Tag: Jessica Dubey

10th anniversary of the Boiler House Poets Collective

As you may have surmised from the post about our reading on this Saturday, I am once again in North Adams in residence with the Boiler House Poets Collective at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art).

This is the tenth anniversary year of the first poetry workshop-in-residence that The Studios offered within their opening weeks in fall 2015. I was just starting to publish poetry and only had the courage to apply because I had grown up in the North Adams area and thought I would feel more at thome there. That week was both daunting and wondrous. If you visit my blog archive for November, 2015, you can read about it in multiple posts, which manage to somewhat mask the terror of being thrown into the deep end that I felt at the time.

The saving grace, though, was my fellow poets, who were so welcoming and supportive. Even before we left the residency, we started to plan a return, and thus the Boiler House Poets Collective was born.

As one might expect, not all of our initial group of 9 was able to re-convene, so we invited poet-friends to join us. You can see our listing of poets for each year here. You may notice that there is no listing for 2020 as The Studios, understandably, were closed for an extended period because of the COVID-19 pandemic. Due to changes in the structure of The Studios, we now can accommodate ten members each year. Kyle Laws and I are the only “originals” in attendance this year, although we consider Jessica Dubey as an honorary original as she has been with us since 2016, our first official residency as the Boiler House Poets Collective.

My health challenges, while not as severe as they were during last year’s residency, are still impacting my energy and creativity, so I am trying to be gentle with myself and not create unrealistic expectations. My immediate focus is to make it through the reading tomorrow morning. Thanks to the wonders of alphabetical order, I will do the introduction and my poems first. Bonus: After that, I can relax and listen to all the rest of the work of my fellow BHPC poets without having to gear up to read.

I’m also excited because we will be unveiling a collaborative poem honoring North Adams as our gift to this special place that we have enjoyed so much. I will share it here on the blog at some point after the reading. I loved having a special tenth anniversary project and am thrilled that we will be able to offer it at our reading and as a special gift to the library, Studios, and other North Adams supporters as a broadside. There is also a smaller, printed version which we will have at the reading for any listeners who would like to have one.

In the spirit of not putting pressure on myself, today I plan to visit the museum and see what’s new. MASS MoCA does not have a permanent collection, so there are always new artworks to experience. There are also some exhibits that are long-term, so I will re-visit some of my old friends here, especially our namesake Boiler House. If I am lucky, something I see will spark a poem later in the residency. If not, I have some prior ekphrastic poems based on MASS MoCA art that could use revision. Or, maybe, there will just be some more blog posts.

Or naps.

No pressure.

Write Out Loud ’25 recording is available!

In late April, I posted about Write Out Loud ’25 at the Fenimore Art Museum in Cooperstown, New York. My poem “The Bridge” was read by Sharon Rankins-Burd as part of the event, along with work by fellow Grapevine Poets Richard Braco, Merrill Oliver Douglas, and Jessica Dubey and twenty more writers living within 100 miles of Cooperstown.

I’m pleased to announce that the recording, long delayed by technical difficulties, is finally available! The recording will open in a separate tab in YouTube. If you click on “more” in the description, it opens a list of the program with links to bring you to whichever segment you wish to view. I’m especially pleased to share Sharon’s reading of my poem. She did an amazing job!

Enjoy!

Double-header Saturday

I realize that title seems like baseball, but it’s not, although Cooperstown is involved…

Despite my current health issues, I managed to attend two major events on Saturday.

In the afternoon, I sang-along with parts two and three of Handel’s Messiah. This was an event offered by the Madrigal Choir of Binghamton, with whom I serve as a singer and board member. Our artistic director, John M. Vaida, conducted a volunteer chamber orchestra and soloists with a chorus made up of those who showed up to sing along. Most of us were members of Madrigal Choir or Downtown Singers, although I think there were a few who aren’t presently in either group. It was a lot of fun to sing with old and new friends without the pressure of performance. Madrigal Choir hopes to do more events like this in the future.

Next up was heading to the Fenimore Art Museum, just outside Cooperstown, for the Write Out Loud ’25 reading, made possible only because spouse B did the driving, as we live about an hour and a half from there. I had been accepted to Write Out Loud ’24 last year with a poem from my chapbook, Hearts. When submissions opened for this year’s event, I sent the call on to my poet-friends in the area and I’m pleased to say that the Grapevine Poets from the Binghamton area were well represented this year with Merrill Oliver Douglas, Jessica Dubey, Richard Braco, and me all having work accepted.

