Photo caption: Carol Mikoda reading from Outside of Time at the North Adams Public Library (photo by Mary Beth Hines)
When Kelsay Books published Carol Mikoda’s Outside of Time in October, she celebrated with a reading at the North Adams Public Library. Carol was in residence at the Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) as a member of the Boiler House Poets Collective. Participating in the reading marking the tenth anniversary of the Boiler House Poets were fellow Kelsay authors Joanne Corey (Hearts), Jessica Dubay (All Those Years Underwater), and Mary Beth Hines (Winter at a Summer House), along with Merrill Oliver Douglas, Judith Hoyer, Kyle Laws, Deborah Marshall, Eva Schegulla, and Wendy Stewart.
You can read and hear more of Carol Mikoda’s work on her Substack, The Yellow Table.
As I wrote about here, I am in North Adams for the 10th anniversary residency with my beloved Boiler House Poets Collective.
It is unusually warm for early October this year, which is, unfortunately, riling up some of my health issues, but I did manage to spend some time in the buildings at MASS MoCA (Massachusetts Museum of Contemporary Art) yesterday. Although I wasn’t putting pressure on myself to write, I was so moved by the Ohan Breiding Belly of a Glacier exhibit that I sat in the gallery and drafted a poem about it. Bonus: the centerpiece of the exhibit is a film and then I was able to sit in the related exhibit room to write so I got to rest and not have to worry about keeping my balance for a long bit.
Ohan Breiding – Even the stones are alive (a letter to the future), 2024
I was able to participate in workshopping with the poets before spouse B came to pick me up for dinner and the evening with one of your high school friends who still lives in the North Adams area. B and daughter T came into town to be able to attend the special Boiler House Poets Collective 10th anniversary reading on Saturday.
I was a bit nervous about reading, as my health has kept me from doing it much over these last couple of years, so I practiced a bit more beforehand than usual. We were thrilled to be reading at the North Adams Public Library in their third floor community space, which is part of the original mansion that became the library in 1898.
Through the wonders of alphabetical order, I introduced the group with a brief history and then read the two North Adams-themed poems I had chosen. It was very cool that the podium we were using was a gift to the library in honor of a local poet, artist, and teacher, D. Patrice Bolgen, who passed away in 2021.
The reading was fantastic! It was so great to hear a sampling of work from all ten of us: Joanne Corey, Merrill Douglas, Jessica Dubey, Mary Beth Hines, Judith Hoyer, Kyle Laws, Deborah Marshall, Carol Mikoda, Eva Schegulla, and Wendy Stewart. It meant a lot to me to have B and T there for the reading. My poet-friends surprised me with a card and birthday flowers – along with the traditional singing of “Happy Birthday to You” – after the reading.
We were also thrilled to be able to present our gift to North Adams for ten years of hospitality to the Boiler House Poets Collective, a collaborative poem that you can read at the beginning of the post. Wendy Stewart read it as part of the thank yous at the reading and we gave it to people who were at the reading. A larger broadside version is our gift to the library, The Studios staff, and other officials who make our time here so joyous.
A collaborative poem is one that a group of poets write together. For this poem, each of us contributed several lines on the theme of praising North Adams which a smaller group assembled into the poem. We were happy to be able to craft a special gift to North Adams in honor of our tenth anniversary in residence with The Studios at MASS MoCA.
After lunch, I was able to do a revision of the poem I had drafted in the Breiding exhibit on Friday in time to bring it to our workshopping session. I was glad to have something to bring as I had thought I might not manage it until Sunday or Monday. Of course, that means I don’t have anything prepared for today yet, so I think it’d better close this post and get over to the Museum or my studio and work on something.
Or take a deep breath and remind myself that there is no pressure to bring something to workshop today. I am among trusted friends who will understand if today is not my day to share.
As you may have surmised from the post about our reading on this Saturday, I am once again in North Adams in residence with the Boiler House Poets Collective at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art).
