Category: writing

Thanks to the Department of Public Art

I’m not sure if it’s intended to reblog a post for Just Jot It January or not but I am writing this blurb, so it should count. 😉

I was thinking of this poem because the Water Street parking ramp which housed murals from the Department of Public Art is being demolished. The whole first stanza is about that art so it feels strange to see local artists discussing its destruction on the news. It remains to be seen if some of the art will be re-created elsewhere as it was very site-specific.

It also occurs to me that, over five years later, the Heart of the Arts dinner crowd is still the largest audience for whom I have read.

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Joanne Corey's avatarJoanne Corey

When I revealed my secret poetry mission, I promised to share the text of my poem “Thanks to the Department of Public Art” after it was published in the fall anthology of the Binghamton Poetry Project.  The anthology is available tonight at our reading, so I am pleased to share the poem below. Here is a recording of my original reading at the 2016 Heart of the Arts Awards dinner.

Thanks to the Department of Public Art
~~ by Joanne Corey

 for Emily Jablon, Peg Johnston, and all whose hearts are in the arts

Stencils and murals
on descending levels
of the Water Street parking ramp
time-travel through that historic corner –
Link Blue Box flight simulators
evolve from pipe organs –
punching in on Bundy
time recording machines
in the days before IBM
and the move to Endicott –
on street level
“Welcome to the…

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Unseen

Sometimes, when I haven’t written a poem in a while, I try to write tanka, which is a Japanese form that, when executed in English, is 31 syllables in 5 lines with a turn at the fourth line.

At other times, I will use a prompt to get me started. These can be written specifically as prompts or can be other works of art which serves as a springboard. Poems that are responses to artwork are known as ekphrastic poems. I write them relatively often because I have been part of the Boiler House Poets Collective since 2015. During our residencies at the Massachusetts Museum of Contemporary Art, we often write ekphrastic work with most of us choosing to do this throughout the year.

One of my Boiler House poet-friends, Kyle Laws, introduced me to the Ekphrastic Writing Challenges from The Ekphrastic Review. I have been fortunate to have had several poems of my poems appear as selected response to challenges.

Earlier this month, I submitted a tanka in response to this challenge, the painting Blind Girl Reading, by Ejnar Nielsen (Denmark) 1905. You can see the painting at the link, as well as read the selected poems and short fiction in response.

While my poem was not chosen, I thought I’d share it here:

Unseen

In darkness, pale fingers
glide over pages bound
heavy in her lap –
the only light, electric
impulse from fingers to mind.

Comments are welcome, if you are so moved. (There’s nothing like writing a six paragraph post to present a five line poem!)
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journaling

Today is another of the rare occasions where I am using the #JusJoJan prompt, which is “journal.”

There have been a few periods in my life where I have kept a journal, most often in conjunction with a specific purpose, such as when I was studying Adult Psychology in college and it was an assignment.

There have been other times when I have substituted other modes for journaling. There were two friends, sadly both deceased for some time now, that I kept up email correspondence with when they were being treated for cancer. Due to their health struggles, there were times when the correspondence was one-sided, with my entries being much more numerous than theirs. I often thought that what I was writing would seem boring and mundane to them. Instead, as one told me, it was good to hear about everyday life when their own had been so derailed by illness. That gave me a new perspective on what I was sharing and an enhanced ability to find deeper meaning in daily activities and surroundings. I think this continues to undergird my writing today, both in prose and in poetry.

Since I started Top of JC’s Mind in September, 2013, blogging has frequently been similar to journaling for me. Because I write about what is at the top of my mind, I do often work through important issues in my life, albeit with editing that doesn’t usually happen with journaling.

I hope my readers don’t mind being along for the ride…
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Review: Encanto

When we went to the UK to visit our family for the holidays, four-year-old granddaughter ABC watched the Disney film Encanto frequently. I was impressed with it but hadn’t realized how popular it had become until after we returned to the US and it seems that I run into commentary on it several times a week, including news that the soundtrack and individual songs from Encanto have been appearing in high positions in the Billboard charts.

For the few of you who may not know, Encanto tells the story of the Madrigal family from Columbia who use their magical gifts to help their community. Granddaughter Mirabel appears not to have been given a magical gift but her strong love for her family and their home powers the story.

