Reblog: Marilyn McCabe on Gail DiMaggio

Marilyn McCabe and Gail DiMaggio are original members of the Boiler House Poets Collective, which is how we met. I am pleased to reblog this post from Marilyn’s blog, O Write, in which she offers her reflections on Gail’s poem, “Metta for Judy who Loved a Biker”.

I don’t want to steal any thunder from Marilyn or Gail here, but urge you to check it out.
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Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/23/daily-prompt-jusjojan-the-23rd-2024/

SoCS: what’s in a nutshell?

As a writer, or even as a speaker, I have a lot of trouble with putting things in a nutshell.

I don’t like to commit things to print or speech unless I’ve had a long time to mull them and reflect on them deeply. By the time I’ve done that, there is too much material to stuff into a nutshell. (She says while writing stream of consciousness with minimal reflection time…)

I guess I save my “nutshell communication” for poetry, when I’m usually looking to distill the essence into as few words as possible. Just the meat of the matter. Still, though, carrying depth.

Metaphor helps…
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Linda’s prompt for Stream of Consciousness Saturday this week is “in a nutshell.” To find out more about joining the fun of Stream of Consciousness Saturday and/or Just Jot It January, visit here: https://lindaghill.com/2024/01/19/the-friday-reminder-for-socs-jusjojan-2024-daily-prompt-jan-20th/

Writing

I’m a bit of – okay, more than a bit – an outlier in Linda’s Just Jot It January event in that I seldom use the provided prompts other than for One-Liner Wednesdays and Stream of Consciousness Saturdays. My blog is called Top of JC’s Mind because I write about whatever is at the top of my mind, which could be family, poetry, health, politics, spirituality, environmental issues, movies, or anything else. Today, though, I provided the #JusJoJan24 prompt, writing, hoping it would be an easy one for all of us, including me (especially me?), to use.

When I was in grammar school, we did a lot of both creative and academic/utilitarian writing in our two-room school which went up through grade 8. Besides learning to write theme papers and business and friendly letters and such, we also wrote stories and poems. I remember writing outside of school for fun, too. My sisters and I would often make our own greeting cards with poems we wrote ourselves.

At the high school I attended about twenty miles from home, there was still a lot of writing but very little of it was creative. Busy with academic writing, I stopped writing poetry and fiction. This trend continued when I was a student at Smith College – lots of writing, but none of it in fiction or poetry. I’ve wondered if the Boutelle-Day Poetry Center had existed back in my student days whether I would have written and studied poetry as an undergrad. As it happened, I made the happy discovery that I could write music; composition became an important part of my major. As a singer, organist, and composer, words were often entwined with my musical experiences, which kept me in conversation with poetry and literary writing, even when I wasn’t practicing it myself.

There has been a lot of writing in my life after Smith. There has always been correspondence, first on paper and later mostly electronic. Many of my volunteer activities had major writing components. In my years on the liturgy committee at my church, I wrote prayers and what we jokingly termed “homilettes” on seasonal themes. I worked on documents on curriculum development as a volunteer on curriculum and honors diploma committees when my daughters were in school. I researched and wrote commentary on the dangers of fracking for years as part of the rapid response team in New York State. Every once in a while, I would be inspired to write a poem, but nearly all my writing was utilitarian prose.

That changed when I turned fifty. My friend Yvonne was leading a year-long book study of Dr. Clarissa Pinkola Estés’s Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype. A circle of women met monthly to discuss a section of the book and then create art in response. I spontaneously started to write poems to accompany my art pieces, a practice known as ekphrasis, though I didn’t know the word at the time. I had lost the church that had sometimes performed my music and I think that creative energy found a home in writing poetry.

After a poem I had written was chosen as part of a National Poetry Month initiative at our local public broadcasting radio station, I learned about the Binghamton Poetry Project and started attending their community poetry workshops, which are led by graduate students at Binghamton University. I quickly became serious about poetry and wanted to submit work for publication. One of the BPP directors found a local circle of poets meeting regularly to workshop poems that I could join. We are now known as the Grapevine Poets and I will be forever grateful to them for all their help and support with my poems and manuscripts. Last year was a milestone for me when Kelsay Books published my first chapbook of poetry, Hearts.

Running roughly concurrently with the resurgence of poetry in my life has been my blogging life. When I was writing so much fracking and political commentary, friends suggested I give blogging a try. I wasn’t sure if I could make it work but Top of JC’s Mind turned ten last September. I just passed 1,900 posts total, so there’s a lot there if anyone cares to rummage around! As part of my tenth anniversary celebration, I also finally got my own domain name, so you can also visit the blog through my author site at joannecorey.com.