Merrill read her poem, “Meditation in Walmart,” as the second piece in the program, with Richard reading “Pole Star Child” as the next-to-last piece in the program. Accepted writers have the option to read their own work or to have a member of the theater company affiliated with the Fenimore perform their piece. Cait Liberati read Jessica’s poem, “Love Birds.” Jessica wished that she could have been there to read it herself but she was away on a trip. I was thrilled with Sharon Rankins-Burd’s reading of my poem, “The Bridge“! I had planned to have an actor read my poem from the start because my health situation is too uncertain. I also appreciate hearing what a trained actor does with my words.

The Fenimore Art Museum has released the recording on their YouTube channel. If you click “more” in the description, it will open the program with links to the beginning of each piece.

I had figured that expending that much energy in a day would knock me for a loop and it did. I spent most of the day yesterday in bed and will lay low today, too, just going out for physical therapy. I’m grateful that I was able to attend these events and hope that we are able to get a better handle on my diagnosis and treatment options soon so that I have more energy to do two things in one day – or even one thing…

Grapevine Poets at BCAC ’24

On Saturday, April 27, seven of the Grapevine Poets happily returned to the Broome County Arts Council’s Artisan Gallery to offer a reading in honor of National Poetry Month.


We decided to use the format of our first group reading at BCAC in April ’23, with each poet reading their own work together with that of another poet. After a welcome from Connie Barnes, BCAC’s Gallery and Education Manager, and introduction from Merrill Douglas, Richard Braco gave a moving tribute to Myron Ernst, the local poet who was the origin of what grew into the Grapevine Poets and who passed away over the winter. Myron’s work appeared in many journals over the decades. His 2013 collection, God Time Creosote, follows his life from childhood through old age.

My own selections this year centered on the interplay of the arts, history, and our current social circumstances. I read two of my yet-to-be-published ekphrastic poems, “Revelation in Shadow” and “Memphis, Tennessee,” along with Robert Frost’s “Choose Something Like a Star,” which was set to music by Randall Thompson and performed by the Madrigal Choir of Binghamton at our concert earlier this month.

One of the things I especially liked about our reading this year was the frequent expressions of how important community is for us as poets. While the stereotype of writers in general and poets in particular is that they are off alone in a secluded spot scribbling away, the reality is that our work is often strengthened by coming together to share our works-in-progress with our fellow writers. I often acknowledge the Grapevine Poets, the Boiler House Poets Collective, and the Binghamton Poetry Project in my bios because I know I would never have been able to publish without their example, advice, and support. During National Poetry Month, it was good to acknowledge what we are to each other as poets.

This year’s participants were (left to right) with quilt exhibit in the background: Sharon Ball, Wendy Stewart, Susan Thornton, Richard Braco, Joanne Corey, Jessica Dubey, and Merrill Douglas.


After the reading and Q&A, there was time for us to greet our guests, browse the Artisan Gallery, and visit the POETREE, which is pictured above. Several of the Grapevine Poets had poems that were part of the POETREE display, which showcased short, spring- or renewal-themed poems from local writers.

Many thanks to Connie Barnes and the Broome County Arts Council for inviting us to read with them in honor of National Poetry Month. We Grapevine Poets look forward to more collaborations in the future.

Poetry Out Loud ’24

To celebrate National Poetry Month, the Tioga (NY) Arts Council sponsors a series of recordings of local poets reading a poem of their choice.

I’m pleased to say that my poem “The Bridge” is part of this initiative this year. You can listen to my recording here.

You can find the 2024 Tioga Arts Council recordings here, including offerings from fellow Grapevine Poets Merrill Douglas and Jessica Dubey.

Enjoy!

Vestal Barnes & Noble event

Gearing up for a Saturday, March 16, 2024 event from noon to 4 PM at our local Vestal, NY Barnes & Noble Bookstore, featuring five Grapevine Poets, including me. The Grapevine Poets take their name from The Grapevine Cafe in Johnson City where we meet regularly to workshop poems, talk, and eat, of course!

Merrill Douglas, Jessica Dubey, Carol Mikoda, Burt Myers, and I, Joanne Corey, will be at individual tables scattered about the store for book signing and conversation from noon to three. We will each have a stamp to mark your entry to a drawing for a Barnes and Noble gift card if you visit all five of us.

At 3:00 or so, we will have a reading in the music department. We are hoping that some of our Grapevine colleagues will appear, as well.

Please join us at whatever point you are able. You can say that you “heard it through the grapevine!”

Many thanks to Burt Myers for the flyer. Burt is a talented graphic artist besides being a talented poet.

