back in Northampton

In my second year at Smith College, a new voice teacher arrived on campus. Her name was Karen and my dear roommate Mary became one of her first students. Through Mary and her friendship with Karen that continued over the decades since we graduated, I felt a personal connection with Karen and had had a chance to reconnect with her a few times over the years when I was back in Northampton.

On March 23rd, a retirement recital was being held in her honor. Mary, who now lives in Colorado, had been planning for months to attend and marshaled me and two of our classmates, both sopranos who studied in the department with other teachers, to join her for the concert weekend.

The recital was given by one of Karen’s more recent students, Victoria Fraser ’10. It was a lovely mix of compositions, including a rarely-heard Buxtehude psalm setting. I was especially touched by “i carry your heart”, a setting of the e.e. cummings poem by Smith professor John Duke (1899-1984).  I have sung a choral arrangement of the piece and loved hearing Victoria’s sensitive interpretation of Duke’s original art song setting. It also reminded me of a board book of the poem, illustrated by Matti Rose McDonough, which daughter E bought for granddaughter ABC, which brings me to tears every time I look at it.

The only thing that could have improved the concert would have been the opportunity to hear Karen sing. I have many fond memories of hearing her expressive soprano voice when I was a student. She went on to sing in many recitals and concerts over the years, including singing premieres of works by Smith faculty composers Donald Wheelock and Ronald Perera, who was the Elsie Irwin Sweeney professor at Smith, an honor which Karen now holds.

The post-recital reception was fun! Many of Karen’s colleagues, most now emeriti, gave little speeches about her and told stories about her with warmth and humor. It was nice to see some of the faculty members with whom I had studied. At the same time, it was sobering to realize how much smaller the music department is now, both in number of faculty and number of students involved. It reinforced the discussions we alumnae had had three weeks earlier when we had gathered to sing Brahms Requiem to bolster the current Smith choral ensembles.

The next day, our class of ’82 quartet spent most of the afternoon visiting with Karen in her office. It was enlightening to hear about how things have changed over the years on campus and within the department. We told Karen what has been going on in our lives and listened to her plans for her retirement. We are happy to know that she will be staying in the area, so that when we return to campus we will still be able to connect with her, now without the time constraints of teaching, committees, and all the other obligations that come with being a professor.

The rest of the time, we four talked and ate and talked and shopped and talked and ate ice cream from Herrell’s. I admit that I also snuck in a solo run to Herrell’s, so I enjoyed not one, but two, samplers on Saturday!

After Palm Sunday services on Sunday morning and the scrumptious brunch buffet at Wiggins Tavern, I had to say good-bye to head for home. I am hoping there will be more mini-reunions in the future. We realized that we can arrange a weekend together even without a special event, so I hope that we will get together again later in the year when Mary comes east to visit her family in New England.

organist update

I posted here about a disconcerting incident at the church in Northampton when the organist fell ill at the console during mass on the first weekend in March.

As luck would have it, I was again in Northampton three weeks later for Palm Sunday. There was a gentleman filling in at the piano and organ, so I knew that the regular organist, a woman named Jeanne, was not there.

After mass, I asked two parishioners who were handing out church bulletins for an update. They told me that Jeanne had been ill with bronchitis and on medications, but arrived at church to play anyway – without eating breakfast, as she planned to receive communion. The combination was too much, resulting in the collapse which we witnessed.

The doctors ordered rest for four weeks before returning to work, so I hope that Jeanne was back in the loft for Easter Sunday, leading the congregation from the organ, and feeling well again.

