Fall Forever

(Photo credit: The Fenimore Art Museum website)

It was my privilege on Sunday to attend a staged reading of Fall Forever by Eva Schegulla at the Glimmer Globe Theatre in the Fenimore Art Museum in Cooperstown, NY. It was part of the NEXT! Staged Reading Series, which offers readings of new plays by regional playwrights.

Eva is a friend and fellow member of the Boiler House Poets Collective, so I was especially happy to attend and to see her. Her writing covers a wide range, including stage plays, screenplays, radio plays, fiction, essays, serials, reviews, blog posts, and poetry, some of which are published under pen names. Her blog, Ink in My Coffee, just celebrated its 20th anniversary.

I had never been to a staged reading before. The actors read from the scripts set on music stands, although there were a few instances of characters moving around a bit. Another actor read the stage directions so that we knew where and when the scenes were taking place. There were also some sound effects, although a full staging of the play would include more. Although it is structured as a 2-act play, the reading was presented all in one block, which felt a bit overwhelming but gave me a new appreciation of intermissions.

The story revolves around the aftermath of the accidental death of Lily, especially with her sister Leah and husband Alan. I especially enjoyed the performance of Sharon Rankins-Burd, who read Leah. She is part of nearly every scene and, though having the script in front of her, Rankins-Burd was able to project who Leah is as she struggles with grief over her sister’s death and additional challenges that arise.

After the reading, there was a talkback session with the playwright, the performers, and the production team. It was interesting to hear Eva talk about the growth of the Fall Forever from a prompt at a workshop with the Williamstown Theatre Festival to its current form, awaiting a final round of edits as the result of the reading to be sent out for submission calls. There were some questions that elucidated the choices Eva had made in the play and how the staged reading format had impacted the version of the piece that we experienced. It was also fun to hear choices of favorite lines from actors – and audience members!

A recording of Fall Forever by Eva Schegulla will soon be available for a limited time. I’ll share the link when it is posted. I hope you will find it to be as enjoyable and meaningful as I did. Update: The video is now available here: https://youtu.be/GSgrLP56Q3Q?feature=shared. It will be taken down in mid-June 2024.

1,900

Another (small) milestone!

I just noticed that I have 1,900 followers for Top of JC’s Mind. Yay!

I suppose that is a small number for a blog of ten years but I am notoriously averse to checking stats, doing publicity, blogging on a schedule, etc. so I’m taking it as a win.

Of course, I realize that some of my followers have read exactly one post, hit the follow button, and never returned – which is fine because there are thousands upon thousands of blogs and very limited time for browsing and reading – but I especially cherish those of you who visit on a regular basis, like posts, write comments, or just send good vibes in my direction.

Life is complicated and I appreciate being (a tiny) part of the blogging community. I also like that I am able to write about whatever is on my mind. Well, at least, some fraction of what is on my mind because my mind is a busy place without an off switch. It helps to get thoughts organized and onto the screen.

And, if you are reading this post and would like to be follower 1,901 or 1,902 or whatever, welcome and thank you!

Vestal Barnes & Noble event

Gearing up for a Saturday, March 16, 2024 event from noon to 4 PM at our local Vestal, NY Barnes & Noble Bookstore, featuring five Grapevine Poets, including me. The Grapevine Poets take their name from The Grapevine Cafe in Johnson City where we meet regularly to workshop poems, talk, and eat, of course!

Merrill Douglas, Jessica Dubey, Carol Mikoda, Burt Myers, and I, Joanne Corey, will be at individual tables scattered about the store for book signing and conversation from noon to three. We will each have a stamp to mark your entry to a drawing for a Barnes and Noble gift card if you visit all five of us.

At 3:00 or so, we will have a reading in the music department. We are hoping that some of our Grapevine colleagues will appear, as well.

Please join us at whatever point you are able. You can say that you “heard it through the grapevine!”

Many thanks to Burt Myers for the flyer. Burt is a talented graphic artist besides being a talented poet.

First Royalties

Last week, I received my first ever royalties payment on the copies of my poetry chapbook Hearts, which was published by Kelsay Books in May, 2023.

The payment covered the copies sold through the Kelsay Books website and on Amazon in 2023. (If you are lucky enough to still have an independent bookstore near you, they can also order Hearts for you through Ingram.)

It turns out that I had sold more copies myself, in person and through mail order, than I had online.

Yay, me?

At any rate, I’m now working on 2024 sales, so feel free to order at either of the links above, through your favorite local independent bookstore, or directly from me. I can arrange to meet up or deliver locally or send by mail in the US. You may email me at jcorey.poet@gmail.com to make arrangements or for more information.

I’m also available to give readings at bookstores, book club meetings, libraries, or anywhere else that might want to invite me. I could discuss Hearts, which revolves around my mother in her final years, or, more likely, read a more wide-ranging selection of my work and take questions. I could even throw in some blogging discussion, if that is of interest. I’m open to travelling to your venue or appearing virtually, so feel free to make a proposal that would suit you and your group!

