Binghamton Poetry Project – Page 6

2015 poems

Along with reading lots of 2016 resolutions, goals, and plans, I’ve read a lot of 2015 summary posts. I even contributed my WordPress summary post.

One of my poet-blogger-friends posted about her poem publications of 2015, which led me to the realization that 2015 is the year that I began to have poems published in competitive venues.

The one poem that I had had accepted in 2014 before joining the Bunn Hill Poets, my primary workshopping group, became available in the spring. The anthology, Candles of Hope, is a fundraiser for the UK charity Topic of Cancer. My contribution had been previously published on my blog. Generally, I don’t put poetry on my blog that I hope to submit as most editors won’t accept previously published poems, but this poem had been one I had written in the middle of the night as a personal cry and had never thought there would be an appropriate place for further publication.

With the help of the Bunn Hill Poets, further sessions of the Binghamton Poetry Project, and the new women’s writing workshop Sappho’s Circle, I was able to refine my poems and match them to publications well enough that I got a number of acceptances in 2015, which was very exciting after meeting with a number of rejection notices previously. Well, truth to tell, currently, too. While I do sometimes write about rejection notices, especially if they come with a compliment or encouragement to submit again, there are definitely lots of rejections when submitting for publication. One of the things I love about the stage of life I am in is that I know I can withstand the rejections and keep on trying. I would not have been so resilient in my younger days.

2015 saw my first appearance in a literary journal, Wilderness House Literary Review. My three poems in the fall quarterly are here.

I am pleased to have developed a relationship with Silver Birch Press. Besides their print anthologies and books, they publish series of poems on their blog, submitted to match their given prompts. I had a poem accepted in five series this year:
All About My Name
My Perfect Vacation
My Sweet Word
When I Hear That Song
Me, During the Holidays
All but one of these were written for SBP. You can hear a recording of my favorite of them “Lessons from Mahler” near the end of this video.

Which bring me to another point in my 2015 poetry story, the Mass MocA/Tupelo Press residency/workshop that I attended in November. It was my first ever experience with a poetry conference of any sort and an amazing, exhausting, overwhelming week. I’m going to be learning from and processing it for a long time. As the inaugural group in the partnership between the museum and Tupelo, we bonded with each other, named ourselves the Boiler House Poets after the setting of the video above, and vowed to have a reunion, which I’m pleased to say has been scheduled for fall 2016. I’m hoping to have the bulk of the poetry collection that is flowing from that experience and my life-long relationship with the North Adams, Massachusetts area finished by then so that the Boiler House Poets can help me refine and strengthen it.

There is one poem that was accepted in 2015 but will be published this year by Eunioa Review. Yes, there will be the usual happy squealing and posting of the link when it becomes available, although it is not a happy poem.

My last sets of poems published last year came through the anthologies of the Binghamton Poetry Project, to which I will be forever grateful for setting me on the path to publication. Our anthologies are not available online, but you can find my contributions here at Top of JC’s Mind, for Spring 2015 and Fall 2015.

Thank you to all my readers who have been encouraging me on the poetry front. 2015 was a breakthrough year for me and I’m excited to see what 2016 will bring.
*****
This (perhaps way too long to be considered jotting) post is part of Linda’s Just Jot It January. Join the fun! Find out how here: http://lindaghill.com/2016/01/07/just-jot-it-january-7th-robust/

Tara Betts is the Poet of the Day!

Tara Betts is featured today in the Poem-a-Day series of the Academy of American Poets!

You can read Tara’s poem “Gentle Collisions” as well as her note on the poem and her bio, see her photo, and click on the audio link to hear her read her poem.

We were blessed to have Tara here for a few years while she earned her PhD from Binghamton University. I met her through Binghamton Poetry Project and Bunn Hill Poets. With her bright, shiny doctorate completed, she headed back to Chicago to teach. We all wish her well but miss her!

How to Be a Woman in a Man’s Idea

A powerful poem from Heather Dorn, current director of the Binghamton Poetry Project and the creator of Sappho’s Circle, a women’s poetry group. She has been invaluable to me as an emerging poet. Congratulations, Heather!

Slink Chunk Press

by Heather Dorn

I fall down the stairs like a rag doll

again and again when I’m four.

The hat rack breaks my body’s tumble

and I thump to a stop. Nobody ever

moves that hat rack, maybe worried

I’d crack headfirst into the wall instead.

Better to be impaled. There is something

slippery about being four and next to the steps

in my house. There is something

that still pushes me over the edge

of that first step now. I have seen how

this is inherited. I watched my brother

bang his three year old head into

concrete over and over again. He is too

sturdy to fall down the stairs and has to

break himself another way instead. I see

my mother’s face, like blue ink spilled

on her eyes. She did not fall, whatever

she says. I watch my father’s fist raise

above her, gripped, as if…

View original post 283 more words

600!

Yay! Top of JC’s Mind just hit 600 followers! Thanks to everyone who visits, likes, and/or follows, especially to poets and others who have been following along with my Mass MoCA poetry residency/Tupelo Press workshop posts. (Shameless plug.)

