For people in the North Adams, Massachusetts area, please join the Boiler House Poets Collective, currently in residence with The Studios at MASS MoCA, for a free reading at Bear & Bee Bookshop, 28 Holden St., North Adams at 7 PM with light refreshments to go along with the great poetry!
Join us for Linda’s One-Liner Wednesdays! Find out more here: https://lindaghill.com/2024/10/09/one-liner-wednesday-on-my-walk/
Later today, I’ll be travelling to North Adams, Massachusetts to begin the 2024 Boiler House Poets Collective workshop-in-residence at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Arts).
It’s been lovely seeing the enthusiasm among my fellow poets as we’ve been doing our final preparations. Unfortunately, due to my current health complications, I’ve mostly been feeling apprehensive.
I’m used to spending long days and evenings during residency writing, editing, visiting the museum, workshopping, and eating/socializing with my poet-friends, but this year I have scaled my plans back significantly in deference to my current struggles with tinnitus, blurred vision, neck pain and stiffness, balance problems, fatigue, and brain fog. I’ve planned to do creative work in the mornings when I’m most likely to have mental clarity, spend most of the afternoon resting, and re-join the group for the evening.
This plan might work – or it might not. I need to be careful to listen to what my body is able to do that day and adjust because, if I push too hard, I risk the next day being a total loss.
I am not putting pressure on myself to generate new work if I don’t have the mojo to do so. There are plenty of poems that I could work on revisions. There’s also a lot of submission work I could do, which isn’t especially creative but does involve careful attention to detail.
It’s not that I haven’t had life complications at past residencies. I’ve done them during the final years of my parents’ lives when I was involved with their care and after their deaths when I was in the early phases of grief.
This situation feels different, though. While my brain was working differently when I was highly stressed or grieving, I still recognized what was happening in my head. The brain fog is more difficult. I need to divert part of my attention to processing what I see and hear and to how I move in order to keep my balance. My thoughts are slowed down and I easily lose my train of thought. I’m accustomed to mulling poems in my head before I sit down to write but it’s rare now that my brain has the power to generate a creative seed and allow it to germinate.
I think part of me is afraid that this state is my “new normal.” Without a diagnosis, treatment is elusive. We are working on that but it’s frustrating that I don’t have my accustomed level of mental acuity to bring to the process.
I’m also sad that I haven’t been able to workshop poems for months here with the Grapevine Poets and that will continue this week with BHPC. I miss seeing others’ work in progress and hearing the discussion about possible revisions. It’s a reciprocal relationship among the poets and very valuable for someone like me who came to poetry later in life without formal training in craft. I miss being able to do it, even though I always feel that I get more than I’m able to give in feedback to others.
As you can see from the graphic on this post, we will be doing a public reading on Wednesday, October 9 at 7 PM at the Bear & Bee Bookshop. I am determined to do that as well as I can. I am reading first when I’m most likely to have the needed energy. I chose poems and wrote out the welcome remarks I need to make so that I don’t babble or forget what I need to say. I haven’t practiced as much as I probably ought to have but will make sure to do at least a couple of run-throughs before Wednesady evening.
You may be asking why on earth I am still trying to do the residency in my compromised state. I am committed to the Boiler House Poets Collective and my current role as liaison to The Studios. Still, I wouldn’t be able to do this were it not for my trust in the BHPC members. Last year, we planned for members to take on different aspects of organizing the residency and everyone has stepped up to do their part and more. I am able to carpool with my local BHPC members so I don’t have to drive. I know that any of them will be willing to give me a hand, perhaps literally if I need it to help with my balance. I absolutely could not do this without their support and I appreciate it.
I’ll try to get some posts in from the residency to let you know how things are going. Prose is generally easier for me to write than poetry so maybe that will work out. Maybe not.
I’ll try to listen to my body.
Wish me luck.
For North Adams, Massachusetts area folks, the Boiler House Poets Collective invites you to a reading at the Bear & Bee Bookshop, 28 Holden St., North Adams, on Wednesday, October 9, at 7 PM.
This is our only public event during our week as a workshop-in-residence at the Studios at MASS MoCA.
The reading will be a sampler of the work of our ten residents this year, lasting about an hour, followed by Q&A and light refreshments.
Bear & Bee will be selling books by our poets with the authors available to do signings.
Please join us for this free event!
SWWIM Every Day is featuring the poem “Anger” by my fellow Grapevine and Boiler House poet Merrill Oliver Douglas, with the special bonus of a recording of Merrill reading her work. Enjoy!
This post is brought to you through Linda’s One-Liner Wednesdays. Find out more here: https://lindaghill.com/2024/09/11/one-liner-wednesday-do-you/
(Photo credit: The Fenimore Art Museum website)
The recording of the staged reading of Eva Schegulla’s Fall Forever is now available on the Fenimore Art Museum YouTube channel for a limited time. It will likely be taken down mid-June 2024.
I wrote about the staged reading here. I know through reading Eva’s blog, Ink in My Coffee, that she has already completed revisions that grew from the staged reading and that she is submitting it for fully staged production. I’ll be sure to keep you posted when it debuts so that you can attend if you are in the neighborhood.
Meanwhile, enjoy the recording for the next month!
About the featured image: Ada Limón, as poet laureate, has begun an initiative called Poetry in Parks in conjunction with the National Parks Service. To complement this project, she invited poets to write new work centered on our relationship with nature. In April, Milkweed Editions published You Are Here: Poetry in the Natural World as a testament to that enduring relationship.
