The Boiler House Reading, Tupelo Press/MASSMoCA Residency, November 2015 on Vimeo

Another chance to share the awesome video the Boiler House Poets made at Mass MoCA during our residency there with Tupelo Press in North Adams MA. Re-blogging this from fellow Boiler House Poet Donna Fleischer’s blog. Hop on over there and enjoy!

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The Boiler House at MASS MoCA poetry reading on November 18, 2015 was given by Tupelo Press Writing Conference poets in the order of their readings: Kyle Laws, Donna Fleischer, Gail Dimaggio, James Sneed, Kay Morgan, Victoria G. Smith, Marilyn McCabe, Ann Dernier, and Joanne Corey, with James Schley, Managing Editor, Tupelo Press books.

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Poem and Art by Lorrie Lane

Lorrie Sandel Lane and I met at Haven House at Smith College. She was the class following mine. She studied English and studio art, but has made her career as a painter.

We have some commonalities in our lives. Lorrie married a few weeks after I did and celebrated her 33rd wedding anniversary earlier this year, as B and I did. We both named our firstborn daughters Elizabeth. And we both turned rather unexpectedly to poetry in our fifties.

I want to share a painting and poem of Lorrie’s today. It was posted on her literary page on Facebook, which is available to “like” as well as her art page. (See, I engage in shameless promotion for other people, too.)

Enjoy!

Tara Betts

I’m sure all my poet friends will want to read this interview with Tara Betts – and read her new chapbook 7×7 kwansabas.

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tara betts7 x 7: kwansabas (Backbone Press, 2015)

What are some of your favorite chapbooks? Or what are some chapbooks that have influenced your writing?

Right now, I am excited about Amber Atiya’s chapbook, and I am looking forward to reading Fatima Asghar’s chapbook. I just got a stack of chapbooks from dancing girl press, but I have enjoyed some from Belladonna, Button Poetry, and Carolina Wren.

What might these favorite or influential chapbooks suggest about you and your writing?

I think it’s a good way to explore a suite of poems or an idea, but I also think there’s not the same sort of pressure that foments when you are trying to develop a full-length manuscript. It allows you to zero in on a theme without feeling like it has to be 50-100 pages. I think that’s what I’ve loved in particular about Barbara Jane Reyes’ chapbooks Cherry and For…

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600!

Yay! Top of JC’s Mind just hit 600 followers! Thanks to everyone who visits, likes, and/or follows, especially to poets and others who have been following along with my Mass MoCA poetry residency/Tupelo Press workshop posts. (Shameless plug.)

The posts are here and here and here and here and here and here and here and here and here, with a Binghamton Poetry Project anthology post with three new poems from this last session here.

Feel free to start at the beginning and read through or go non-linear and start anywhere. We poets love that!  😉

Mass MoCA Poetry Residency: Aftermath

The Mass MoCA/Tupelo press workshop ended yesterday morning, but I’m not home yet.

One of our cousins picked me up and B met us later at their home in Stamford, Vermont, which is his hometown. For the weekend, we are staying at the home of a high school friend, who was my classmate and B’s lab partner for physics.

The local connections and tour continue.  Today, B and I went on a car trip back to my hometown, Monroe Bridge, MA. We stopped and took some photos of where my house used to be, where Rowe Yankee used to be, where Sherman hydro station, the dam, and Tower Brook still are, where the town office and library still are, although the rest of the building which was my elementary school up through eighth grade is now offices for whichever power company it is that now owns what was New England Power when my father was superintendent for the upper Deerfield.

I keep having ideas and little fragments of poems pop into my head, so I scrawl them in my journal. I have also had some chance to tell B some of my experiences, which is helping me to process. I am looking forward to talking to some of my poet friends at home. I also want to share some of my drafts of Monroe Bridge-North Adams  poems with my mom and dad. There are some details that they can provide to help me be historically correct.

I realized that the chapbook I had hoped to write from this experience probably needs to be a collection instead. I find myself thinking of prospective titles and ways to organize the collection into sections, even the placement of some of the poems I have already written which will fit into the collection.  It’s exciting! It will be a big project and I’m not sure how long it will take to write, revise, and assemble it.