(I am continuing in to be in catch-up mode on posts. With luck, there will be a post about why I was in Northampton again coming soon. Also, the navigation and layout problems with my blog are persisting, with a month’s worth of posts not loading on the main Posts page. The posts are accessible by using the prior or next post links at the bottom of each individual post.)

blog problem

Hello, Friends! Just wanted to let you know that I am having a bit of a problem with posts showing up correctly. At the moment, when you go to the Posts listing, you may see just the most recent post or two, followed by a post from early March, skipping over several other posts. To access those posts, go to one of the posts listed and use the “previous” and “next” posts at the bottom of the page to be able to read the ones that aren’t listed. I’m in the midst of troubleshooting with WordPress to figure out what is going on, but wanted you to know that I haven’t fallen off the face of the blogging world quite as much as it seems when you click on Posts.

ACA anniversary

On today’s ninth anniversary, we are remembering all those who died or were injured in the shooting at the American Civic Association in Binghamton NY.

Although we have made some progress at the state level, I am saddened that there has been so little at the federal level, both on gun and immigration reform.

I so appreciate the Parkland students and their student and adult allies who are bringing gun violence issues to the forefront of the national conversation and motivating lawmakers to take steps to protect students and the public.

In light of the president declaring DACA dead, I hope that Congress will finally return to bipartisan comprehensive immigration reform with a path to citizenship for Dreamers, those under TPS, and other long-time residents.  If they pass such legislation with a veto-proof margin, we will confirm and honor our national identity as a diverse nation where everyone person’s human dignity is recognized and cherished.

catching up – again

First, I would like to offer Passover and Easter blessings to those celebrating and sincere wishes for peace, love, and joy to all!

While regular readers might have thought I would have more time to post with daughter E and granddaughter ABC in the UK for an extended visit, and while I myself had hoped this might be possible, it hasn’t worked out that way, at least so far.

And, while I do try to write about the most salient things that are at the top of my mind, I am finding myself too overwhelmed to find words to express how I feel. Maybe, eventually, I’ll be able to. Perhaps in poetry. Perhaps years from now. Perhaps not.

In practical/physical terms, a large share of the last week has revolved around dealing with some changes in Nana’s condition. The edema from the congestive heart failure had accelerated but increasing the diuretics to address it lowered her already low blood pressure even more. We are trying to walk a very fine line to balance the two and, with her usual hospice nurse and aide unavailable for a few days, I have been trying to keep a closer eye on things and inform all the different private aides about the changes and new things we have to watch out for.

Amidst all this, it was wonderful to be able to celebrate Easter together. Daughter T and I attended Easter Vigil at church last night, which was a comforting blend of the familiar and the unique, with the once-a-year rituals of blessing the Paschal candle and welcoming new adult members to the church.

I had my pyx with me to carry the Eucharist to give to Nana today. T, Nana, and I prayed together before T gave communion to her grandmother.

We brought Easter dinner to share with Nana and Paco and Mary who is the Sunday daytime aide. My husband B made Swedish meatballs from a recipe that came to us through the Swedish landlady of my family when I was a toddler. For dessert, he made cherry pistachio biscotti and shortbreads, the latter from a recipe from his family. Not exactly traditional Easter foods, but delicious and special for us this year.

I wish there were a fast and easy way to get thoughts from my head into a post to send out to you all, but I’m afraid instead you will have to continue to put up with haphazard posts with various gaps that I may not even recognize in time to fill them. I hope to back up and write about a few things, like my second whirlwind trip to Northampton last month, as time and brainpower allow, but I know better than to make promises these days.

on the move

Earlier this week, daughter E and granddaughter ABC left for an almost three month stay with son-in-law L and his parents in London.

The trip itself was not without drama. A four-hour layover in Detroit stretched to twelve. Fortunately, the waiting passengers bonded in support of those traveling with young children and ABC gained a number of honorary aunties and uncles.

After having ABC with us for nine months, other than her prior three week visit to London, it was difficult to say good-bye, especially for great-grandparents Nana and Paco. As if to give us all a gift before she left, ABC showed off her new mobility skills, doing a bit of crawling and some of her first unassisted steps when we were visiting with Nana and Paco.

For the past couple of months, ABC has wanted to be on her feet, often only holding on to one of our fingers. She was impatient with being down on the floor, so we thought she might never crawl, but she decided to both crawl and walk at the same time!

