Author: Joanne Corey

Due to the pandemic, the Binghamton Poetry Project has moved to Zoom for 2020. For each of our spring, summer, and fall seasons, we did five sessions of poem study and prompts, followed by a reading via Zoom. For the fall, our directors at Binghamton University have re-imagined our anthologies, which had been distributed in print at our in-person readings in prior years, as a digital publication. You can find the anthology at the Binghamton Poetry Project site here: https://thebinghamtonpoetryproject.wordpress.com/fall-2020-anthology/

One of the 2020 innovations from the Binghamton Poetry Project was to offer two different workshops, one for beginners and one for more experienced poets. I was part of the latter group. I enjoyed working with our instructor Shin Watanabe, who is a PhD student at Binghamton University. I also appreciated the opportunity to connect with the other community poets who attended, some of whom I have known for years in person and others of whom I have only met via Zoom. One of the advantages of Zoom meetings is that we have been able to include poets who are further afield, including some from the Ithaca area.

All three of the poems I chose for the anthology were written in response to Shin’s prompts based on our reading for that session. I thought it might be interesting to include how these poems came to be written; one of the advantages of taking a class or workshop is that you generate poems that otherwise would not have been written were it not for the prompts.

That being said, this first poem is one that was conceived before the prompt, as it will eventually be part of the collection about the North Adams, Massachusetts area that I have been working on for several years. The prompt was about employing interesting adjectives, based on our study of The Colossus by Sylvia Plath.

Navigating North Adams for MWS

Google maps had no street-view
for the addresses you had unearthed
through Ancestry.com
in the year since we each lost
our mothers May-days apart.
We were excited to discover
your great-grandmother

as a young Scottish immigrant
lived in the city where I also had roots.
As I drove the two hundred miles there,
I thought of you,
ten times further away,
of the photos I would send
so we could imagine

your ancestors and mine crossing
paths, setting in motion
our friendship generations on.
I navigated the streets too steep,
narrow, and unassuming
for the google-cars that take wrap-around
photos to satisfy the curious or nostalgic.

When Jeanie lived at 34 Jackson
did she cross Eagle
and walk with Ruth down
Bracewell toward the school?
When did the neighbors
at 27 Hudson put
up a sign, Established

in 1860? Surely
not back then, when
the hillside houses
were only middle-aged.
Did she sled down
Veazie with Mary
who lived parallel

on Williams? Did the imprint
of these ancestral
connections somehow
draw us to each
other as college roommates,
forty-year friends clinging
to each other on steep climbs?

The next poem was an experiment with line breaks, based on our discussion of Charles Bukowski’s Fingernails; Nostrils; Shoelaces.

Two and a half hours

The line stretched from
St. Paul’s Church down
the block to the library
voters spread six feet apart
waiting for
their turn to enter
go downstairs
wait
give their
name, sign the
tablet with a
disinfected stylus
watch the printer spit out
their ballot
sequester together in a
cubicle, completely fill in the
bubbles for their
choices with a
black felt pen
feed their ballot into the
machine, wait for
confirmation, walk back to
their car
go home and
hope.

This final poem is a failed attempt at the American Sublime, a la Hart Crane’s The Bridge: To Brooklyn Bridge. I think I managed a bit of the awe component, though.

For Jillian Grace

On my screen, you appear
smaller than your 2.9 kilos –
kilos because, from the start,
you are a British baby,
unlike your older sister, born
in the same upstate New York
hospital as your mother,
just miles from where
I, bleary-eyed at dawn,
stare at your first photos.

Your dark hair peeks
from under the knit cap
meant to keep you warm
as you adjust to air,
not the tiny ocean
that had been your home
for thirty-seven weeks,
your cheeks rosy
against the white blankets
and Winnie-the-Pooh sleeper.

I long to cradle you,
to breathe your newborn scent,
stroke your soft skin,
feel your fingers
wrap one of mine,
hum quiet lullabies,
claim you as my granddaughter,
but you are thirty-five hundred miles
and a pandemic
away.

I hope you will take a look at our anthology. Feel free to comment here or on the Binghamton Poetry Project site. Enjoy!