Binghamton, NY area folks are cordially invited to come hear me and six fellow Grapevine Poets read works by ourselves and others in honor of National Poetry Month at the Broome County Arts Council’s Artisan Gallery on Saturday, April 27, 2024 at 1:30.
This invitation comes to you as part of Linda’s One-Liner Wednesdays series. Find out more here: https://lindaghill.com/2024/04/24/one-liner-wednesday-parenting/
I am honored to have been selected for the fourth annual Glimmer Globe Theatre/Fenimore Art Museum Write Out Loud performance on Saturday, April 20th. There were 22 writers represented with a mix of poems, short story, essays, and even a short play, all written by people living within a 100-mile radius of Cooperstown, New York.
My daughter T and I decided to make a weekend of it. We visited the Museum in the afternoon. Our favorite new exhibition was “As They Saw It: Women Artists Then and Now.” It will be showing through September 2, 2024. We loved how it demonstrated the power of women’s artistic expression over time, both as individuals and in relation to other women across the generations. We also appreciated viewing the thoughtfully curated Eugene and Clare Thaw Collection of American Indian Art, which has had a home at the Fenimore since 1995.
After a delicious early dinner at the Council Rock Brewery in a room filled with vintage clocks, T and I headed back to the Fenimore for the performance. We arrived early so that I could attend a walk-through. I had the opportunity to meet Christine Juliano, the actor who would read my poem, “Some Time Else” from my chapbook, Hearts. I admit that the whole evening was much more relaxing because I didn’t have to perform myself. It made the walk-through more interesting as I could observe the microphone adjustment and lighting cues without having to worry about dealing with them myself. It was also a good reminder that having a mike is not an excuse to dial back on vocal projection.
We had a good house for the performance, filling the auditorium, which was exciting for me who is more used to wondering if the readers will outnumber the audience! A brief bio from each writer was read as they or the actor reading their piece took the stage. There were also accompanying visuals projected behind the stage that complemented each reading.
The range of topics was wide and it was fun to have a mix of genres represented. While the age of the writers skewed older, we did have some younger folks participating. Quite a number of the writers had been professors or editors or directors of writing series, so I, totally lacking in academic English credentials myself, felt honored to have been chosen alongside them. Submissions for Write Out Loud are read anonymously so the individual piece is selected, not the author. I was also surprised that a large majority of writers had chosen to present themselves; one of the things that had attracted me to submit was the opportunity to hear an actor read my work. I must admit, though, that some of the writers were so evocative in their performance that I couldn’t imagine an actor would have done better.
I learned that Write Out Loud began as a virtual performance during the pandemic, which then continued as a live event when restrictions were lifted. This year saw the largest number of participants thus far.
I’m not going into too much detail about the program itself because, on Saturday, April 27 at 7 PM, the recording will be released on the Fenimore Art Museum’s YouTube channel. Update: The video of Write Out Loud 2024 is now available here. If you expand the description, you will find the program, helpfully indexed to bring you to whichever piece you select.
Thanks to the Fenimore Art Museum and the Glimmer Globe Theatre, especially Mike Tamburrino, Manager of Performing Arts Programs at the Fenimore Art Museum and the affiliated Farmers’ Museum, for including me in this special event!
My poem “Some Time Else” from my chapbook Hearts has been selected for performance at the Fenimore Art Musuem through the Glimmer Globe Theatre in Cooperstown NY on Saturday, April 20 at 7 PM as part of Write Out Loud 2024; the recording will be released the following week and I will be sure to post it here at Top of JC’s Mind.
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Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/04/17/one-liner-wednesday-a-what-kind-of-ritual/
Yesterday, I sang with the Madrigal Choir of Binghamton as we closed out our 45th anniversary season, which had concentrated on American themes.
This final concert was called “America Speaks” and focused on American poets. In an interesting twist, the poems were read by members of S.T.A.R. (Southern Tier Actors Read) before we sang the settings based on the poems. As a poet, I’m accustomed to hearing poets read, but actors enunciate and emote much more than most poets. I especially love that this concert took place during National Poetry Month.
(As it happens, I will have the opportunity to hear “Some Time Else,” one of the poems from my chapbook Hearts, read by an actor affiliated with the Glimmer Globe Theatre at the Fenimore Art Museum in Cooperstown on Saturday as part of Write Out Loud 2024. Stay tuned for more information.)
The highlight of the concert for me was performing Frostiana, Randall Thompson’s setting of seven poems by Robert Frost, written to celebrate the bicentennial of Amherst, Massachusetts. We were accompanied by members of the Binghamton Community Orchestra, so we could appreciate Thompson’s skill as an orchestrator as well as a composer. I especially liked the flute’s imitation of thrush calls in “Come In.”