The posts are here and here and here and here and here and here and here and here and here, with a Binghamton Poetry Project anthology post with three new poems from this last session here.

Feel free to start at the beginning and read through or go non-linear and start anywhere. We poets love that! 😉

Poems: Binghamton Poetry Project fall 2015 anthology

This evening, the Binghamton Poetry Project will be having their fall reading event – without me. I did want to share these poems which are my contribution to the fall 2015 anthology. All three poems are by Joanne Corey.

Timeline
inspiration: Hayden Carruth

So, of course, today,
when I have somewhere
to be, my early morning
appointment runs late,
Riverside Drive is still
under construction,
like it was last year,
with detours still in place,
the parking garages
are falling apart,
partially blocked off
to avoid cars and motorcycles
getting crushed
like in the collapse
at Wilson this summer,
and the meters are only two hours
and I need more time.
Don’t I always need more time?
I park on Oak
where there are no meters
and walk
as quickly as possible
to the Downtown Center
to learn about climate change
and how bubbles in cores
of Antarctic ice
tell us the CO2 concentration
of the atmosphere
800,000 years ago.
My Fitbit vibrates to let me
know I’ve reached my step goal.
It’s not even ten o’clock.

*****

fall
inspiration: Robert Lax

wind
blows
golden
fall
leaves

golden
wind
blows

leaves
fall

fall
wind
blows

golden
leaves

fall

fall
leaves

*****

process

the word
       phrase
       image
       thought
       memory

appears

refuses to leave

expands

runs through waking
                         walking
                         chores
                         driving
                         dreams
for hours
       days
       weeks

coalesces into lines
stanzas
poem

demands to be written

relinquishes some specifics
details
facts

creates space for mystery
the reader
truth

A calm(er) poet

It’s finally here! The poetry residency/workshop which Tupelo Press is offering at Mass MoCA starts within 24 hours. My regular readers have put up with my freaking out over signing up in the first place and stressing over choosing poems to bring – I’m sparing you all posting the links – but I’m pleased to report that I have calmed down significantly.

I was feeling insecure because I have just begun publishing my work and don’t have a lot of academic background in poetry. I was afraid I’d be in over my head, especially if everyone else is an MFA.

Fortunately, I’ve had lots of help in getting some perspective. My local poet friends have been very supportive and great about offering advice.

I was also lucky to have two good publishing experiences in the last two weeks. First, Eunoia Review accepted one of my poems for publication.

Second, my poem “Lessons from Mahler” was published this week as part of Silver Birch Press’s current series. While I am always thrilled when one of my poems is published, this poem is special on several counts. I was pleased that I used some of the skills I have been working on for this poem. I first began to write from prompts a couple of years ago when I started participating with the Binghamton Poetry Project. It is very different from the way I usually work and I have been trying to improve at writing from prompts. When I first read this very specific prompt from Silver Birch, I thought there was no way I would be able to write a poem to fulfill it, but, as I mulled the prompt, an idea came to me.

I wound up writing a haibun, which is a form that I learned about during the summer session of Binghamton Poetry Project. I also was able to workshop it with my Bunn Hill Poet friends and with Heather, who directs both Binghamton Poetry Project and Sappho’s Circle and then hone it into a poem with which I was really pleased.

When Silver Birch Press accepted it, they sent me a nice compliment in their note to me. I wasn’t sure when exactly my poem would appear, but I was so happy it came out on Monday. The editor found a copy of the recording of the Mahler songs and linked it to the poem, which was so touching to me. I have been happily plastering Facebook, Top of JC’s Mind, and some email inboxes with the link to this poem because I want people to read it and to listen to the recording.

It also makes me feel like I belong in the community of poets. While there are always some newer poets like me represented in Silver Birch Press and other places in which my work has been published, most of the poets have chapbooks or collections to their credit. Being among them gives me hope that I might be able to publish a chapbook in the next few years.

It’s good for poets to dream…

Poem: Lessons from Mahler

I am thrilled to announce that Silver Birch Press has just published my poem “Lessons from Mahler” as part of their When I Hear That Song series. I am particularly pleased that they found a copy of the album cover and included a link to a youtube copy of the recording. The song about which I wrote the poem begins at about 12:40, although the whole recording is phenomenal! https://silverbirchpress.wordpress.com/2015/11/08/lessons-from-mahler-haibun-by-joanne-corey-when-i-hear-that-song-series/

Thank you to Silver Birch Press, to Heather Dorn of the Binghamton Poetry Project for teaching me about haibun during our summer session and for giving feedback on this poem, and to the Bunn Hill Poets who workshopped this with me and helped me to make it stronger.

Also, thanks to my friend and Smith roommate Mary who took the accompanying photo for our class of ’82 yearbook. A few people remember me from way back then!

Publication Party!

Yesterday, Sappho’s Circle, a newly formed local women’s poetry workshop, had our first publication party. What this means is that members gathered with laptops – and snacks – to work on submitting our poems to publications.

