For people in the North Adams, Massachusetts area, please join the Boiler House Poets Collective, currently in residence with The Studios at MASS MoCA, for a free reading at Bear & Bee Bookshop, 28 Holden St., North Adams at 7 PM with light refreshments to go along with the great poetry!
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/10/09/one-liner-wednesday-on-my-walk/
Later today, I’ll be travelling to North Adams, Massachusetts to begin the 2024 Boiler House Poets Collective workshop-in-residence at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts).
It’s been lovely seeing the enthusiasm among my fellow poets as we’ve been doing our final preparations. Unfortunately, due to my current health complications, I’ve mostly been feeling apprehensive.
I’m used to spending long days and evenings during residency writing, editing, visiting the museum, workshopping, and eating/socializing with my poet-friends, but this year I have scaled my plans back significantly in deference to my current struggles with tinnitus, blurred vision, neck pain and stiffness, balance problems, fatigue, and brain fog. I’ve planned to do creative work in the mornings when I’m most likely to have mental clarity, spend most of the afternoon resting, and re-join the group for the evening.
This plan might work – or it might not. I need to be careful to listen to what my body is able to do that day and adjust because, if I push too hard, I risk the next day being a total loss.
I am not putting pressure on myself to generate new work if I don’t have the mojo to do so. There are plenty of poems that I could work on revisions. There’s also a lot of submission work I could do, which isn’t especially creative but does involve careful attention to detail.
It’s not that I haven’t had life complications at past residencies. I’ve done them during the final years of my parents’ lives when I was involved with their care and after their deaths when I was in the early phases of grief.
This situation feels different, though. While my brain was working differently when I was highly stressed or grieving, I still recognized what was happening in my head. The brain fog is more difficult. I need to divert part of my attention to processing what I see and hear and to how I move in order to keep my balance. My thoughts are slowed down and I easily lose my train of thought. I’m accustomed to mulling poems in my head before I sit down to write but it’s rare now that my brain has the power to generate a creative seed and allow it to germinate.
I think part of me is afraid that this state is my “new normal.” Without a diagnosis, treatment is elusive. We are working on that but it’s frustrating that I don’t have my accustomed level of mental acuity to bring to the process.
I’m also sad that I haven’t been able to workshop poems for months here with the Grapevine Poets and that will continue this week with BHPC. I miss seeing others’ work in progress and hearing the discussion about possible revisions. It’s a reciprocal relationship among the poets and very valuable for someone like me who came to poetry later in life without formal training in craft. I miss being able to do it, even though I always feel that I get more than I’m able to give in feedback to others.
As you can see from the graphic on this post, we will be doing a public reading on Wednesday, October 9 at 7 PM at the Bear & Bee Bookshop. I am determined to do that as well as I can. I am reading first when I’m most likely to have the needed energy. I chose poems and wrote out the welcome remarks I need to make so that I don’t babble or forget what I need to say. I haven’t practiced as much as I probably ought to have but will make sure to do at least a couple of run-throughs before Wednesady evening.
You may be asking why on earth I am still trying to do the residency in my compromised state. I am committed to the Boiler House Poets Collective and my current role as liaison to The Studios. Still, I wouldn’t be able to do this were it not for my trust in the BHPC members. Last year, we planned for members to take on different aspects of organizing the residency and everyone has stepped up to do their part and more. I am able to carpool with my local BHPC members so I don’t have to drive. I know that any of them will be willing to give me a hand, perhaps literally if I need it to help with my balance. I absolutely could not do this without their support and I appreciate it.
I’ll try to get some posts in from the residency to let you know how things are going. Prose is generally easier for me to write than poetry so maybe that will work out. Maybe not.
I’ll try to listen to my body.
Wish me luck.
For North Adams, Massachusetts area folks, the Boiler House Poets Collective invites you to a reading at the Bear & Bee Bookshop, 28 Holden St., North Adams, on Wednesday, October 9, at 7 PM.