This is the tenth anniversary year of the first poetry workshop-in-residence that The Studios offered within their opening weeks in fall 2015. I was just starting to publish poetry and only had the courage to apply because I had grown up in the North Adams area and thought I would feel more at thome there. That week was both daunting and wondrous. If you visit my blog archive for November, 2015, you can read about it in multiple posts, which manage to somewhat mask the terror of being thrown into the deep end that I felt at the time.
The saving grace, though, was my fellow poets, who were so welcoming and supportive. Even before we left the residency, we started to plan a return, and thus the Boiler House Poets Collective was born.
As one might expect, not all of our initial group of 9 was able to re-convene, so we invited poet-friends to join us. You can see our listing of poets for each year here. You may notice that there is no listing for 2020 as The Studios, understandably, were closed for an extended period because of the COVID-19 pandemic. Due to changes in the structure of The Studios, we now can accommodate ten members each year. Kyle Laws and I are the only “originals” in attendance this year, although we consider Jessica Dubey as an honorary original as she has been with us since 2016, our first official residency as the Boiler House Poets Collective.
My health challenges, while not as severe as they were during last year’s residency, are still impacting my energy and creativity, so I am trying to be gentle with myself and not create unrealistic expectations. My immediate focus is to make it through the reading tomorrow morning. Thanks to the wonders of alphabetical order, I will do the introduction and my poems first. Bonus: After that, I can relax and listen to all the rest of the work of my fellow BHPC poets without having to gear up to read.
I’m also excited because we will be unveiling a collaborative poem honoring North Adams as our gift to this special place that we have enjoyed so much. I will share it here on the blog at some point after the reading. I loved having a special tenth anniversary project and am thrilled that we will be able to offer it at our reading and as a special gift to the library, Studios, and other North Adams supporters as a broadside. There is also a smaller, printed version which we will have at the reading for any listeners who would like to have one.
In the spirit of not putting pressure on myself, today I plan to visit the museum and see what’s new. MASS MoCA does not have a permanent collection, so there are always new artworks to experience. There are also some exhibits that are long-term, so I will re-visit some of my old friends here, especially our namesake Boiler House. If I am lucky, something I see will spark a poem later in the residency. If not, I have some prior ekphrastic poems based on MASS MoCA art that could use revision. Or, maybe, there will just be some more blog posts.
For those in the North Adams, Massachusetts: Join the Boiler House Poets Collective for a special reading in honor of our tenth anniversary at the North Adams Public Library on Saturday, October 4, 2025 at 11:00 AM!
For those in the North Adams, MA area, the Boiler House Poets Collective invites you to a reading in celebration of our 10th anniversary residency at The Studios at MASS MoCA on Saturday, October 4, 11 AM at the North Adams Public Library.
In late April, I posted about Write Out Loud ’25 at the Fenimore Art Museum in Cooperstown, New York. My poem “The Bridge” was read by Sharon Rankins-Burd as part of the event, along with work by fellow Grapevine Poets Richard Braco, Merrill Oliver Douglas, and Jessica Dubey and twenty more writers living within 100 miles of Cooperstown.
I’m pleased to announce that the recording, long delayed by technical difficulties, is finally available! The recording will open in a separate tab in YouTube. If you click on “more” in the description, it opens a list of the program with links to bring you to whichever segment you wish to view. I’m especially pleased to share Sharon’s reading of my poem. She did an amazing job!
I realize that title seems like baseball, but it’s not, although Cooperstown is involved…
Despite my current health issues, I managed to attend two major events on Saturday.
In the afternoon, I sang-along with parts two and three of Handel’s Messiah. This was an event offered by the Madrigal Choir of Binghamton, with whom I serve as a singer and board member. Our artistic director, John M. Vaida, conducted a volunteer chamber orchestra and soloists with a chorus made up of those who showed up to sing along. Most of us were members of Madrigal Choir or Downtown Singers, although I think there were a few who aren’t presently in either group. It was a lot of fun to sing with old and new friends without the pressure of performance. Madrigal Choir hopes to do more events like this in the future.
