hearts, appeared in May, 2023.
I love this photo of us taken by fellow BHPC member Wendy Stewart! Wendy managed to catch not only, from left to right, me, Mary Beth, and Jessica, with our books and smiles but also a reflection of part of Natalie Jeremijenko’s Tree Logic, the iconic art installation at the main entrance to MASS MoCA. Commonly referred to as “the upside-down trees,” the maples had graced the courtyard since April 1999, with the trees replaced occasionally so that they could re-orient themselves and spread their roots. The image of the upside-down tree had come to symbolize MASS MoCA and was featured on a number of items in the gift shop.
As I was heading home from our residency, I was shocked to read that Tree Logic was ending its almost 25 years on exhibit in just a few days. The final trees are transplanted on the MASS MoCA campus along the Speedway. I’ll make sure to visit them next October when BHPC is again in residence, or, perhaps, I will make it back to the Museum next May for the 25th anniversary celebration.
I know the trees will be reaching for the light in their new orientation, their roots expanding to anchor them to the site of so much change over the decades. Over time, they will straighten, although they will always bear some remembrance of their time of inversion.
When I saw that Linda’s prompt for Stream of Consciousness Saturday this week was “prime,” the first thing that leapt into my mind was Gail DiMaggio’s first book of poetry, Woman Prime, which won the Permafrost Prize from the University of Alaska.
Gail was one of the original members of the Boiler House Poets Collective, now retired from attending our reunion residencies, but still a much-admired legacy member. I especially admire her ekphrastic work and her remarkable ability to write about difficult topics with insight and grace.
I invite you to check out Woman Prime or Gail’s other work and experience its power for yourself.
You’re welcome!
*****
Join us for Linda’s Stream of Consciousness Saturdays! Find out more here: https://lindaghill.com/2023/10/06/the-friday-reminder-and-prompt-for-socs-oct-7-2023/
Joanne Corey 