Over the years, I have written often about singing with the Binghamton University Chorus, such as this post about rehearsing for our Brahms’ Requiem concert last fall. When I wrote about the retirement party of our director and titled it “end of an era”, I did not realize how true that would be.
The choral program had been headed by our director with the assistance of an adjunct and, frequently, candidates for a master’s in choral conducting. Now, just one person will handle the whole program, necessitating some changes.
The University Chorus, with whom I have sung for 35 years, and which existed for some number of years before that, has always been a group made up of students, University faculty and staff, and community members, which met every semester and performed major works with orchestra, as well as concerts of shorter pieces with piano or small instrumental ensemble.
There was a consistent core of community singers who had been with University Chorus for years. We had become friends and had been through many big life events together. We chatted before and after rehearsal and thoroughly enjoyed singing together.
Unfortunately, in the new choral group organization schema, University Chorus will no longer exist as a separate entity. Instead, University Chorus will act as a supplement to the student choruses when they are in need of larger forces to perform with orchestra. For the fall semester, University Chorus will join with the Women’s Chorus, Harpur Chorale and Chamber Singers to perform works associated with 17th century Venice. I am very excited about this repertoire, as I love singing works from that period and haven’t had the opportunity to for a long time. I am also anxious to sing with the new choral director, Dr. William Culverhouse; last spring, University Chorus had been part of the audition process and I was very impressed with his conducting and rehearsal technique.
However, as we all expected, we would need to audition to be included and, because of the demanding repertoire, a certain level of skill, particularly in sight singing, is required. I quickly became nervous. I have always been a anxious auditioner, a state that was not helped by the fact that the last vocal audition I sang was over 25 years ago. I am very much a choral singer, with a smaller voice without a lot of vibrato, which is useful to help blend within a section, but not necessarily that engaging to listen to on its own. I also have a sharp intonation, which is not ideal, but can be useful in a group because most people who have intonation problems tend to go flat. I am also a soprano and acutely aware that many of the other sopranos have had individual voice instruction, which I have not. In addition, while I was a music major, our program at the time was very academically based, so I never had a course in solfège and sightsinging. And I was envisioning sight reading that was modal or chromatic or highly syncopated.
I chose to schedule my audition early on in the audition period, on eclipse day. I arrived early and tried to read and take deep breaths to calm myself, which didn’t really work. Dr. Culverhouse was very interactive during the audition and tried to give helpful hints as we went along, but I’m sure I still sounded very shaky. Thankfully, the sightsinging was not tricky, which at least gave me some hope of being accepted.
I sent an email to a couple of friends who were going to audition later in the week to tell them not to be scared about the sightreading, and then I waited for Sunday night, when invitations were due to arrive via email. I actually stayed up late waiting, but finally had to go to bed without any news…
In the morning, I discovered that the email had come in about twenty minutes after I had gone to bed and that it was good news! I was invited to join University Chorus for this semester; I found out later that the friends I had contacted were also accepted. On Monday night, which is our usual rehearsal night, we had a forty minute Q&A with Dr. Culverhouse, which was enlightening. We aren’t sure about our final number of singers yet, as auditions are still ongoing. Our first rehearsal is September 11th with our concert on December 2nd.
I am thrilled to be able to sing this fall and looking forward to having a bit of structure back after what has been a chaotic summer. I am looking forward to the music, to seeing my friends every week, and to singing on a regular basis again.
I am sad, though, that for this academic year, University Chorus will only meet for the fall semester. For the first time since moving here in 1982, I will not have Monday night rehearsals and a chorus with which to sing. While this is sad in and of itself, it is a particularly daunting thought for 2018. My mother is currently under hospice care and it is impossible to project that many months into the future. It is likely, though, that, early in 2018, our daughter E and granddaughter ABC will leave our home to join our son-in-law L in the UK. ABC’s US and UK passports have already come through and E will probably be able to obtain an appropriate visa early next year. In the face of these personal changes/losses, the thought of not having the support, companionship, and music of University Chorus from December 3rd through September 2018 is heart-breaking.
As fate would have it, there is the possibility that I will have a concert in which to sing on the first weekend in March. Members of the Smith College Alumnae Chorus have been asked to join with the current Smith Glee Club and the Penn State Men’s Glee Club for a concert in Northampton, with the possibility of a late February concert in Philadelphia. Details are still being worked out, but I am hopeful that I will be able to participate.
The piece that we will perform will be Brahms’ Requiem.
Joanne Corey 