Words are powerful and nearly all of us are writers, whether we are doing it for personal use or public audience. I hope that, whatever writing you do, it brings you some sense of peace, joy, clarity, outreach, and stability.

Write on!

SoCS: headshots

My family is not that big on taking photographs all the time. I am particularly disinclined to selfies, so there are not a lot of close-ups of me.

As a poet, though, one often has to submit headshots to accompany poems and bios, so…

I was lucky that relatively early in my publishing experience I wrote a poem on a prompt from Silver Birch Press for their MY MANE MEMORIES series, which was about our hair. My poem was called “Crowning Glory.” We had to send a close-up photo of ourselves, illustrating the poem, so spouse B and I went into our backyard on a sunny day to show off my silver locks in the sunshine.


Since then, I’ve used this photo whenever I needed to submit a headshot. It’s appeared in a number of journals and is on the back cover of my chapbook, Hearts (Kelsay Books, 2023). It’s the photo that is used here at Top of JC’s Mind and on its Facebook page. When I don’t have a more relevant photo to go with a blog post on Instagram, I use this headshot.

At this point, this close-up is a bit out of date. After cataract surgery, I no longer wear glasses on a regular basis. Due to some dental issues that required using orthodontia to correct my bite, my smile looks a bit different. I have a few more smile wrinkles now.

I really should have a new close-up taken.

Still, I’m so attached to this one and have spread it around to so many places, I’m not quite ready to replace it.

Maybe, someday…

[I should have included that I use this photo on my new author site (joannecorey.com), too. I really have plastered it everywhere!]
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Linda’s prompt for Stream of Consciousness Saturday this week is “close up/close-up.” Please join us for SoCS and/or Just Jot It January! Find out more here: https://lindaghill.com/2024/01/12/the-friday-reminder-for-socs-jusjojan-2024-daily-prompt-jan-13th/

jot, jot, jot…

The purpose of Just Jot It January is to write and post every day. Linda even invites everyday things like shopping lists!

I have been writing a lot of correspondence and other utilitarian writing so far this month. The brief lull in a lot of organizational and advocacy work ended on January second and everything got very busy very quickly. I’ve also been working through some poetry and poetry-adjacent issues. There have also been an inordinate number of zoom meetings with note-taking going on.

I will not bore you with excerpts of any of those, however.

You’re welcome.
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A reminder that you are welcome to join us for #JusJoJan24 at any time. You don’t have to post every day. You can use the provided prompts or not. It’s up to you! Find out the particulars here: https://lindaghill.com/2024/01/11/daily-prompt-jusjojan-the-11th-2024/

One-Liner Wednesday: the purpose of practicing art

What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow.

Kurt Vonnegut

Join us for Linda’s One-Liner Wednesdays and Just Jot It January! Find out more here: https://lindaghill.com/2024/01/10/one-liner-wednesday-jusjojan24-the-10th-so/

Angelus

During Just Jot It January, I thought I’d share some of my previously published poems that have been out for a while, as I did on New Year’s Day. I usually don’t put poems within posts when a poem is first published so that people will visit the site that has been so gracious in publishing my work. I will, though, always include the link, even though I am putting the poem in the post.

Today, I’m sharing the poem “Angelus” that I wrote in February, 2020 in response to an Ekphrastic Review Writing Challenge. I wrote a post about it at the time. I constructed a narrative inspired by The Angelus, the 1859 painting by the French artist, Jean-Francois Millet, shown below. I used part of the Angelus prayer in my poem. My home parish when I was growing up rang Angelus bells three times a day as a reminder to pray this prayer. Our pattern was to ring the bell in three groups of three followed by a group of nine. The Angelus rang at 6 AM, noon, and 6 PM, which I used in the poem. I have no idea what the tradition was in France at the time of painting but it worked for the poem, so poetic license?

Angelus by Joanne Corey

The Angel of the Lord declared unto Mary,
And she conceived of the Holy Spirit.

At the six o’clock bells, she pauses.
Her hands that had been preparing
breakfast, now clasped in front of her, drift
down to rest over her womb,
which, like Mary’s, conceals 
a miracle.

And the Word was made flesh,
And dwelt among us.

As everyone in the market stops
buying and selling to pray
at the noon bells, she reflects
that another’s flesh is forming
within her, dwelling
in mystery.

Pray for us, O holy Mother of God,
That we may be made worthy of the promises of Christ.

The evening Angelus rings
across the field. As she stands
bowed beside her husband,
she beseeches God that this time
the promised child
will be born.