I told Jeffrey he could be the first one to reject it when it is done. 😉

Poems: Binghamton Poetry Project fall 2015 anthology

This evening, the Binghamton Poetry Project will be having their fall reading event – without me. I did want to share these poems which are my contribution to the fall 2015 anthology. All three poems are by Joanne Corey.

Timeline
          inspiration: Hayden Carruth

So, of course, today,
when I have somewhere
to be, my early morning
appointment runs late,
Riverside Drive is still
under construction,
like it was last year,
with detours still in place,
the parking garages
are falling apart,
partially blocked off
to avoid cars and motorcycles
getting crushed
like in the collapse
at Wilson this summer,
and the meters are only two hours
and I need more time.
Don’t I always need more time?
I park on Oak
where there are no meters
and walk
as quickly as possible
to the Downtown Center
to learn about climate change
and how bubbles in cores
of Antarctic ice
tell us the CO2 concentration
of the atmosphere
800,000 years ago.
My Fitbit vibrates to let me
know I’ve reached my step goal.
It’s not even ten o’clock.

*****

fall
          inspiration: Robert Lax

wind
blows
golden
fall
leaves

golden
wind
blows

leaves
fall

leaves
fall

leaves
fall

fall
wind
blows

golden
leaves

golden
leaves

golden
leaves

fall

fall

fall

fall

fall

fall

fall

 

 

fall
leaves

*****

process

the word
       phrase
       image
       thought
       memory

appears

refuses to leave

expands

runs through waking
                         walking
                         chores
                         driving
                         dreams
for hours
       days
       weeks

coalesces into lines
                          stanzas
                          poem

demands to be written

relinquishes some specifics
                                   details
                                   facts

creates space for mystery
                                the reader
                                truth

Mass MoCa Poetry Residency: Thursday

Today is our last full day here, which is too bad as I’m finally feeling as though I am getting the hang of this.

I wrote a lot of new work today in the museum. I was a bit frantic about it, as I knew the residency will end before the museum opens tomorrow.

I wrote in the Liz Deschenes, Clifford Ross, Jim Shaw, Boiler House, Harmonic Bridge, Francesco Clemente, and Octagon Room exhibits. The Clemente Encampment was one of the more extensive drafts, as there were six tents to write about. I also wrote a 19 line draft about the “No Mud, No Lotus” series, with just a few words for each of the nineteen works in the series. I wrote page after page in my journal for a list poem based on Mark Dion’s The Octagon Room. I had seen it on a prior trip to Mass MoCA and was surprised to still see it there, as most of their collection is not permanent. Editing will be required or the poem will take up an entire chapbook on its own. Carol Ann would be proud of me, though, as she was urging me to write without mulling. There was definitely no time to mull today!

I was at the museum most of the time from 11-5, although I did take a break for a bit of lunch and for our final gathering with Jeffrey at the studio. As we are the inaugural group of poets for this program, we batted about ideas for future iterations of this residency/workshop, based on our experiences this time. The plan is to offer it four times a year, so stay tuned.

After the museum closed, I went back to the studio to re-organize and work on some logistics. We were gathering at the Tupelo loft for a closing dinner, which was pushed back until 8:00 so that people could attend a 7:00 reading at Gallery 51 on Main Street. A few of us, including me, felt too tired to concentrate on the reading, so we went to the loft early. I picked out some more books, which other people can give me for Christmas presents!

The dinner was fantastic! (I won’t go through the menu because it might make you hungry.) After dinner, we did a final reading for each other in a round robin, which included our hosts, Jeffrey and Cassandra. I read “Lessons from Mahler” and “(Not) the aunt I remember” . I was happy that they were well-received. Even though I am not as intimidated as I was at first, I am no less aware that I am just starting out in this endeavor, while I was sitting in a circle with poets with many journal publications, chapbooks, and collections, as well as a goodly number of prizes/nominations. Maybe someday…

We avoided saying good-bye tonight, assuming we are all going to see each other in the morning. It won’t be easy.

Mass MoCA Poetry Residency: Tuesday

Today was full of surprises and women’s voices.

This morning, we had a fabulous session with Carol Ann Davis. She masterfully tailored her talk, handouts, and exercises to our group of poets, with so many useful tips that I should make them into a (large) sampler and keep them beside me when I write. She graciously signed two of her poetry books for me which I am looking forward to reading when I am in a more relaxed situation.