Our leader Heather has access to lots of great resources to help us choose among the hundreds of venues available. She also has lots of experience, having been published in many different journals over the years. She has even been nominated for a Pushcart Prize!

I decided to send a submission to Eunoia Review which publishes two pieces (poems, fiction, creative non-fiction) online daily. Bonus: I am now following them on WordPress, so I will get a daily digest from them.

This submission was a bit different from the type I usually do. It was high-volume – ten poems in one submission; the most I had ever submitted at once was five. You could submit both unpublished and previously published work. You were not allowed, though, to submit anything that was under consideration elsewhere. Usually, that would be a non-starter for me, who appreciates the flexibility of simultaneous submissions, but the timing was right as I had very little that was still out for consideration. Eunoia Review also makes up for the stricture with an incredibly rapid turnaround time, usually under 24 hours!

So I spent the bulk of the session yesterday assembling ten poems to submit, starting with the six I had prepared in anticipation of the publication party and adding four others, three of which were previously published. I hit send just a few minutes before we wrapped up the party at 4:00.

By evening, I had an answer! I’m pleased to announce that Eunoia Review will be publishing my poem “The Last Night” sometime in early January, 2016. There will no doubt be an excited post here at Top of JC’s Mind with the link when it becomes available!

Now, I have lots of thank yous to send out. First, to Ian of Eunoia Review for reading my submission and accepting “The Last Night.” To my poet friends at Binghamton Poetry Project, Sappho’s Circle, and Bunn Hill Poets, all of whom were a huge help in revisions of this poem, which has gone through more drafts than any other poem I have ever written. And a huge THANK YOU to Heather for her support and for helping me to find a good home for “The Last Night.”

I urge everyone to check out Eunoia Review and follow them. There’s so much great stuff there to read, with more added daily. I’m so honored that I will be part of it!

(poetic) mix of emotions

Some readers may recall my major angst about whether or not to attend my first poetry residence/workshop. I posted about it here…and here…and here.

And then, I had to wait….

I continued to feel a mix of excitement and apprehension, but I’ve had to concentrate on more immediate obligations, such as rehearsing with University Chorus and working on poetry with Binghamton Poetry Project, Sappho’s Circle, and Bunn Hill Poets simultaneously.

But now, with less than two weeks to go before traveling to North Adams and Mass MoCA, the conference is drawing more and more of my attention and emotions. Part of this is increased communications from the organizers at Tupelo Press, including photos of our residency apartments just across the street from the museum. I know that we are a group of seven at the moment; the maximum number was eight, so there is still a chance of another poet joining us.

The main preoccupation for me at the moment is the request to bring ten poems to the conference for workshopping, which means critique. It’s not that I don’t have (many more than) ten poems that could use workshopping; it’s figuring out what to bring.

On the one hand, I want to bring work that is strong and current, but most of that has been workshopped with one of my local groups, has been published, or is ready for submission. These poems have the best chance of putting me in a good light with the other poets and the poet/editor who will be leading the conference, but it is awkward to ask for revision for something that has already been published, although it could be helpful to fine-tune a poem that may one day make it into the chapbook or collection I aspire to assemble (at least on my more confident days).

On the other hand, some of my early poems – well, not really early in terms of my lifetime, but things that I wrote from 3-5 years ago before I connected to Binghamton Poetry Project, which led to my other groups – could use the help. I find it especially difficult to revise things that I wrote before I started to read and study more poetry; somehow it is easier to use my new skills in writing poetry than it is to apply my new editing skills to older work. However, these poems could make me look less competent as a poet and are often deeply personal, which makes critique seem especially (potentially) brutal.

The decision is not helped by the fact that I don’t really know the range of experience of the poets who will be attending. In my imagination, I will be the least experienced in the group, although that may not be the case at all, as the conference is open to any serious poet, published or not. I am toying with the idea of bringing along more than the requested ten poems, mixing some older work with some of my newer poems, and hoping that we don’t have to hand ten over at the beginning of the conference, so that I can tailor the poems I workshop to the group of poets in attendance.

Given that we have to bring twelve copies of each poem, the only risks would be wasting paper and ink and possibly arm strain from lugging so much paper around.

So, am I overthinking this? What would you choose? I’d love to hear your advice in comments here, on Facebook, or in person.

With thanks,
Joanne

More (poetic) squealing!

I just got word that my poem “Lessons from Mahler” will appear in the upcoming When I Hear That Song series from Silver Birch Press. So, yes, more excited squealing is occurring!

I owe a huge THANK YOU to all my poet friends who helped me through the editing process, with a special shout-out to Heather Dorn, director of the Binghamton Poetry Project, who introduced me to the haibun form during our summer session this year. Haibun is a poetic form that combines prose or other verse with haiku. I am not known for my ability to write in forms, so this publication will mark a first for me.

You can be assured that the link to the poem will be appearing here at Top of JC’s Mind when it is published. Stay tuned!

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