Much of the commentary that I’ve seen concentrates on how important it is to have this portrayal of a Latinx family and story, along with inclusion of Spanish in the dialogue and songs. I agree with this point but want to note some other ways that this film feels inclusive to me. As someone whose family is racially diverse, I appreciate that the Madrigals have Indigenous and Black roots, as well as (presumably) European. As someone who wore glasses from a young age, I love that Mirabel wears glasses. I could get all metaphorical about clarity of vision, but I won’t. It’s just nice to see a positive portrayal of a girl who wears glasses in an animated movie.

The biggest point of inclusivity for me is the complexities of the family relationship. The most popular song in the soundtrack, the ensemble piece “We Don’t Talk about Bruno”, reminds me that my own family had an uncle that was seldom mentioned for mysterious reasons. We see Mirabel and her non-magical father struggle with finding their place within the family, which is a familiar issue in many families, for example, when a very sports-oriented family has a member who would rather be singing in the chorus than out on the field with a ball.

We also see the double-edged sword of trying to live up to family expectations. While it’s admirable that members of the family want to use their gifts to serve the family and the community, it’s all too easy to see each only for that one gift and not for the complex being that they are. This leads to feeling that it is only that gift that makes you valuable or loved. The clearest expression of this is “Surface Pressure”, the song that Mirabel’s sister Luisa sings. Luisa’s gift is that she is very strong, so she is much in demand at home and in the village. The song shows how difficult it is to deal with the pressure of those demands and her own worries and insecurities. She sings, “Under the surface/I’m pretty sure I’m worthless if I can’t be of service.” Ouch. How often in our families do we pigeonhole someone in a specific role, overlooking other attributes and gifts they bring? How often do we take for granted the work that someone does or make it seem that they are only valuable in what they can do, not in who they are as a person?

To me, among Mirabel’s gifts are love, thoughtfulness, insight, curiosity, caring, and truthfulness. None of them are “magical” but the results of them can be miraculous.

They can be for our own families and communities, too, if we honor those gifts and each other as Mirabel does.
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How to Heal the Earth poem

Back in November, I posted that I had had a poem accepted by Silver Birch Press as part of their How to Heal the Earth series.

I’m pleased to share that my poem is now available here!

Please visit and comment either there or here if you are so moved. While you are there, you can read dozens of contributions to the How to Heal the Earth series along with the Thoughts About the Earth series.

Thank you to Silver Birch Press for including me in this series and for the lovely photo that they chose to accompany my poem.
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How Does JC’s Mind Work? #2

For months/years, I have threatened/promised to write about how I got to be who I am today and what shaped me along the way. This sporadic series will try to unpack my personal history and influences and, I hope, set people to thinking about their own.

When I posted the first installment of this series and used the word sporadic in the intro, I didn’t think it would be almost a year before I posted the second installment, but here we are. Of course, I didn’t know last February that 2021 was destined to see my father’s final decline and death, which, along with the necessary estate work, occupied so much of my time and mind last year.

What I’ve decided to write about today is how my natural introversion impacts how my mind works.

Any personality assessment I have ever done shows the largest deviation from the centerpoint on the scale toward introversion versus extraversion. I’m not just a little bit introverted. I’m very introverted.

I find crowds overwhelming. When being in groups, the smaller the better. I much prefer an in-depth conversation with one person to small talk with ten. I am also content to be by myself for long stretches. I can function in larger groups when I have to, but it is very tiring and I’m not able to participate in discussion very well.

This is partially a function of not being very good at inserting myself into ongoing discussion and partially another introvert trait, which is that I need time to think through issues before I can formulate opinions and put them into words. If there is a discussion on a topic that I know well, I can participate almost as well as the extraverts in the group, but, if the topic is new, I usually can’t make my brain work fast enough to participate before the discussion has moved on to something else. This is especially difficult for me when workshopping poems that I haven’t studied in advance. I always feel that I am not as helpful as I might be to the other poets in the group.

Introverts often have a preference for writing over speaking. I’ve always loved to write. I find it helpful in clarifying my thoughts. I think part of the reason I’ve been able to sustain this blog is that writing posts organizes my thoughts in a calming way after I have been mulling something. That I can then share those thoughts with others is not as much the primary goal as a bonus.