Most of our group had a fun lunch at Brewhaha, which is close to Mass MoCA and our residency apartments, then went in several different directions. I wanted to go visit the North Adams downtown churches and take some photos, because I am writing a poem that features them. Another poet who fancied a walk on this gorgeous afternoon accompanied me as I played tour guide. I took her into the library, which was once the home of the Blackinton family, owners of a woolens mill and the wealthiest residents in the city. I used to go to the library as a child because it was so much larger than the one in Monroe Bridge, which occupied a relatively small room in the school/town offices/town hall. On Saturday trips to the North Adams library, I remember climbing the grand staircase to the children’s section. The library has since been renovated and is even more beautiful than it was 45 years ago. It also has a new, LEED-certified expansion in the back, so there is plenty of space.

We circled back to the studios. I needed to pick up my things to bring them to the Tupelo loft for a 3:30 presentation. Because the batteries in my camera had died on the first walk, I headed back up Main Street to continue my photo-taking tour. I had made my way back to the library and was taking photos of woodwork and fireplaces and chandeliers and the staircase, when someone called my name. It was Cousin Kim, from B’s side of the family, who was up from Cape Cod visiting old haunts. I had not seen her in over twenty years. As a Facebook friend, she had seen my blogposts and knew I was in North Adams, but had resolved not to contact me because she knew we were busy. We had time for hugs and about twenty minutes of conversation before I had to get to the loft and she had to head back to the Cape. It was a wonderful bit of serendipity.

At the loft, Cassandra led an enlightening exploration of the use of space in poetry, with wonderful exemplars and discussion. It was fun for me that music made several notable appearances. I love drawing music and poetry together as some of my poetic impulse came from the forced diminishment of my musical life. But that’s a whole other blog post…

I ate dinner on my own so that I could talk to B and tell him about Kim. And I got to have a mocha sundae for dessert, although it is not as good as in childhood days at Apothecary Hall where we used to go with Nana. Another poem I need to write.

This evening, we continued our reading series among ourselves. I read with my three apartment mates. We had so much fun! The others’ poetry was amazing and I so loved hearing it in their own voices. It was also fun for me to read so many of my poems at once. It’s the first time I have ever read more than three poems at an event. It was fun, even though I kept reading poems about illness and death. I did sprinkle in some lighter poems and ended with my Mahler haibun, although I realized too late that I had grabbed an earlier draft.

I get a chance at redemption tomorrow as we hope to do a recording of the whole group in the boiler room sound installation. We may even record it on video, which would be cool, especially if we get to share.

Mass MoCA poetry residency: Monday

Monday is Volta* Day.

This morning was incredibly difficult. I am experiencing a flare of one of my health issues and had had great difficulty sleeping. We went to the Tupelo loft for breakfast together and I was too out of it to do much conversing. I did start drafting a poem about how I might need to start using caffeine, or maybe alcohol…

I chose, however, to pull out every support med in my arsenal to take with breakfast. I don’t usually resort to meds right away, to minimize side effects, but I didn’t have time to let things play out on their own. I’m pleased to report, it worked and I was actually feeling almost decent by the time the session with Jeffrey started this afternoon.

We started with the assignment Jeffrey had given us yesterday. He had promised the results would be amazing, and they were! It was the first time I actually felt that I could keep up with expectations. As part of the exercise, I read my “good luck” poem “Moonlight” https://topofjcsmind.wordpress.com/2014/04/25/binghamton-poetry-project/; I was thrilled when Jeffrey said that he wanted to write one of the lines down so he could “steal” it. I thought that if I could write one line that he liked enough to appropriate, I really was going to be okay.

Next, we had another workshopping session. I actually jumped in when I wanted to be next to share my poem because I was so excited by a poem from the only other poet in the group to have grown up in this area, that I wanted to piggyback on his work and continue the local conversation. I got great feedback on how to strengthen my poem, although the actual work will probably have to wait until I am back home.

After a break, during which I enjoyed some fantastic pumpkin ice cream and some time alone with the Sol Lewitt exhibit at Mass MoCA, we re-convened at Tupelo loft to hear Jeffrey talk about publishing, which was elucidating.