Walking at nine months is on the early side developmentally, especially given that ABC was born almost a month early, but ABC is strong and determined!

Fortunately, L had prepared with gates and other babyproofing measures.

L has been visiting with E and ABC nearly every day via video chat. Now, we will need to do that (though it won’t be daily), bolstered by photos and video clips that E posts. We will miss E and L’s birthdays and ABC’s first Easter and first birthday, all of which will be a preview of living on opposite sides of the Atlantic when E’s visa situation works out and she and dual-citizen ABC move to London permanently.

For now, we just need to get through the next eleven weeks.

on the way out of town

This is the final post about my long weekend in Northampton, Massachusetts to sing Brahms at Smith College.

I was up early for breakfast with CK as my plan was to attend 8:00 mass on my way home. As in many other places, the Northampton-area Catholic churches have consolidated, so I was not very familiar with the church building itself.

As a former organist and church musician, I always pay particular attention to preludes and all the music. The organ was in a loft, so I couldn’t see the musicians. I noticed that there were mistakes in the prelude, but that isn’t uncommon, especially at early masses at Catholic churches, which sometimes fall to student organists or people who are trained as pianists rather than organists.

The cantor/songleader was also in the loft and announced the opening hymn, “Holy, Holy, Holy” – a very familiar hymn that is usually one of the first an organist learns. The introduction started as one expects but became increasingly atonal, ending in a cluster chord that was held for much longer than expected.

The voice of the cantor came over the microphone, asking for a doctor to come to the loft. A woman in the section of pews in front of me jumped over the back of a pew to reach the aisle more quickly and rushed to aid the organist.

The chord on the manuals stopped, although a bass note from the pedals remained. We could hear the parishioners who had gone to the loft asking questions, trying to get a response.

I’m sure I was not the only person in the congregation who immediately began praying.

After a couple of minutes, the priest came to the front of the church and led a “Hail Mary” for the organist. He told us an ambulance was on the way and that we would begin mass shortly. He said that she would be okay, although I am not sure how he could have known.

The organist’s name is Jeanne.

At some point, the long-held pedal note stopped, a bell rang from the front of the church, and we began mass.

You could hear the ambulance squad arrive and enter the loft. Jeanne must have still been on the organ bench because there was a pedal glissando as they lifted her off.

Between readings, an usher came to the front of the church and spoke to the priest, who excused himself and went back to her before she left for the hospital.

We continued the mass with no music. It turned out that it was the last weekend for the relatively-young-as-Catholic-priests-go pastoral associate who was being re-assigned to Pittsfield.

We did sing a verse of “Holy God, We Praise Thy Name” as he processed out to greet his parishioners for the last time.

It’s been two weeks now since that day. I read the bulletins and the church’s website for some mention of Jeanne, but there was none. I hope that the priest was correct – that she really was okay.

 

after the concert

Singing the Brahms Requiem was draining, but afterward, instead of feeling tired, I was having a bit of an adrenaline rush. I said some thank yous and goodbyes and headed back to my friend CK’s home.

When CK invited me to stay with her, she had graciously offered to have a few friends from our Smith years over after the concert. As it happened, a couple of guests grew to three, then five, then seven, until finally we were a group of ten alums from ’81-’83 with two spouses, one of them CK’s husband who was our co-host.

CK handled everything with aplomb, starting with cheeses, dips, and deviled eggs, moving on to three delicious homemade soups with bread and three salads, and ending with a make-your-own sundae bar featuring four pints of gourmet ice cream from Bart’s, a local company. And there was malted vanilla!

Whenever Smithies get together, there is an instant connection and always lively conversation. Each of us knew someone else there well, but each also was getting know someone for the first time. We talked about music, of course, as we were all choral singers, about Smith, about generations of family, about technology, and more, in various constellations, for hours.

It was a wonderful way to cap an amazing day!