And introverts are definitely “mulling” types. Decision-making is very deliberative and often involves research, time, and depth of thought. I am not a snap-judgement type and like to take time in forming opinions and action plans. I know this is frustrating for others who are quicker to come to positions and decisions. I can seldom see things in a this-or-that way; everything is a spectrum for me and it takes time to think through where on the spectrum I will land – and more time to adequately explain it to someone else.

One of the things I have learned recently is that introverts’ brains work differently than extraverts. I find this knowledge comforting. There has been pressure on introverts to become extraverts, as though introversion was a choice rather than an inherent part of one’s personality. Knowing that my brain works in the distinctive pattern of introverts strengthens my acceptance of myself as I am.

I am also part of a particular subset of introvert. In Myers-Briggs-speak, I’m an INFJ, which is considered the rarest personality type, so my brain has a few extra quirks going on, but that is a post for another day.

With luck, it won’t take me a year to get to it.
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two chapbooks to order!

I’m excited to share pre-order news for two forthcoming chapbooks by Boiler House Poets Collective members through Finishing Line Press. It was my privilege to be involved in manuscript reviews with the poets for both chapbooks, so I know firsthand that they are fantastic!

Girl, Woman, Bird by Katherine (Kay) Morgan encompasses personal and national history and the natural world, especially birds. Kay also shares her gift for ekphrastic poems in this chapbook, as one might expect from one of the original Boiler House poets who met during a residency at the Massachusetts Museum of Contemporary Art, although the art that invokes these poems is not all contemporary. Girl, Woman, Bird is available for pre-order now and will begin to ship on March 18th.

For Dear Life by Jessica Dubey reflects on the impacts of her husband’s brain surgery and recovery on their lives. Besides being a member of Boiler House, Jessica is also part of my local poetry workshop, the Grapevine Group, so I was able to witness the creation of this chapbook poem by poem. Jessica’s ability to take us through such difficult terrain is stunning. For Dear Life may be ordered now for shipment beginning May 13.

Check out the links for additional information and ordering. I already have my orders in for both!
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1500 (depending how you count)

I am not at all diligent about my blog stats, but WordPress continues to throw some info into my notifications, so I know that I’ve just reached 1500 WordPress followers!

My blog page itself says I have 1,682 followers, which includes followers by email, twitter, and through my Top of JC’s Mind Facebook page.

Either way, yay!

I know that only a few dozen people read my blog on any kind of regular basis and fewer than that comment online, although it still takes me by surprise when I get comments in person from friends, as though I think only cyberfolks read my blog.

Whoever you are, whether you read regularly, occasionally, or just this one post, I’m grateful for your visit and invite you to return whenever you can. This is my 1,561st post, so, whether your interest is poetry, politics, the environment, spirituality, family life, health, or generalized musings, you can probably find something of interest in my archives.

This year, I’m hoping to pay more attention to my “JC’s Confessions” and “How does JC’s Mind Work?” series.

Admittedly, that involves my mind actually working. These last few years have been such a struggle as our family has dealt with the loss of the last three members of the elder generation, B’s mom, known here as Grandma, and my parents, known here – and in real life – as Nana and Paco. Grief still has me feeling scattered, but I’m trying to regain some focus. Maybe, eventually, I’ll even return to having some kind of a predictable rhythm to my days, including writing time. It’s been ages since I’ve had that.

We’ll see.

Whatever happens, I’m sure I will eventually put it into words here at Top of JC’s Mind.
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40+ years of “A Christmas Carol”

On Sunday, T and I went to see a production of A Christmas Carol at Cider Mill Stage. This particular staging of the Charles Dickens classic was first conceived and produced in 1979 by Binghamton University professor John Bielenberg and the original cast as a play within a play, with the actors performing the story in the bedroom of a child who is recovering from an illness and must avoid crowds, something that seems even more ominous in our current pandemic days. Fortunately for the actors, there is an adjacent (and oddly well-stocked) attic that affords costumes and props for the impromptu performance, although one of the charms of the show has always been seeing a few caps and scarves and capes re-purposed to accommodate a range of characters and uses. A scarf is not just a piece of clothing but can also be a leash for a dog or the reins for a shaggy pony.

When T and I arrived, we were surprised and pleased to find a poster listing all the known cast and crew members of A Christmas Carol over the decades. This included T and her sister E who played the sick child, which also involves portraying Tiny Tim, for nineteen performances each in the late 1990s-early 2000s. E was in the cast the last year that John Bielenberg played Scrooge before his retirement. T’s Scrooge was Bill Gorman, who was also a member of the original 1979 cast. Their productions were directed by Tom Kremer and Carol Hanscom, also original cast members.

