Tag: book

a new chapbook from Merrill Oliver Douglas

I wanted to share the news that a local poet-friend Merrill Oliver Douglas has a new chapbook available for pre-order at Finishing Line Press. You can order here: https://www.finishinglinepress.com/product/parking-meters-into-mermaids-by-merrill-oliver-douglas/

It was my privilege to participate in a manuscript review with Merrill and want to share that her work is both accessible for the general public and nuanced for those who enjoy the craft of poetry. You can read samples of her work at these links:
http://south85journal.com/issues/fall-winter-2016/fall-winter-2016-poetry/bereft/
http://baltimorereview.org/index.php/spring_2016/contributor/merrill-oliver-douglas
https://www.connotationpress.com/poetry/2370-merrill-oliver-douglas-poetry

And, seriously, who wouldn’t want to own a chapbook entitled Parking Meters into Mermaids?

Broome County Arts Council collaborative chapbook

As those of you who know me personally or who have been reading Top of JC’s Mind for a while are aware, I consider myself to be a community poet. I have next-to-no academic training in literary analysis and creative writing. I sometimes tell people that I write by instinct, but, like this blog, it is more another manifestation of the way my mind works, influenced by what I’ve read and my fortunate affiliation with groups of wonderful poets who share their work, critiques, and knowledge with me.

One of these groups in the last few years has been the Broome County (NY) Arts Council. They have sponsored several series of poetry workshops, led by Dr. Joshua Lewis. This has led to our first ever foray into publishing, a collaborative chapbook, Transformations. (The link takes you to a page with several options for download, priced at either $1 or $1.99 depending on platform.)

There are six poets represented: Pamela Olivia Brown, who also designed our cover, Joanne Corey (me), the aforementioned Joshua Lewis, who also acted as editor, Anita Alkinburg Shipway, Tony Villecco, and Harrison Young. We each submitted three poems without regard to a specific theme, but some commonalities emerged. We met to deal with ordering the poems, which is always a fraught process. I am pleased – and still somewhat shocked – that my ordering emerged as the favorite, with a couple of tweaks from the group.

In re-reading the book, I am struck by how the different styles and voices of the poets reflect common life experiences and deepen our understanding by approaching from various perspectives. Although there are only six poets, we represent different generations, races, ethnicities, genders, and places of origin. (I am endlessly fascinated by the influence of place, especially the rural/urban/suburban dynamic.)

I hope you will consider giving Transformations a read. I’d love to hear your thoughts about it in the comments here or at the Top of JC’s Mind Facebook page.

[A note: It’s possible that your download will have an issue with pagination and layout. For example, I lost the stanza breaks in my Apple copy. I’m not sure if it is because I am using an older device or if there is some other reason. I can assure you, though, that all the words will come through to you, which is the most important consideration.]

 

“The Time Is Now”

Shortly before the spirituality class that I facilitate went on indefinite hiatus due to the pandemic, we finished our study of The Time Is Now:  A Call to Uncommon Courage by Joan Chittister, OSB. It was published in March, 2019 in response to the signs of the times.

The book deals with the characteristics of prophets, using examples from biblical times up through the present. While some think of prophets as people who tell us our future, prophets are not fortune-tellers. They are more often those who speak hard truths to draw the community back to its original ideals when it has strayed or who call for growth and positive change in times of selfishness or apathy.

As we studied the book week after week, we often drew parallels between the text and things we were experiencing in the present. These parallels have become even more evident now that the world is dealing with the pandemic.

We see examples of prophetic voice and action, such as Doctor Li Wenliang of China, who in early December alerted colleagues to cases of what appeared to be a new virus, only to be detained by police for several days for “spreading false rumors.” After his release, he went back to work at the hospital. He contracted COVID-19, sent out another medical alert online, and died from his illness in early February. He acted as a prophet in giving warning of danger and was maligned by authorities and ignored, as often happens with prophets. As sometimes happens, he also became a martyr, with his death serving as stark testament to the truth of his message.

Sister Joan calls us to look at what is happening around us and to stand up for truth, whether that means being a prophetic voice ourselves or standing in solidarity with those who are prophets, speaking truths that are considered threatening by the powers that be. We have seen this recently in the United States where some of the governors have been belittled by the president for their science-based and prophetic public statements about the present and likely future effects of COVID-19 in their states. New York State, where I live, is the epicenter of the outbreak in the United States and our governor, Andrew Cuomo, gives daily public briefings. He is very straightforward and makes it clear what is evidence-based and what is his opinion. It is very upsetting to have the president disparage him – and even more upsetting that the president contradicts the science and facts because he thinks it makes him look weak or bad personally.

It is time for all of us to have the courage to follow the prophetic voices or, if so called, to be a prophetic voice ourselves.

 

Blowout by Rachel Maddow

One of the most impressive parts of Rachel Maddow’s book Blowout is the end. No, not the index, but the twenty pages of “Notes on Sources.” I had often found myself thinking as I read the text, “How could she possibly know this level of detail?” but I know that Rachel Maddow and her staff are very dedicated to research and accuracy, so I didn’t doubt the veracity of the stories she was relating. I was pleased to see the “Notes on Sources” because she lists the books, papers, interviews, news stories, videos, magazines, etc. that she had used to find the facts, giving readers a chance to learn more and showing that she and her staff had, indeed, been diligent in their research.