What was most special, though, was that our artistic director, Dr. Bruce Borton, was able to conduct Frostiana for the performance. He has been battling a serious illness and this was his only appearance at our concerts this season. I began singing under his direction in 1988, when he was at the local university as a professor and began conducting the Binghamton University Chorus, which I had joined in 1982. I first sang “Choose Something Like a Star,” the final piece in Frostiana, under his direction relatively early in his tenure, so it was especially poignant to sing it yesterday.
I managed not to cry.
I hope to sing for Much Ado in the Garden this summer and for our 46th season. I’ll post details as they become available.
I have a sound in my head.
Well, maybe just in my left ear.
I was hearing a thrumming sound and I thought it was from wall vibrations from our radon removal system but that is fixed now and the sound is still there.
If it doesn’t resolve soon, I’ll contact my doctor…
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Linda’s prompt for Stream of Consciousness Saturday this week is to use a word that ends with “ound.” Join us! Find out more here: https://lindaghill.com/2024/04/12/the-friday-reminder-and-prompt-for-socs-april-13-2024/
(2017 Photo by Scott Szarapka on Unsplash)
One Monday, April 8th, there was a solar eclipse over a wide swath of North America. At my home in central New York, we were close to the path of totality with 97% of the sun obscured.
We dutifully bought eclipse glasses but the afternoon was very cloudy. During the time of maximum coverage of the sun, we did notice that it became darker, darker than you expect from cloud cover, even from a thunderstorm. A few minutes after it lightened again, it began to rain.
Meanwhile, many people were expressing their awe and wonder at viewing the eclipse. Some had travelled many miles, even internationally, to see it. All were subject to the vagaries of weather, but most were lucky to have good conditions for viewing. Even people who weren’t able to see the eclipse expressed gratitude at being part of an excited crowd putting aside divisions to look up together.
As I’ve been reflecting on the eclipse experience, I find myself wondering if I would have felt the same mystical sense of awe that others have been describing. Perhaps it is my practical New England upbringing or my study of science or my overall sense of respect for creation but I have trouble separating the eclipse from other natural phenomena. Should I feel more wonder at an eclipse than I do for a broken, blue shell that recently sheltered a baby robin or a riot of forsythia blossoms or the ancient rocks worn smooth by the brook or the full moon?
While I do appreciate the effect that the eclipse had to bring people together, I had no desire to be part of a crowd. Granted, I am the type of introvert who is always uncomfortable in a crowd, however noble or friendly its purpose.
Did you experience this eclipse or one in a different time and place? Please share your thoughts in the comments section.
Binghamton NY area folks are invited to celebrate music and American poets this National Poetry Month with the Madrigal Choir of Binghamton at St. Thomas Aquinas Church on Sunday, April 14, at 4 PM.
This promotional message brought to you via Linda’s One-Liner Wednesdays. Join us! Find out more here: https://lindaghill.com/2024/04/10/one-liner-wednesday-nuh-uh/
(Photo credit: The Fenimore Art Museum website)
It was my privilege on Sunday to attend a staged reading of Fall Forever by Eva Schegulla at the Glimmer Globe Theatre in the Fenimore Art Museum in Cooperstown, NY. It was part of the NEXT! Staged Reading Series, which offers readings of new plays by regional playwrights.
Eva is a friend and fellow member of the Boiler House Poets Collective, so I was especially happy to attend and to see her. Her writing covers a wide range, including stage plays, screenplays, radio plays, fiction, essays, serials, reviews, blog posts, and poetry, some of which are published under pen names. Her blog, Ink in My Coffee, just celebrated its 20th anniversary.
I had never been to a staged reading before. The actors read from the scripts set on music stands, although there were a few instances of characters moving around a bit. Another actor read the stage directions so that we knew where and when the scenes were taking place. There were also some sound effects, although a full staging of the play would include more. Although it is structured as a 2-act play, the reading was presented all in one block, which felt a bit overwhelming but gave me a new appreciation of intermissions.
The story revolves around the aftermath of the accidental death of Lily, especially with her sister Leah and husband Alan. I especially enjoyed the performance of Sharon Rankins-Burd, who read Leah. She is part of nearly every scene and, though having the script in front of her, Rankins-Burd was able to project who Leah is as she struggles with grief over her sister’s death and additional challenges that arise.
After the reading, there was a talkback session with the playwright, the performers, and the production team. It was interesting to hear Eva talk about the growth of the Fall Forever from a prompt at a workshop with the Williamstown Theatre Festival to its current form, awaiting a final round of edits as the result of the reading to be sent out for submission calls. There were some questions that elucidated the choices Eva had made in the play and how the staged reading format had impacted the version of the piece that we experienced. It was also fun to hear choices of favorite lines from actors – and audience members!