Because of our familiarity and past experience, the Cider Mill production of A Christmas Carol has continued to be close to our hearts but the performance Sunday was even more emotional. Tom Kremer, who is now portraying Scrooge, came out before the play began to dedicate the performance to Claus Evans, original and long-time cast member who had recently passed away. Claus had played the Ghost of Christmas Present, Mr. Fezziwig, and other ensemble characters for most of the first forty years. He had a commanding stage presence and a powerful voice, especially when singing. This version of A Christmas Carol, while not a musical in the traditional sense, does involve a fair amount of incidental music, both traditional pieces and new music composed by original cast member Susan J. Peters and current cast member Ken Martinak. I admit that I teared up during the Fezziwig party scene, remembering the brio with which Claus sang “Wassail! Wassail! All Over the Town”.

While not able to match Claus’s singing prowess, Brad Morgan did a fine job with Fezziwig and Ghost of Christmas Present. His first year in the cast was the year that E was in the production when he was quite a young man. I remember him struggling in rehearsal to accurately deliver the Dickensian language of the ghost of Jacob Marley. I was particularly impressed with his portrayal now, which has a chilling depth and pathos. Brad also deserves a lot of credit for keeping the production alive during some years of upheaval at the Cider Mill after the original Cider Mill Playhouse closed. Thankfully, the play is now back in the space for which it was designed under the name Cider Mill Stage. And yes, there is a cider mill in the front of the building, active in the late summer through early fall. The theater area was originally a storage space for apples.

I hope that A Christmas Carol will continue to grace the Cider Mill and the Binghamton area for decades to come, spreading its message of the importance for caring for one another, regardless of the season of the year.

“And, as Tiny Tim observed, ‘God bless us, every one!'”

what I’ve been writing

Although you can’t tell from the count of my recent blog posts, I have been carving out some writing time.

Unfortunately, you can’t tell that from my poetry output either, although I do have one recently written and accepted piece that I will share when it is published. I have had to compose a fair number of cover letters as I have done quite a few chapbook and full-length submissions, as well as some individual poems. I’ve gotten a number of rejections, but currently have the chapbook manuscript under consideration in four places and the collection in nine. I can hear my fellow poets saying that’s not enough, but I’m hoping to get a few more in later this week.

I spent a major amount of time thinking about, writing, and editing comments for a listening session with our bishop in preparation for a diocesan synod and the World Synod of Bishops called by Pope Francis to discern the future path of the church. The official title in English is “For a Synodal Church: Communion, Participation, and Mission”. In keeping with this, individuals were asked to share our hopes, dreams, and experiences with the church and our visions for the future. I chose to focus on the voices that have been marginalized in the church, concentrating on the voices of women. I prepared written remarks and then a shorter version that I could read aloud at the session within our three minute time limit. I do not like speaking in public but, inspired by others, especially some teens and young adults, I managed to do it. There was a lot of “speaking truth to power” at our session, one of at least twenty planned for our diocese, which is doing a credible job in reaching out to the people. Some diocese around the world are not doing much outreach, which could limit the effectiveness of the process when the bishops convene in 2023.

I have also been doing some holiday-related writing. My first priority was to write a letter to people on my parents’ Christmas card list who may not have heard about Paco’s death in September or even Nana’s in May 2019. It was difficult to write but I’m glad that I made myself do it because I heard back from several people who expressed their sympathies and shared memories with me. I also had the opportunity to do some reflective writing about this in conjunction with a support group I have been attending on preparing for the holidays after the loss of loved ones.

After sending out the letter to my parents’ friends, I tackled my own list, which was a bit more complicated. I did a family newsletter, still a difficult thing when having to report a death, that went in some cards, while others got a handwritten note or just a signed brief greeting, depending on how regularly I have been in contact with the recipient. All the addressing, stuffing, and stamping of envelopes adds to the time involved but most of them are in the mail now. A few are set aside for other members of the family to complete.

Now, there is, finally, this blog post. I’d like to say that I will post regularly from now on but I know that would be more wishful thinking than promise. B, T, and I are preparing for an extended holiday trip, which could create more leisure time for writing or be a total whirlwind with too little sleep to be cogent.

Which will it be? Stay tuned…