There was one bit of bad news today. Our public reading has been cancelled due to scheduling conflicts. I had been looking forward to inviting a few of the people I still know locally to hear me read, but now I won’t be able to. Two of our poets suggested that instead we convene after supper and have two or three of us read for as many of the nine of us as can make it. We enjoyed the first session of that tonight and it was just the right way to end our Monday.

It’s hard to believe we are already halfway through.

* a volta is a turning point in a poem

Mass MoCA Poetry Residency: Saturday

The day got off to an early start. I was awake at about 3:00 AM and realized I was not going to go back to sleep, so I grabbed my chromebook and read a limited amount of the updated news from Paris. I wrote a blog post about it, then tended to my email as expeditiously as possible.

I decided to go over to my studio at 6:30. I sat at my table, pulled out the new journal I had brought for the workshop, and started journaling. After a page, I decided that I wanted to turn the last couple of paragraphs into a poem. The topic was the connection of my and my spouse’s families with the buildings that make up Mass MoCA. After I drafted and revised a bit, I called B and he reminded me of another relative that I had forgotten to include, so I added that and edited a bit more. Then, I called my mom to check in and read her the poem. So, yay! If nothing else I got one new poem drafted.

Our group of nine resident poets met for breakfast and then began workshopping poems together. It was really interesting to have a first look at each poet’s work. We got through seven of us before we broke for lunch; I was one of the two who hadn’t yet presented a poem, which was fine as I am so far along the introvert scale that nine people is a large enough group to require a lot of energy and adjustment for me.  I had, however, chosen a poem from my stash to workshop when my turn came, whenever that might be.

We headed to Tupelo Loft for a talk with special guest, Lawrence Raab, award-winning poet and Williams College professor. His talk focused on how to get poems started, a problem with which many poets struggle. He illustrated an inventive way to generate ideas that he uses with his college students and employs himself. He read several poems from his latest poetry volume, Mistaking Each Other for Ghosts,  which Tupelo published this year and which is longlisted for the National Book Award for Poetry, to illustrate his own use of this prompt technique. I loved his talk and especially loved listening to him read. At first, I was looking at the page as he read, but I was drawn to watching him recite instead. He graciously spent time writing dedications in our copies of his book.

After Larry left, Jeffrey had some time before he had to leave, so we decided to continue workshopping, which meant that we would start with the two poets who hadn’t presented work in the morning session, which we had done on our own without Jeffrey. We started with the other poet’s poem, which was elliptical and surprising and mysterious and well-crafted and all kinds of excellent things, but I admit that I was desperately trying to wrap my head around how Jeffrey functions in workshopping, which was unlike anything I had ever seen. I could feel my heart beat faster than it should have been, sitting on a couch doing nothing more strenuous than reading and note-taking.

So, when it was my turn, I read my poem “1950’s Suburbia” and then tried to follow Jeffrey’s comments and take notes. I kept making the mistake of thinking I was supposed to answer aloud questions that were supposed to be mulled; in my local groups, there is a lot of back-and-forth between the presenting poet and the rest of the group and I couldn’t switch gears quickly enough. I think everyone in the room realized I was not really keeping up mentally. Jeffrey asked if I was okay. I said yes, but that I was not a very quick mental processor and that I needed to sleep on it. This may have been a partial untruth; I may need to sleep on it for a while and go through notes a few dozen times to have a good grasp.

I am very grateful to our group of poets, especially my apartment mates, for helping me begin to process the workshopping session. Over time, I think I will be able to make the poem, which is from my pre-Binghamton Poetry Project years, stronger. Maybe not this week though, with so much to do.

Seven of us went to Public for dinner. It was another connection point for me. The space that Public occupies used to be Dora’s, the restaurant of a high school friend of B and me and her chef-husband.  It’s been well over a decade since they owned it, but I was having another of the same-but-different moments that wash over me every time I am back in North Adams. We had a surprise fiftieth anniversary party for B’s parents there. His dad died less than two years later.

After the noisiness of a Saturday night restaurant, it was nice to be back in the apartment for a couple of hours of quiet talk about poetry, family, and whatever else crossed our minds. We are all hoping to sleep well tonight…