Next up was heading to the Fenimore Art Museum, just outside Cooperstown, for the Write Out Loud ’25 reading, made possible only because spouse B did the driving, as we live about an hour and a half from there. I had been accepted to Write Out Loud ’24 last year with a poem from my chapbook, Hearts. When submissions opened for this year’s event, I sent the call on to my poet-friends in the area and I’m pleased to say that the Grapevine Poets from the Binghamton area were well represented this year with Merrill Oliver Douglas, Jessica Dubey, Richard Braco, and me all having work accepted.
Merrill read her poem, “Meditation in Walmart,” as the second piece in the program, with Richard reading “Pole Star Child” as the next-to-last piece in the program. Accepted writers have the option to read their own work or to have a member of the theater company affiliated with the Fenimore perform their piece. Cait Liberati read Jessica’s poem, “Love Birds.” Jessica wished that she could have been there to read it herself but she was away on a trip. I was thrilled with Sharon Rankins-Burd’s reading of my poem, “The Bridge“! I had planned to have an actor read my poem from the start because my health situation is too uncertain. I also appreciate hearing what a trained actor does with my words.
The Fenimore Art Museum has released the recording on their YouTube channel. If you click “more” in the description, it will open the program with links to the beginning of each piece.
I had figured that expending that much energy in a day would knock me for a loop and it did. I spent most of the day yesterday in bed and will lay low today, too, just going out for physical therapy. I’m grateful that I was able to attend these events and hope that we are able to get a better handle on my diagnosis and treatment options soon so that I have more energy to do two things in one day – or even one thing…
I remember reading Linda’s prompt for Stream of Consciousness Saturday yesterday and thinking that I would pass this week because absolutely nothing came into my head, but, this morning, as I lay crumpled on my bed because taking a shower was too tiring and I’m trying to rest so I can participate in a poetry reading this afternoon, I thought I should post because I thought the prompt word was crumple but it was actually crackle, so never mind.
Yeah.
Brain fog. ***** Please join us for Linda’s Stream of Consciousness Saturday! Details at the link above.
Yesterday, it was my pleasure to attend a reading by my fellow Grapevine and Boiler House Poets Collective friend Merrill Oliver Douglas and Suzanne Cleary at the Broome County (NY) Arts Council.
Merrill and Suzanne met decades ago in Binghamton, where Suzanne grew up and where Merrill re-located for graduate school and then settled. Merrill grew up in New York City and Suzanne has lived in that area for over thirty years. Their mirrored biographies drew together a fun mix of people in attendance, including Merrill’s Grapevine poet-friends and some of Suzanne’s high school classmates. We filled the Artisan Gallery at the Broome County Arts Council, commandeering extra chairs as needed. Bonus: In addition to poetry, we enjoyed the BCAC Members’ Juried Exhibition on display this month.
The impetus for the reading was the release of Merrill’s first full-length poetry collection, Persephone Heads for the Gate, winner of the Gerald Cable Book Award published by Silverfish Review Press. We were treated to several poems from the new book, including the title poem, as well as a number of more recently written poems. As always with Merrill’s work, I was impressed by her ability to bring a unique but no-nonsense perspective to everyday objects and occurrences, curating just the right details to reveal the essence of her subjects. Persephone joins Parking Meters into Mermaids (Finishing Line Press, 2020) on the shelves at the Artisan Gallery. For those outside our area, they can also be ordered through the provided links.
This was my first opportunity to hear Suzanne Cleary read in-person and I loved it! She somehow manages to maintain energy and insight in longer narrative poems, a skill that I much admire but doubt I will ever attain. In honor of reading back in her hometown, Suzanne chose some poems with local ties, as well as those relating to different time periods and circumstances. Some were from her prior books (listings with ordering information here) while others were newer work. We all loved the first poem she read, which was about her experiences with reading Merrill’s work! We were also thrilled with the news that Suzanne will have a new book, The Odds, published in Spring 2025 by New York Quarterly Books. It was chosen by poet Jan Beatty as winner of the 2024 Laura Boss Narrative Poetry Award. Updated information should be available through the links I’ve provided or ask at your favorite bookstore.