A recording of Fall Forever by Eva Schegulla will soon be available for a limited time. I’ll share the link when it is posted. I hope you will find it to be as enjoyable and meaningful as I did. Update: The video is now available here: https://youtu.be/GSgrLP56Q3Q?feature=shared. It will be taken down in mid-June 2024.
(Photo by Lucas Sankey on Unsplash)
One of the most disturbing aspects of Donald Trump and many Republicans is their embrace of violence, both as a threat and as a weapon.
Trump has used violent language throughout his political career, encouraging people to beat up protesters at his rallies, ordering or condoning violence against peaceful protesters, and, most notoriously, encouraging and cheering the violent insurrection at the Capitol on Jan. 6, 2021.
He has also been credibly accused of sexual violence and abuse by many women and was found liable in the E. Jean Carroll case.
Most often, though, Trump doesn’t physically participate himself, but other people follow his directions, such as when he told the Proud Boys in a presidential debate to “stand back and stand by” and then they showed up in force on Jan. 6. A number of them were criminally charged and convicted, but Trump now calls them “hostages” or “political prisoners” and seems poised to pardon them if he is elected.
Trump is promising to send in federal troops to US cities without being asked for assistance by the mayors or governors who have jurisdiction. He would apparently do this by invoking the Insurrection Act, perhaps even at the start of his term and on a national basis rather than targeted against a specific, violent event. A blanket application of the Insurrection Act would end the rights to free speech, freedom of assembly, and infringe the right to petition the government, all of which are included in the First Amendment of the US Constitution.
Trump is also threatening arrest of his perceived enemies, including Joe Biden and all the House members who were part of the January 6th study committee. There is no evidence of criminality against any of them, but Trump has called multiple times for vengeance because of the charges against him, for which there is ample evidence. (Links to the indictments and congressional and judicial reports are readily available online.)
Followers of Donald Trump have committed acts of violence, which he then turns into jokes rather than condemning. After Paul Pelosi, spouse of then-Speaker of the House Nancy Pelosi, was brutally attacked by an assailant in his home, Trump joked about it for months afterward, which is cruel and encourages others to commit even more violence on Trump’s behalf.
All of this is heightening the threat of political violence, particularly among Republicans. In a recent poll, 28% of Republicans agreed that “Americans have to resort to violence to get the country back on track.” (Independents were 18%; Democrats, 12%.) With Republican households having higher levels of gun ownership than other households, it is likely that a higher proportion of people holding this viewpoint have access to firearms. It has also been Republicans in Congress and judges appointed by Republicans who have blocked common sense gun safety measures. The cycle of violence perpetuates.
Last night, it was my privilege to hear John Dear speak on nonviolence. He was speaking about his new book, The Gospel of Peace: A Commentary on Matthew, Mark, and Luke from the Perspective of Nonviolence. He spoke movingly about Martin Luther King, Jr. and Mahatma Ghandi and their commitment to living the nonviolent life that Jesus did. He told us that Ghandi, a Hindu, read from the Sermon on the Mount, found in the gospel of Matthew, chapters five through seven, every day for decades. Even faced with the prospect of a violent death, King and Ghandi continued their commitment to nonviolence as Jesus did.
Father Dear reminded us that anger and fear are the underpinnings of violence. I have long known that fear-mongering is part of the lead-up to violent rhetoric from Trump and other Republicans, even when the underlying statements are untrue. For example, there is a lot of fear-mongering over crime. People think that crime rates are rising and are so afraid that they are willing to elect a strongman who promises to crack down violently on perceived enemies, which these days for Republicans seems to include immigrants, most people of color, Democrats, and people who identify as anything other than straight male/female.
When someone expresses a belief to me that is counterfactual, I’ll try to offer the facts if I can but I also try to address the fear that is underlying the issue and making them ready to justify violence to address it. If someone insults me or my intelligence, I don’t respond in kind but will explain my thoughts in a clear, honest way.
Back in the days of the fight against hydrofracking in New York, I often wrote comments on press articles and would be attacked by a small group of local drilling proponents who tended to hurl insults. I admit that it would scare me but I would always respond respectfully with facts to back up my opinion. Eventually, most of the press outlets stopped allowing comments. On my blog, I welcome respectful comments and engage with those who disagree with me, while reserving my right to remove comments that are disrespectful, violent, or likely to promote misinformation. Fortunately, this happens very rarely.
As we continue to prepare for the elections, listen to what the candidates are saying and reject those who espouses violence and stoke unwarranted fear. Check for the facts behind campaign rhetoric to make sure you can separate truth from lies and manipulation.
Vote for democracy, which means equal protection for all. NO! to Trump and all those who promote personal and political violence.
Hope is a form of planning.
Gloria Steinem
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Joanne Corey 