The full title of the book is Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth. That industry is, of course, the oil and gas industry.

Because of my many years in the anti-fracking and climate justice movements, I was familiar with the broad outlines of much of the oil and gas industry story. I appreciated the abundance of details on topics such as Oklahoma, the depths to which it rises or falls on fossil fuel dollars, earthquakes and induced seismicity, and the rise of Oklahoma City, including its entance into the world of big-league sports. I knew that Russia used its fossil fuel exports as a cudgel and that Putin and his oligarchs ran roughshod over whomever stood in their way, but hadn’t realized all the factors involved, including the immensity of the impact of US sanctions that stopped Rex Tillerson’s ExxonMobil from assisting Russian Arctic drilling and spearheaded Russian interference in the 2016 US presidential election.

I was less familiar with the expressions of the “resource curse” in other parts of the world, such as Equatorial Guinea. These stories illustrate how the proceeds of the oil and gas industry flow to the already powerful leaders of government and industry and not to the general populations of the countries, who often remain mired in poverty and ecological devastation.

While I brought a considerable amount of personal background/geekery to my reading, the book is equally as enjoyable and informative for those who know little of the industry. Maddow’s writing is clear and compelling. Much of the book reads like literature, with compelling, recurring characters, rich details, and unexpected plot twists. That the stories are all true heightens their impact.

That we are continuing to deal with the repercussions of the events in this book makes reading it that much more important.
*****
Please join us for Linda’s Just Jot It January! Find out more here:  https://lindaghill.com/2020/01/06/daily-prompt-jusjojan-the-6th-2020/

Reading Michelle Obama’s memoir

Since she became a public figure during the first presidential campaign of her husband, I have felt an affinity with Michelle Robinson Obama. While on the surface it would seem that an African-American woman from the South Side of Chicago couldn’t have much in common with a European-American from a tiny New England town, there are a number of similarities. We are close in age, having been born in the last few years of the Baby Boom. I have long felt that we youngest of the Boomers, who were young adults during the Reagan recession when unemployment was high and mortgage rates even higher, are fundamentally different from the elder members of our cohort. Michelle and I are both mothers of two daughters and women who have been blessed with a close and long relationship with our own mothers. We have close women friends and mentors. We are both community-minded, and also recognize the importance of educational opportunity for ourselves and others. We each have a long, loving, and intact marriage. And we are both women of our time, which means we have experienced sexism and the challenge of tending to both our private and public lives.

Becoming, Michelle Obama’s memoir published late last year, reinforces my sense of her on all these points. She writes honestly and beautifully; I was especially impressed with the way she wrote about her feelings about what was happening and not just the events themselves. She also frequently gives context of what happens either before or later with a particular place or event, such as the changes over time in her South Side neighborhood.

I particularly enjoyed reading about Michelle’s childhood, teen, and college years, as the stories from that time before she was a public figure were mostly new to me. I also appreciated knowing how she felt about many events and causes during the campaigns and her eight years in the White House, as well as her take on the current president.

What was most enlightening to me was hearing how being a black female impacted her life at every stage and added to the pressure to excel and to be an exemplary person at all times. As the first African-American first family, it seemed that every move the Obamas made was scrutinized. I admire that Michelle and her mom, who was also in residence at the White House, were able to protect First Daughters Malia and Sasha from most of the intrusiveness of the press corps so that they could grow up (mostly) out of the public eye.

Many people share my admiration for Michelle Obama and her accomplishments. Her book tour includes venues that seat thousands of people and her book has sold over three million copies, making it the bestseller of 2018.

She can definitely add best-selling author to her already impressive resume.

first-time finalist

In December, I submitted to the QuillsEdge Press chapbook contest and I am pleased to announce that I was named a finalist. Though I didn’t win publication of my chapbook, I am thrilled to have made it into the final round.

Moreover, QuillsEdge does a really cool thing! They choose a poem from each finalist and assemble a mini-anthology to accompany the winning chapbook. Given that few of my poems are available in print, I am excited to be included in an actual physical book.

While I assembled the chapbook for the QuillsEdge contest, I have submitted a slightly revised version to four other contests. Two rejections came in prior to the news from QuillsEdge. The remaining two are big contests which will draw lots of entries.

Yesterday, I received another rejection, but it was a very hopeful one. Although I did not make finalist – their top ten – I was in the top 1%. I so appreciated their encouragement, knowing that my chapbook was noticed in a field of 1000+ entries.

When things calm down a bit, I need to research more places to submit, but at least I know that there are editors – plural! – who think I am on the right track. A poet friend told me that a chapbook should be submitted to at least ten presses. Halfway there…

A Wrinkle in Time

T and I finally got to see the new movie version of A Wrinkle in Time this week. Bonus: we were the only two in the theater for a Tuesday morning showing.