SoCS: breaking news

So far, I have written posts here and here about my recent trip to Northampton to sing Brahms Requiem at Smith. There will be a couple more short posts about that weekend, but now I interrupt with breaking news.

Nine-month-old granddaughter ABC is dealing with her first cold.

She is very, very stuffy and her nose is running. Despite that, she is being generally good-natured – except when we need to wipe her nose, which she does not enjoy at all.

She has slowed her activity level a bit. While before she wanted to walk with someone holding her hands, although sometimes only one hand and every once in a while taking a couple of steps on her own, she is allowing people to sit with her. She even will nap sitting astride my tummy, either leaning back against my legs or forward against my chest. Bonus:  being on an incline makes it easier for her to breathe.

We are hoping she will recover quickly so that she can visit with Nana and Paco again soon. ABC and her mom leave on March 20 for a three-month visit in London with daddy/spouse L. Maybe we will do a skype call with Nana and Paco tomorrow as a practice run for the months she will be “across the pond.”
*****
Linda’s prompt for Stream of Consciousness Saturday this week is “so far.” Join us! Find out how here:  https://lindaghill.com/2018/03/09/the-friday-reminder-and-prompt-for-socs-march-10-18/

 

 

Singing Brahms at Smith

So, I did do a last-minute score review at the piano before heading to John M. Greene Hall on the Smith College campus. I arrived, registered, and settled into the seats to wait for the rest of the chorus to gather.

Unlike many of the campus buildings, John M. Greene Hall, the traditional site for convocation, all-college meetings, and large public lectures and concerts, has not had an extensive interior renovation since my arrival on campus almost forty years ago; because it houses the largest organ on campus and I both practiced and rehearsed there with Glee Club, I spent more time there than most students. I hope it is on the list to be renovated soon, as it is looking worn.

I was surprised to hear some people complain about the building’s acoustics, though. I remembered being told that John M. Greene was the site of major symphony concerts in the first half of the twentieth century and was a favorite of Serge Koussevitzky’s when he was director of the Boston Symphony Orchestra because the acoustics were so good.

There has been an extension built on the front of the stage, but, even with that, we had such a large chorus and orchestra that we were cramped. Unlike all the other times I have performed Brahms Requiem, we had to rehearse and perform without chairs for the chorus. It was tiring, but we persevered and were strong!

I was shocked to find that the Smith Alumnae Chorus members outnumbered the current students, even though College Choir and Glee Club were combined.  That is less than 20% of the number of choral singers in the combined choirs than during my student years, when there were four large choral groups. Various alumnae speculated on why there are so many fewer student singers now than when we were students ourselves. Some of the possible reasons offered were the decline in music programs in US schools, the increase in the number of international students who may not have been exposed to the Western choral music tradition, the increased prominence of jazz/pop collegiate a cappella groups, the decline in youth church or community choirs, and the emphasis on school/recreational sports whose practices and games tend to conflict with choral rehearsal times.

I had steeled myself for the rush of putting together a major choral work in only a few hours. Because Smith is a women’s college, we often partner with men’s glee clubs to present major choral works for mixed voices. It is always a challenge to sound like a cohesive ensemble when the singers and orchestra have only a couple of days to rehearse and present a concert. Our schedule was a two-hour Friday afternoon rehearsal, a three-hour evening rehearsal, and an early afternoon two-hour warm-up/touch-up rehearsal before our four o’clock concert. A daunting enterprise in the best of circumstances.

And then the nor’easter blew in.

The Penn State Men’s Glee Club was so delayed by the storm that they only caught about fifteen minutes of the afternoon rehearsal. Some of the alumnae were not able to make it to campus at all. Still, we all put our heads down – figuratively, of course, as choral singers ought always to have their heads up – and persevered.

We needed to accomplish the bulk of our preparation on Friday night. One of our biggest challenges was balance. The Penn State men were very well-prepared and strong and we had plenty of altos. We sopranos were outnumbered and had to be careful to open up without pushing and sounding harsh. The chorus was trying to sing at about 70% of performance volume so that we didn’t blow out our voices before the performance, but it was hard to resist the temptation to sing full voice in the loud and exciting parts with the full orchestra in front of us.