Merrill and Suzanne answered audience questions and then engaged in conversation and book signing. It was a wonderful experience! I encourage you all to check out their work and enjoy!
Yesterday was a loooong day here in North Adams. I managed to get some studio time in the first part of the morning, including writing another section of the poem I started my first day here. If anything, it got a bit darker/starker. I’m not sure if this will be the final section or if one more may appear before the end of residency. I just know it’s unlikely to be today.
I went to the museum when they opened at 10:00. My goal was to blitz the new exhibits and take some photos for future reference. I also collected the guides for the new work to use as reminders and background if I decide to write some ekphrastic poems. MASS MoCA is not a collecting museum. While there are some long-term exhibits, most are only here for a year or so before moving on to another location. It’s one of the things that keeps returning here every year fresh. I wanted to do a walk-through as soon as possible – the museum was closed on Tuesday – so that I’d have time to let some ideas percolate and then return to specific pieces to take notes or even draft new poems.
I did, though, re-visit some of my long-term favorite exhibits, including our namesake Boiler House. (I have a poem about that.) The photo above was taken there. For some reason, this equipment really caught my eye this year, perhaps because it is colorful among the rust.
I was also on the lookout for the formerly upside-down tress of Natalie Jeremijenko’s Tree Logic. (I have a poem about that.) The piece had been in the courtyard at MASS MoCA’s entrance for almost 25 years, with the trees periodically swapped out and planted. As they return to their natural position, the bends in the trunk and branches eventually straighten. Positive phototropism! The last six trees were planted near Richard Nonas’ Cut Back Through (for Bjorn). I have a poem about that, too, which I will actually share here. This is a revised version of the poem that first appeared in Emulate.
Time/Rate/Distance after Cut Back Through (for Bjorn), Richard Nonas
Three thrones hold court, sun-warmed, polished granite; ancient mica flecks five rough-hewn footstools.
Bees prefer surrounding clover, sweet white sustenance for inevitable winter, oblivious to any human, serve their sisters and queen.
I, too green, too new, too fragile for this place, settle on footstool, absorb warmth of sun, strength of stone, whole-heartedness of bees.
After being on my feet for so long, my neck and back were tired and I accepted the offer that my apartment-mate had made to rest on her mat in her studio, which is outfitted with an acupressure mat for the back and neck. That revived me enough to be ready for our group lunch at 1:00.
After lunch, we took two of our new BHPC members on a tour of the Boiler House, which is a fun tradition.
Then, I went to our apartment to rest for the afternoon to get ready for our reading. I scooted out for an early solo dinner at Boston Seafood, which has been in North Adams since before I can remember in the 1960s. Bonus: they serve mocha sundaes, one of the few places left that holds to that North Adams tradition. (I have a couple of mocha poems, of course.)
The reading was at 7 PM at The Bear & Bee Bookshop. I’m pleased to say that we were standing room only and the reading was very well received. Through the miracle of alphabetical order, I was first up and read three North Adams poems, one about Drury High School, an ekphrastic poem about Xu Bing’s Phoenix which ties into some local history, and one about the public library. I was grateful to be first so that I could enjoy the rest of the reading. There were even some questions during the Q&A!
While most of the poets went to a neighboring restaurant for dinner/celebrating after the reading, I went back to the apartment to lie down and rest my neck and back. When my apartment-mate came home, we talked for a couple of hours – or maybe closer to three? – before turning in.
The long day with lots of walking and stairs and standing had gotten to me, though. My neck, shoulders, and back all tightened up and I had a lot of trouble sleeping. Today is going to be a slow day. I’m in my studio now but will probably head back to the apartment after I post this to rest and/or nap before lunch at 1. I’ll probably need to spend most of the rest of the afternoon prone, too, in order to be upright for supper out and evening discussion. It’s annoying to have to spend so much time lying down and resting but everyone is having a good and fruitful experience with our residency and I’m very grateful for that and for being here, even though I have unaccustomed limits this year.
Joanne Corey 