I appreciated the way the film updated the Madeleine L’Engle classic, setting it in the present day. I also appreciated the diversity of the casting among the leading roles and the smaller roles/extras. Many of the themes in L’Engle’s book – bullying, the role of science, love of family and friends, the strength of community in overcoming evil – feel fresh and pertinent in contemporary America. Though the story had to be condensed to fit into a movie-length timeframe, the core of L’Engle’s message remained strong.

I loved the vibrancy of the film and the richness of the color palette, especially when visiting other worlds. I also enjoyed the performances, bringing to life L’Engle’s sometimes enigmatic characters. I especially enjoyed Storm Reid’s portrayal of Meg.

I hope that the film will inspire a new generation of young people to read L’Engle’s novel and the rest of the Time Quintet.

chapbook draft

I have mentioned before that I am putting together a chapbook for the QuillsEdge Press contest for women poets over fifty.

At least I have the woman over fifty part nailed…

When the contest information was sent to me by one of the thoughtful male members of Grapevine Group, I already had a small group of poems written that related to this year’s theme, “In Transition.” Over the last couple of months, I have been writing and revising more poems to fill in gaps and to have enough poems to meet the page count requirement.

I have mentioned several times that I have been working assiduously on one poem in particular. After workshopping it with three different groups of poets, trying it out at a couple of readings, and revising again at the recommendation of a trusted poet-friend, I have now decided to use it as the final poem of the chapbook. Poets are advised to end with a strong poem and I am hoping that this at-least-for-now final version will fill the bill.

I had been playing with the order of the poems as I continued to add new ones and today, with all the poems finally available, I did another round of changes. When I finished the re-shuffle on the computer, I printed out a copy so that I can hold it in my hands and read it through as if it were a real publication.

I am trying to restrain myself from begging for readers to give me more advice. Though the deadline isn’t until January first, I really would like to submit next week. December is such a busy month that I would like to have it sent off and out of my head so I can move on to the rest of my to-do list. I also realize that all my poet-friends are similarly busy this time of year and don’t want to bug them more than I already have.

I am also trying to see this as a self-trust exercise. Given my lack of formal training, it’s easy for me to doubt my technical ability as a poet. People write books about how to order poems – and I haven’t read any of them, even though I do own one of them.

I will read it eventually…

For now, my plan is to read the chapbook aloud several times over several days, tweak anything that bothers me, and send it off through Submittable sometime next week.

And then wait a few months for news…

 

SoCS: pens, pencils, and pixels

I don’t use ink very much anymore.

Although I always carry pens with me and use them for obvious things like signing checks, but most of my writing by hand is related to poetry, which I tend to do in pencil, usually a 0.7 mm mechanical.

Most of my writing these days is via computer. No ink or graphite required.

I do, however, read a lot of ink. I still prefer print magazines and books over electronic. I find it much easier to leaf through a physical book or magazine than to scroll or jump to a page.

I hope to have a physical book of my own published someday, either a chapbook or poetry collection. Or both!

Ink will be necessary.
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “ink.” Join us! Find out how here:  https://lindaghill.com/2017/11/24/the-friday-reminder-and-prompt-for-socs-nov-25-17/

Badge by J-Dub @ https://jilywily.wordpress.com/

 

Good-bye, MoCA

I want to assure everyone that I did not get lost on my way home from North Adams. I did, however, arrive home later than expected Thursday and, unfortunately, yesterday involved a couple of family members being under the weather, so I didn’t get to post. I’m happy to report that people are feeling better today, so I will try to sneak this post in.

After the excitement of the reading and our discussion afterward, I wasn’t ready to sleep, so I stayed up late writing this blog post. When I did finally get to sleep, I didn’t stay that way, waking to write a concept/poem for my collection and the beginning of an unrelated poem. These may or may not turn out to be useful. Some middle-of-the-night ideas work; others, not so much.

We all spent a good chunk of Thursday morning packing and moving out of our apartments. We met back at our studios, where we were allowed to stay into the afternoon, and enjoyed our last lunch together in the cafe.

Then, the good-byes started, as three of our members needed to head for home.

Fortunately, five of us were able to stay until mid-afternoon, so we decided to do one last workshop session. The others graciously offered to review the beginning of my collection with me. They gave me lots of great feedback, some specific and some general, that I will use as I continue to work on the manuscript, which may also be changing its title.

One of the necessary skills that I am still developing is the ability to balance the diverse comments from other poets with my own sense of my work.  I am much, much better with it than I was when I first started, but looking at issues specific to manuscripts as opposed to each poem in isolation adds another layer to the enterprise.

At the moment, I am thinking about developing a new order for the poems after the Boiler House Poets finish weighing in before sending it out to some of my other poet friends for further comment.

Of course, there is also the issue of finding time and brain power to devote to revision back in the face of day-to-day life, which is… let’s just say, complicated. Still, I want very much to have the manuscript ready to submit to presses and/or contests before the Boiler House Poets next reunion, which we hope will be in early fall of 2018.

Can I do it?

Time will tell.