There was a wonderful surprise for me at the evening rehearsal. MC, the junior choral director during my last three years at Smith for whom I had accompanied for two years and who then went on to be a long-time choral director and music faculty member at nearby Amherst College, came to rehearsal to take notes for Jonathan Hirsh and Amanda Huntleigh, current Smith conductors. I was thrilled to be able to re-connect with her and try to catch up on 35 years of our lives. We visited after rehearsal until they needed to turn out the lights and lock up the hall and I’m happy to say we are now connected via social media so we won’t lose track of each other.

We re-assembled on campus for lunch on Saturday. The Smith choir officers had thoughtfully paired alums with Alumnae Chorus members so we could share our thoughts and experiences. It was interesting to hear about life on campus now.

We assembled in John M. Greene Hall after lunch for an hour of warm-up and work with the chorus, followed by another hour including the orchestra. We sang full voice at some points to check balance, but were careful not to tire ourselves out. We had an hour to rest, do wardrobe checks, etc. before the concert. Penn State wore tuxes with tails, which made me a bit jealous. I got to wear tails once when I was playing the piano and it was lots of fun to flip them out of the way to sit on the bench! They looked very sharp in their tuxes. Smithies wore all black, either slacks or skirts, which has been standard in recent decades, although alumnae of my vintage and earlier wore all white when we were in Glee Club.

The chorus sat in the house as the Smith College Orchestra opened the program with Brahms’ Tragic Overture. I admit that I closed my eyes and collected my thoughts as I listened, so that I was calm and ready to sing when we filed onstage.

The performance was amazing! I have sung the Brahms Requiem a number of times over the last forty years and this performance, while not the best on a purely technical level, was one of the two best I have ever sung in terms of interpretative and emotional  impact. Jonathan Hirsh used shadings of tempo and dynamics more dramatically than some of the other conductors with whom I have worked on this piece and the choir was able to respond well, which amazed me given how little time we had to come together as an ensemble.

You could definitely feel the emotion on stage as we performed. I had to collect myself especially in the fourth and fifth movements, which were conducted by Amanda Huntleigh, because they have particular resonance for me. The fourth, translated in English as “How Lovely is Thy Dwelling Place”, is most familiar to people as it is frequently used on its own as an anthem or concert piece. We were, of course, singing in the original German; I hope that this piece will be sung at my funeral, as it is both beautiful and hope-filled. The fifth movement, set for soprano solo and chorus which Brahms added to the score after the death of his mother, meditatively compares the consolation of God to the consolation of a mother for her child. As a mother and new grandmother with my own mom under hospice care, it was difficult to not be overwhelmed, but I managed to pull myself together so I could still sing well.

Although one can feel the emotion of a performance on stage, it can be difficult to gauge how much of that is reaching the audience. The Requiem ends very quietly. We musicians stayed very still until the conductor lowered his hands. There were a few moments of profound silence – and then, an immediate standing ovation. We were so grateful that the message of this glorious music reached our audience through us.

The concert was a memorial to Iva Dee Hiatt, who was a renowned choral director at Smith for decades. The alumnae from the class of 1980 and earlier sang for Iva Dee. When I arrived on campus in fall of 1978, she was conducting from a wheelchair as she struggled against ALS. I remember watching her conduct the Glee Club on stage from my seat with choir Alpha in the gallery of John M. Greene for Christmas Vespers. By fall of 1979, she was living in Smith’s infirmary and we sang songs from our strolling concert outside her window. She died early in 1980 and we sang at the first memorial concert in her memory later that winter.

It felt right that this Brahms Requiem was performed in her memory with some alumnae who sang for her and toured with her back on the stage in John M. Greene, dressed in black rather than the white they had worn all those years ago.