Ada Limón, 24th poet laureate of the United States, gave an amazing reading at my alma mater, Smith College, on the last day of National Poetry Month, April 30, 2024, followed by a conversation with Matt Donovan, director of the Boutelle-Day Poetry Center at Smith.
So many things struck me about the reading, many of which resonate with my own poetic sensibilities. The sense of place and relationship with the natural world. The vast possibilities for poems that surrounds us. The exquisiteness of short poems, just long enough to offer what needs to be said. The way the mind seeks myriad connections. That there are poems written for oneself that may never be shared with others. The interest in received forms without the compulsion to write them for public consumption. The honesty and authenticity of her work and of her speaking between poems and responding to questions.
I was not able to be there in person but I know John M. Greene Hall, where the reading took place, well, having spent many hours there as a student rehearsing and performing with choral groups and practicing the organ. It’s a cavernous space, which seats about 2,000 people. I was awed at the intimacy that Ada Limón was able to project, as though she were reading and talking with a small circle of friends in a living room after dinner.
I wish I had been able to be there.
Maybe, someday, I will hear her read in person.
On Saturday, April 27, seven of the Grapevine Poets happily returned to the Broome County Arts Council’s Artisan Gallery to offer a reading in honor of National Poetry Month.
We decided to use the format of our first group reading at BCAC in April ’23, with each poet reading their own work together with that of another poet. After a welcome from Connie Barnes, BCAC’s Gallery and Education Manager, and introduction from Merrill Douglas, Richard Braco gave a moving tribute to Myron Ernst, the local poet who was the origin of what grew into the Grapevine Poets and who passed away over the winter. Myron’s work appeared in many journals over the decades. His 2013 collection, God Time Creosote, follows his life from childhood through old age.
My own selections this year centered on the interplay of the arts, history, and our current social circumstances. I read two of my yet-to-be-published ekphrastic poems, “Revelation in Shadow” and “Memphis, Tennessee,” along with Robert Frost’s “Choose Something Like a Star,” which was set to music by Randall Thompson and performed by the Madrigal Choir of Binghamton at our concert earlier this month.
One of the things I especially liked about our reading this year was the frequent expressions of how important community is for us as poets. While the stereotype of writers in general and poets in particular is that they are off alone in a secluded spot scribbling away, the reality is that our work is often strengthened by coming together to share our works-in-progress with our fellow writers. I often acknowledge the Grapevine Poets, the Boiler House Poets Collective, and the Binghamton Poetry Project in my bios because I know I would never have been able to publish without their example, advice, and support. During National Poetry Month, it was good to acknowledge what we are to each other as poets.
This year’s participants were (left to right) with quilt exhibit in the background: Sharon Ball, Wendy Stewart, Susan Thornton, Richard Braco, Joanne Corey, Jessica Dubey, and Merrill Douglas.
After the reading and Q&A, there was time for us to greet our guests, browse the Artisan Gallery, and visit the POETREE, which is pictured above. Several of the Grapevine Poets had poems that were part of the POETREE display, which showcased short, spring- or renewal-themed poems from local writers.
Many thanks to Connie Barnes and the Broome County Arts Council for inviting us to read with them in honor of National Poetry Month. We Grapevine Poets look forward to more collaborations in the future.
I’m pleased to share the video of the Write Out Loud 2024 performance, which was just released last night.
If you expand the description of the video, you can read the program, which is helpfully indexed to bring you to the beginning of each segment, first the writer’s biography and then their poem, essay, short story, or play. If a piece is performed by someone other than the writer, that information is included, as well.
With 22 writers represented, the full video is two hours, so it is nice to have it organized in this way so a viewer can easily choose segments to watch when they have time.
You can read my blog post about my participation in Write Out Loud 2024 here .
My thanks once again to Mike Tamburrino, Christine Juliano, the Fenimore Art Museum, and the Glimmer Globe Theatre for including me in Write Out Loud 2024 and making it such a memorable experience.
I hope that I will be able to submit work for future Write Out Loud performances and, perhaps, be fortunate enough to be included again. Writers within a 100-mile radius of Cooperstown, New York, can be on the lookout for the submission call coming out this fall for Write Out Loud 2025. Playwrights from that same geography should look for the NEXT! series, which offers staged readings of new work. You can read my post about Eva Schegulla’s Fall Forever, which was part of NEXT! 2024, here.
If you are visiting the Cooperstown area, be sure to check out the Fenimore Art Museum and their partner-across-the-road, the Farmers’ Museum. Both museums have winter closures; the links should take you to the page with their hours and dates for the current year.
To hear more about what it’s like to live in Cooperstown, which most people know as home to the Baseball Hall of Fame, check out the final piece of Write Out Loud 2024, Robert Harlow’s “Cooperstown, an insider’s guide.”
You might pick up some tips…
To celebrate National Poetry Month, the Tioga (NY) Arts Council sponsors a series of recordings of local poets reading a poem of their choice.
I’m pleased to say that my poem “The Bridge” is part of this initiative this year. You can listen to my recording here.
You can find the 2024 Tioga Arts Council recordings here, including offerings from fellow Grapevine Poets Merrill Douglas and Jessica Dubey.
Enjoy!
Binghamton, NY area folks are cordially invited to come hear me and six fellow Grapevine Poets read works by ourselves and others in honor of National Poetry Month at the Broome County Arts Council’s Artisan Gallery on Saturday, April 27, 2024 at 1:30.
This invitation comes to you as part of Linda’s One-Liner Wednesdays series. Find out more here: https://lindaghill.com/2024/04/24/one-liner-wednesday-parenting/
Joanne Corey 