This is our only public event during our week as a workshop-in-residence at the Studios at MASS MoCA.
The reading will be a sampler of the work of our ten residents this year, lasting about an hour, followed by Q&A and light refreshments.
Bear & Bee will be selling books by our poets with the authors available to do signings.
Please join us for this free event!
Marilyn McCabe and Gail DiMaggio are original members of the Boiler House Poets Collective, which is how we met. I am pleased to reblog this post from Marilyn’s blog, O Write, in which she offers her reflections on Gail’s poem, “Metta for Judy who Loved a Biker”.
I don’t want to steal any thunder from Marilyn or Gail here, but urge you to check it out.
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Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/23/daily-prompt-jusjojan-the-23rd-2024/
When I saw that Linda’s prompt for Stream of Consciousness Saturday this week was “prime,” the first thing that leapt into my mind was Gail DiMaggio’s first book of poetry, Woman Prime, which won the Permafrost Prize from the University of Alaska.
Gail was one of the original members of the Boiler House Poets Collective, now retired from attending our reunion residencies, but still a much-admired legacy member. I especially admire her ekphrastic work and her remarkable ability to write about difficult topics with insight and grace.
I invite you to check out Woman Prime or Gail’s other work and experience its power for yourself.
You’re welcome!
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Join us for Linda’s Stream of Consciousness Saturdays! Find out more here: https://lindaghill.com/2023/10/06/the-friday-reminder-and-prompt-for-socs-oct-7-2023/
Yesterday morning, the 2023 members of the Boiler House Poets Collective did a reading at The Bear & Bee Bookshop in North Adams, Massachusetts.
It was a lot of fun! We had a mix of family and friends, folks from the community, members of the writers’ group that meets at the Bear & Bee, even someone who came in after a yoga class at the studio next door.
I acted as emcee. We presented in reverse alphabetical order: Wendy Stewart. Eva Schegulla, Kyle Laws (who was unable to attend in person, so I read her poems), Hope Jordan, Mary Beth Hines, Nancy Edelstein (who presented a video of her artwork in relationship with light), Jessica Dubey, Merrill Douglas, Jessica Bane Robert, and me, Joanne Corey. Okay, I broke with the reverse alphabetical order so I could go last and moderate for questions and answers. It wound up that there were no questions, so my job was easy.
Several of us, including me, chose work that deals with the North Adams area. Several chose to incorporate the themes of light and darkness, which ties into Nancy’s work and video and which has been a theme for us this year during our residency. It was a joy to hear so many voices and perspectives concentrated in a short amount of time.
Already making plans for next year, so stay tuned!
Yesterday, the Boiler House Poets Collective began their annual workshop-in-residence with The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) In North Adams.
Yesterday, my new poem “drinks” appeared in Issue Two of Mania Magazine. Mania Magazine is “a small, independent literary magazine dedicated to your 3AM works!”
It’s ironic that it came out on the opening day of our residency because this poem was written during the 2015 residency with Jeffrey Levine of Tupelo Press at The Studios, only a few weeks after residencies began, that gave birth to the BHPC. (Anyone who is curious can read my blog posts about that experience.) The short version is that I was in waaaaaaaay over my head, and was not sleeping well and overwhelmed most of the time. I did not write this poem at 3 AM but my brain was definitely in that mode, resulting in a somewhat atypical poem for me. I’ve sent it out a few times over the years to journals that had a more expermimental or quirky bent but it has never been picked up until Mania arrived on the scene.
This is only their second issue and I’m so pleased to be included. There’s prose, poetry, art and photography – and you can read and enjoy at any time of the day or night.
Even 3 AM…
Please join members of the ’23 Boiler House Poets Collective for a reading 11 AM Saturday, September 30 at The Bear & Bee Bookshop, Holden Street, North Adams MA (in person only).