I’m still near the beginning of the learning curve on the whole promotion aspect of authorship, so, please, also feel free to send along any advice or tips you may have.

Thanks to everyone who has purchased or read Hearts, written a review, and/or communicated with me about their own reflections and reactions. It has been a special experience for me knowing that my poems reach people and remind them of aspects of their own lives.

I also appreciate the support of the readers at Top of JC’s Mind. I’ll continue to keep you posted about my poet-life, plus a whole lot more, here.

In gratitude,
Joanne Corey

One-Liner Wednesday: BHPC reading on Saturday!

Please join members of the ’23 Boiler House Poets Collective for a reading 11 AM Saturday, September 30 at The Bear & Bee Bookshop, Holden Street, North Adams MA (in person only).

This invitation is brought to you through Linda’s One-Liner Wednesday. Join us! Learn more here: https://lindaghill.com/2023/09/27/one-liner-wednesday-on-top-of-everything-else/

B

dry eyes

I try not to whine here at Top of JC’s Mind, at least not about personal things.

But, today, I’m so frustrated that, in the name of honesty, I’m going to.

In April, I had cataract surgery with fancy implanted lenses, which was really amazing and means that I no longer need to wear glasses all the time as I had for decades.

The problem is that my previous issues with dry eye are back with a vengeance, clouding my vision.

This was not unexpected, as the surgery and all the drops you have to use after it do disrupt the status quo and increase the risk of dry eye, but my symptoms now are worse than they have ever been.

I’ve been back to my optometrist and am doing all the things I am supposed to be doing – preservative-free artificial tears, special hotpacks, taking flaxseed oil – but improvement has been slow. This is also not unexpected, but it is frustrating.

I can still see well enough to drive but close tasks are a chore. I have some over-the-counter reading glasses that help with some close tasks but, because my current state of cloudiness is caused by the dry eye rather than my focusing ability, the glasses magnify but don’t clarify.

This is making it hard to read things that are not printed in a large font. I can usually adjust when I read on screens but it’s hard to read things on paper. Kitchen work is annoying, too. It’s not that I can’t do these things but it is so taxing that I don’t especially want to.

I have another visit with the optometrist scheduled for next week to make sure there isn’t something else going on, like development of a secondary cataract or some kind of inflammation or infection.

Meanwhile, I’ll try to have this be my only whining post…

Joanne and Merrill read at TAC

Yesterday, Merrill Oliver Douglas and I did our first ever appearance as featured readers at the Tioga Arts Council In Owego, NY.


We were excited to have a full house! I also like that in this photo you can see how beautiful the gallery space at the Tioga Arts Council is. At the moment, they are exhibiting artwork from high school students in Tioga county.


The person at the podium is poet Dante Di Stefano, who was serving as our host. His spouse Christina Di Stefano is the executive director of TAC.


I read first. This was the first time I’ve ever done a twenty minute set. I chose to structure my reading in three segments. The first group was four poems that centered around my mother, two from my chapbooks Hearts, forthcoming from Kelsay Books, one from my unpublished collection Small Constellation, and one that was written for the 2022 Women of Words reading at the Broome County Arts Council. Next came four poems that were reactions to happenings in the world or my world, including “The Banned Bookmobile” which was published by Rat’s Ass Review here. I concluded with four poems that center on the North Adams, Massachusetts area, all of which are included in Small Constellation and one of which, “Sprague Suite” (published by Wilderness House Literary Review here) is also in my new chapbook manuscript of ekphrastic poems based on artwork from MASS MoCA (the Massachusetts Museum of Contemporary Art).

I was very happy that the audience connected with my poems. Besides applause, there were nods, smiles, and even a few chuckles at appropriate points. I tried very hard to choose a few poems that had lighter elements, like “Liz Truss or Lettuce.” I think that helped to balance out some of the heavier topics, like the pandemic poem I had included.

What I hadn’t quite expected was that Dante would offer some brief comments on my reading before introducing Merrill. Dante holds a PhD and is widely published, so it was special to hear him praise elements of my work. I have a bit of a complex about my lack of academic credentials in writing, so it meant a lot to me that he recognized the heart of my work.


I was happy to be able to sit back and enjoy Merrill’s reading. She read a few poems from her chapbook Parking Meters Into Mermaids and some of her more recent work, including selections from her collection that is currently looking for a publishing home. Because Merrill and I are both part of the Grapevine Poets, I knew many of the poems from our workshopping sessions, but I love hearing how Merrill chose to edit her poems after we discussed them. As always, I was impressed with Merrill’s ability to choose just the right details to enable us to find our way into the depths of the poem. I am particularly moved by the way she writes about her mother, who is now facing a number of health issues in her elder years.


After Merrill’s reading and Dante’s glowing comments, we had a question and answer period. I had been nervous about this part, fearing that someone would ask something that I was ill-equipped to answer, but, of course, everything was fine. With the reading officially completed, there was time for informal conversation and viewing of the art exhibit. The TAC gift shop had copies of Merrill’s book for sale and she was busy signing copies, in addition to having conversations. We were both happy but tired when we left. Spouse B and Daughter T had both been at the reading and treated me to a celebratory (early) dinner out.