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Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2024/01/05/daily-prompt-jusjojan-the-5th-2024/

In honor of the new year

The New Year poem below was published on December 31, 2015 as part of the Silver Birch Press ME, DURING THE HOLIDAYS series. The photo was our own that we took to accompany the poem. In the note I wrote in 2015, I talked about how we still liked to observe GMT midnight, a family tradition made more meaningful now by the fact that daughter E and granddaughters ABC and JG live in London.

Eastern Standard

As the third millennium turned, 
our family toasted with sparkling cider 
at midnight Greenwich Mean Time, 
seven in the evening for us,
in deference to daughters’ bedtimes.

With our children grown, the two 
of us honor that tradition, 
clink glasses, savor the past, 
sip, hope for the future, 
in evening dark as midnight.

Joanne Corey

This year, we were fortunate to have daughter T at home to celebrate with us with sparkling blush grape juice and pear-apple-cranberry pie that B had made. We were able to tune into the firework and light show from London, which is held on The Thames near the Millennium Wheel. The first time we visited E in London in December, 2019, we went for a ride on the Millennium Wheel, so it was fun to see it as part of the light show.

Best wishes for 2024, Everyone!

Join us for Linda’s Just Jot It January! Find our more here: https://lindaghill.com/2024/01/01/daily-prompt-jusjojan-the-1st-2024/

New poem on POETiCA REViEW

I’m pleased to announce that I have a poem published in the special 20th anniversary edition of POETiCA REViEW. You can find my poem, “The Bridge,” by clicking on my name, Joanne Corey, on the first page of the pdf which opens at the link.

Many thanks to the team at POETiCA REViEW for choosing my poem for this special edition. Thanks also to Trish Hopkinson, who published the submission call and an interview with editor Mark A. Murphy. Mark had mentioned in the interview that they wished they had more submissions of ekphrastic poetry, so I happily obliged and suspect that that was part of the reason that they chose “The Bridge” for publication. I was pleased to see that the painting that served as inspiration for the poem, Claude Monet’s The Japanese Footbridge and the Water Lily Pool, Giverny, appears on the page with my poem.

I wrote the poem initially in June, 2023 in response to an Ekphrastic Review Writing Challenge. While it wasn’t chosen for publication in the responses to that challenge, I workshopped it with both the Grapevine Poets and the Boiler House Poets Collective to revise it to the form that POETiCA REViEW published.

One of the things that I appreciated about the interview that Trish Hopkinson did with Mark Murphy was the response articulating POETiCA REViEW‘s mission “to reach out to ordinary people, who might not otherwise consider themselves as poets.” This resonates with me as someone who does not have an academic background in poetry. I very much consider myself a “community poet” who has learned about poetry through my connections with the Binghamton Poetry Project; my local poetry circles, the Grapevine Poets and the sadly missed Sappho’s Circle; and the Boiler House Poets Collective, as well as through poet-friends and through reading a wide range of poems and articles about poetry.

I also appreciate POETiCA REViEW‘s tagline, “for the many, not the few.” I have found that my poems are more likely to be published by journals and presses that are seeking a more general audience. For example, Kelsay Books, who published my chapbook Hearts this spring, states in their submission requirements that “submissions should be accessible to a general audience.” I think that many people were scared off poetry in school, thinking they couldn’t understand it properly. I try to write in a way that invites people to bring their own experiences and memories to the poem so it doesn’t feel foreign or intimidating.

I hope you will enjoy the 20th anniversary edition of POETiCA REViEW and more editions available in their archive. Consider submitting to them, in keeping with their mission! And, as always, comments are welcome here at Top of JC’s Mind.

SoCS: a Christmas baking poem

It’s been a busy week and I didn’t look at Linda’s Stream of Consciousness Saturday post until just now, early Saturday morning. (Linda puts it out on Friday so folks have a bit of a heads-up, although huge amounts of advanced planning, as well as edits, are against the SoCS rules.)

As it happens, my post yesterday goes very well with the SoCS prompt today, which is “bake.”

I wrote yesterday about a poem that was just published by Silver Birch Press, “My husband and daughters make Christmas gingerbread.” Yes, it’s “make” rather than “bake” in the title, but baking is definitely involved in the poem.

B has turned into the main baker in the house. This year, with no visits from extended family planned and just the three of us at home, B is not doing our usual Christmas practice of having at least a half dozen kinds of cookies available at once. Instead, he is doing serial baking. So far, he has made pfeffernüsse and pecan puffs.

No gingerbread yet, but I’m sure it will be coming…