This invitation is brought to you through Linda’s One-Liner Wednesday. Join us! Learn more here: https://lindaghill.com/2023/09/27/one-liner-wednesday-on-top-of-everything-else/
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My poem “Grandpa’s pipe smoke lingers on the stoop” has just been published in Issue 3.2 of The Purposeful Mayonnaise, a Canadian-based bimonthly literary and art journal-platform. The theme for this issue is “Home.” It’s available for free download at the link above. Make sure to view all the amazing art and writing, including an interview!
My poem is part of my currently unpublished full-length collection that centers around the North Adams area and my family’s experiences there. I wrote it during the 2019 Boiler House Poets Collective residency at The Studios at MASS MoCA.
Its original title was “122 State Street.” For those of you who know North Adams and who would like to be oriented physically, the location is right before heading over Hadley Overpass toward Main Street.
This poem is about my maternal grandparents’ home when I was in the lower grades of primary school, over fifty years ago now. Remember that your comments are always welcome here at Top of JC’s Mind.
April is National Poetry Month in the US and there are often poetry readings scheduled in celebration.
This year, the Broome County (NY) Arts Council invited the Grapevine Poets to present a reading, which happened Tuesday evening.
The Grapevine Poets is a group of local poets who meet regularly to workshop each other’s poems, meaning we bring in our drafts for feedback from the poets in attendance in order to assist us in revisions. We also have done manuscript reviews for each other, several of which have been chosen for publication. I am the current record-holder for most manuscripts reviewed with three, my chapbook Hearts (forthcoming soon from Kelsay Books), my full-length collection Small Constellation and my newest chapbook Half a Duet, both of which I am submitting to presses in hope that they will be published someday, too.
While we have been meeting for years and frequently mention the group in our acknowledgements or bios and although we have sometimes read at the same open mics, this was the first time that we formally presented ourselves as the Grapevine Poets. It was very much a collaborative effort with everyone pitching in and divvying up the tasks of scheduling, organizing, publicity, programming, etc. in conjunction with Connie Barnes at the Broome County Arts Council, which is still settling into its new home in the section of State St. in Binghamton often called Artists’ Row.
We decided on a format that each poet would read a poem from another poet we admire and one of our own. We each chose whether or not we wanted the poems to be related to each other in some way. I chose to link my selections thematically, reading “Woman in Suite A, 1922” from Kyle Laws‘ book Uncorseted and my poem “Studio 7 – Building 13” which both relate to a woman’s experience writing in a new studio.
After Connie’s welcome, Wendy Stewart provided the story of the Grapevine Poets, the format of the reading, and her selections. We had decided to each introduce the next poet, so Wendy introduced me and, after my reading, I introduced Sharon Ball. We continued with Burt Myers, Andrée Myers, Merrill Douglas, Jessica Dubey, and J. Barrett Wolf, who also led the question and answer period.
One of our big concerns before the event was would people actually come! I’m pleased to say that we had about thirty-five people there, which is sizable for a poetry reading in our area. There was a bit of a scramble to find and set up more chairs but it was a great problem to have.
I was happy that some people that I had invited were able to attend and that one person came because they recognized my picture from the flier that Burt had designed for the reading. Burt is the art director for the communications and marketing office at Binghamton University and we are grateful to have his professional expertise on hand, as well as his poetic voice.
I’m trying to wrap my head around knowing that some people might come to a reading specifically because it involves me. I’m more accustomed to thinking of myself within a group context, whether it’s the Grapevine Poets or the Boiler House Poets Collective or the Binghamton Poetry Project, and of invitations that come my way to read as being because of these affiliations and my more-established poet-friends.
But, with my first time as featured reader coming up on May 13 at 1:30 at the Tioga Arts Council in Owego along with Merrill Douglas and my first chapbook Hearts forthcoming soon from Kelsay Books, I’m trying mightily to adjust my mindset so I can present myself as more professional, for want of a better term.
Not sure I have the chops to pull it off, but I’ll try.