Many thanks to the Tioga Arts Council and Dante and Christina Di Stefano for making my first big reading so memorable. Its success is helping me to feel like more of a poet in my own right, although I will forever think of myself as a poet grounded in community, whether the Binghamton Poetry Project, the Grapevine Poets, the Boiler House Poets Collective, or other groups who have claimed me as a member.

Thanks to Gerri Wiley and Burt Myers who sent me photos of the reading. Only the photo of the sign outdoors was mine.

Very special thanks to Merrill Douglas for her support, friendship, advice, and example. I’m sure I would have been much more nervous were it not for her steadiness and companionship. I admire her work and like to think that we have some elements in common, so that my reading set the stage for hers.

Maybe, we will have the opportunity to do it again sometime…

SoCS: reading

I’m overjoyed with how well Merrill’s and my poetry reading went this afternoon! We had a wonderfully receptive audience and I’m very grateful to Tioga Arts Council for inviting us.

Many thanks to director Christina Di Stefano and to her poet-spouse Dante Di Stefano for creating such a welcoming space and for their kind words.

There may be another post after I’ve had a bit more processing time, but, for now, I think I will contentedly settle in for the evening at home.

[Update: Full post on the reading here.]
*****
Linda’s prompt for Stream of Consciousness Saturday this week is a word that starts with over. Join us! Find out more here: https://lindaghill.com/2023/05/12/the-friday-reminder-and-prompt-for-socs-may-13-2023/

One-Liner Wednesday: poetry reading invitation

For folks in shouting distance of Owego, NY, please join me and Merrill Douglas for a poetry reading (in-person only) at the Tioga Arts Council, 179 Front St, on Saturday, May 13th, at 1:30 PM.
*****
This shameless self-promotion is brought to you by Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2023/05/03/one-liner-wednesday-washi-person/

The Grapevine Poets Read

April is National Poetry Month in the US and there are often poetry readings scheduled in celebration.

This year, the Broome County (NY) Arts Council invited the Grapevine Poets to present a reading, which happened Tuesday evening.

The Grapevine Poets is a group of local poets who meet regularly to workshop each other’s poems, meaning we bring in our drafts for feedback from the poets in attendance in order to assist us in revisions. We also have done manuscript reviews for each other, several of which have been chosen for publication. I am the current record-holder for most manuscripts reviewed with three, my chapbook Hearts (forthcoming soon from Kelsay Books), my full-length collection Small Constellation and my newest chapbook Half a Duet, both of which I am submitting to presses in hope that they will be published someday, too.

While we have been meeting for years and frequently mention the group in our acknowledgements or bios and although we have sometimes read at the same open mics, this was the first time that we formally presented ourselves as the Grapevine Poets. It was very much a collaborative effort with everyone pitching in and divvying up the tasks of scheduling, organizing, publicity, programming, etc. in conjunction with Connie Barnes at the Broome County Arts Council, which is still settling into its new home in the section of State St. in Binghamton often called Artists’ Row.

We decided on a format that each poet would read a poem from another poet we admire and one of our own. We each chose whether or not we wanted the poems to be related to each other in some way. I chose to link my selections thematically, reading “Woman in Suite A, 1922” from Kyle Laws‘ book Uncorseted and my poem “Studio 7 – Building 13” which both relate to a woman’s experience writing in a new studio.

After Connie’s welcome, Wendy Stewart provided the story of the Grapevine Poets, the format of the reading, and her selections. We had decided to each introduce the next poet, so Wendy introduced me and, after my reading, I introduced Sharon Ball. We continued with Burt Myers, Andrée Myers, Merrill Douglas, Jessica Dubey, and J. Barrett Wolf, who also led the question and answer period.

One of our big concerns before the event was would people actually come! I’m pleased to say that we had about thirty-five people there, which is sizable for a poetry reading in our area. There was a bit of a scramble to find and set up more chairs but it was a great problem to have.

I was happy that some people that I had invited were able to attend and that one person came because they recognized my picture from the flier that Burt had designed for the reading. Burt is the art director for the communications and marketing office at Binghamton University and we are grateful to have his professional expertise on hand, as well as his poetic voice.


I’m trying to wrap my head around knowing that some people might come to a reading specifically because it involves me. I’m more accustomed to thinking of myself within a group context, whether it’s the Grapevine Poets or the Boiler House Poets Collective or the Binghamton Poetry Project, and of invitations that come my way to read as being because of these affiliations and my more-established poet-friends.

But, with my first time as featured reader coming up on May 13 at 1:30 at the Tioga Arts Council in Owego along with Merrill Douglas and my first chapbook Hearts forthcoming soon from Kelsay Books, I’m trying mightily to adjust my mindset so I can present myself as more professional, for want of a better term.

Not sure I have the chops to pull it off, but I’ll try.