Yes, it’s been over a month since I returned home from the Boiler House Poets Collective residency with The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts) in North Adams but I am finally getting around to a wrap-up post. I did post a couple of times during the residency, about Marika Maijala and our reading at the Bear & Bee Bookshop, although that was a far cry from most of our years in residence when I would post daily. Things were very busy, so posting took a back seat and this past month has been loaded with other commitments, such as the launch of the Third Act Upstate New York working group and the first concert of the Madrigal Choir of Binghamton’s 45th anniversary season. I also needed time to reflect on the residency and what it meant for the future of the Boiler House Poets Collective.
Until this year, the Boiler House Poets Collective reunion residencies had always had at least half of the participants being members of the original group that met in 2015 as the first group of poets in residence brought together in a collaboration between Jeffrey Levine of Tupelo Press and The Studios at MASS MoCA. For 2023, the number of participants went from eight to ten, with only myself and Kyle Laws planning to return in 2023. (Sadly, last-minute health complications prevented Kyle from joining us, so I was the lone “original” in 2023. I’m hoping to have this be a one-time occurrence.)
I had inherited the role of liaison with The Studios but also wound up acting as an organizer for this year of transition. I was determined to assemble a full complement of ten and to provide for all the elements that had been part of past residencies, including studio time, museum visits, daily workshopping, a group project, a public reading, and discussion/social time (often accompanied by food and drink). Because, in prior years, we had always had a core of originals, adding in new participants from among our poet-friends as slots became available, we hadn’t felt called to define who we were as a group. I thought, at this juncture, we needed to be more intentional about our identity and our goals. I let people know that we would be having an organizational meeting near the end of the residency to talk about what was important to us and what our plans would be going forward.
I admit that I was really nervous about how things would work out with so many people who had never met each other. For the first time, we had a member who was not herself a poet. In 2022, the BHPC residency overlapped with the residency of Nancy Edelstein, whose work centers around light. With that inspiration, I had designed our group project around the theme of light, inviting each person to contribute work that had to do with light. I had expected a group of poems but the amazing thing was that people began to notice light in new ways. One of our members was inspired to take photographs showcasing light and shadow. We were able to share our light-themed work with each other. It’s not yet clear whether or not we will produce some conglomeration of these that is shareable with the public. If we do, I’ll be sure to share it here.
Another thing that was new for BHPC this year was that we workshopped some pieces that were not poetry, including an essay, scene from a play, and excerpt of a radio play. It was interesting to expand our literary horizons. While we expect to remain grounded in poetry, it’s good to have that flexibility to serve our members’ needs.
I felt that the group had a good vibe from the time of our opening night dinner when we were first together but I was nervous for our organizational meeting when people would be assessing how things had gone and if they wanted to return in 2024. I was thrilled – and a bit teary – when all but one person immediately said they wanted to return next year; the remaining person hopes to but lives across the country, creating a lot more complications than those of us within easy driving distance. People enthusiastically volunteered for organizational roles, including inventing some duties I would never have thought of on my own, so that I will be able to concentrate on just doing the liaison role. I even have a deputy who is shadowing me and can take over if I’m sidelined for any reason. This new constellation has embraced being a collective in a wonderful way and I am immensely grateful.
On a personal level, I appreciated how supportive people were of my work. As regular readers here at Top of JC’s Mind may recall, I grew up in the North Adams area and have two manuscripts, a full-length and a chapbook, that I am submitting to presses and contests. I’m at a crossroads with the full-length collection. I have a contract offer from a hybrid publisher but I’m not sure that is the way I want to go. One day over lunch, people were listening to my concerns and offering suggestions, which were very helpful and have led to my scheduling a manuscript consultation with a professional editor next month. I’m hoping that will help me clarify the path I need to pursue.
I also appreciated that people took my work seriously. One of the poets said that my poems were important in preserving the history of the area. That was so gratifying to me, even though I seldom dare to think in those terms. I do think about those poems as being ones that only I would write, given my perspective as someone who grew up there but that has lived elsewhere most of my adult life. It’s a sort of inside/outside perspective that would be difficult to replicate in quite the same way. I don’t tend to think that my following the dictum to “write what you know” would seem important to someone else, so it was nice to hear. It makes my search for a publisher and my wish to have the book be as strong as possible feel more weighty.
So, I have joyfully marked the dates for the 2024 Boiler House Poets Collective residency on my calendar for next October. I’m looking forward to being among this remarkable group of women again, but I’m also grateful to know that, if something happens that prevents me from being there, the group will go on without me.
My heart will be there, though…
Joanne Corey 