Kelsay authors at MASS MoCA

One of the fun things that happened during the Boiler House Poets Collective (BHPC) annual workshop at The Studios at MASS MoCA (Massachusetts Museum of Contemporary Art) this year was the chance for poets Mary Beth Hines, Jessica Dubey, and I to celebrate our books, all published by Kelsay Books.

I’m pleased to share the December post from the Kelsay Books blog that features the three of us on our MASS MoCA adventures. While Jessica and I live near one another and are long-time members of the Grapevine Poets and BHPC, this was our first time meeting Mary Beth. Although Mary Beth, as a Massachusite, was already familiar with MASS MoCA, we were thrilled to welcome her to BHPC and look forward to her return next fall for our 2024 reunion residency.

Mary Beth was the first of us to publish with Kelsay. Her debut collection, Winter at a Summer House, was published in November, 2021. Jessica’s second chapbook, All Those Years Underwater, followed in November, 2022. (Jessica’s first chapbook, For Dear Life, had been published by Finishing Line Press in May, 2022.) My first chapbook, Hearts, appeared in May, 2023.

I love this photo of us taken by fellow BHPC member Wendy Stewart! Wendy managed to catch not only, from left to right, me, Mary Beth, and Jessica, with our books and smiles but also a reflection of part of Natalie Jeremijenko’s Tree Logic, the iconic art installation at the main entrance to MASS MoCA. Commonly referred to as “the upside-down trees,” the maples had graced the courtyard since April 1999, with the trees replaced occasionally so that they could re-orient themselves and spread their roots. The image of the upside-down tree had come to symbolize MASS MoCA and was featured on a number of items in the gift shop.

As I was heading home from our residency, I was shocked to read that Tree Logic was ending its almost 25 years on exhibit in just a few days. The final trees are transplanted on the MASS MoCA campus along the Speedway. I’ll make sure to visit them next October when BHPC is again in residence, or, perhaps, I will make it back to the Museum next May for the 25th anniversary celebration.

I know the trees will be reaching for the light in their new orientation, their roots expanding to anchor them to the site of so much change over the decades. Over time, they will straighten, although they will always bear some remembrance of their time of inversion.

BHPC ’23 reading at The Bear & Bee!

Yesterday morning, the 2023 members of the Boiler House Poets Collective did a reading at The Bear & Bee Bookshop in North Adams, Massachusetts.

It was a lot of fun! We had a mix of family and friends, folks from the community, members of the writers’ group that meets at the Bear & Bee, even someone who came in after a yoga class at the studio next door.

I acted as emcee. We presented in reverse alphabetical order: Wendy Stewart. Eva Schegulla, Kyle Laws (who was unable to attend in person, so I read her poems), Hope Jordan, Mary Beth Hines, Nancy Edelstein (who presented a video of her artwork in relationship with light), Jessica Dubey, Merrill Douglas, Jessica Bane Robert, and me, Joanne Corey. Okay, I broke with the reverse alphabetical order so I could go last and moderate for questions and answers. It wound up that there were no questions, so my job was easy.

Several of us, including me, chose work that deals with the North Adams area. Several chose to incorporate the themes of light and darkness, which ties into Nancy’s work and video and which has been a theme for us this year during our residency. It was a joy to hear so many voices and perspectives concentrated in a short amount of time.

Already making plans for next year, so stay tuned!

The Grapevine Poets Read

April is National Poetry Month in the US and there are often poetry readings scheduled in celebration.

This year, the Broome County (NY) Arts Council invited the Grapevine Poets to present a reading, which happened Tuesday evening.

The Grapevine Poets is a group of local poets who meet regularly to workshop each other’s poems, meaning we bring in our drafts for feedback from the poets in attendance in order to assist us in revisions. We also have done manuscript reviews for each other, several of which have been chosen for publication. I am the current record-holder for most manuscripts reviewed with three, my chapbook Hearts (forthcoming soon from Kelsay Books), my full-length collection Small Constellation and my newest chapbook Half a Duet, both of which I am submitting to presses in hope that they will be published someday, too.

While we have been meeting for years and frequently mention the group in our acknowledgements or bios and although we have sometimes read at the same open mics, this was the first time that we formally presented ourselves as the Grapevine Poets. It was very much a collaborative effort with everyone pitching in and divvying up the tasks of scheduling, organizing, publicity, programming, etc. in conjunction with Connie Barnes at the Broome County Arts Council, which is still settling into its new home in the section of State St. in Binghamton often called Artists’ Row.

We decided on a format that each poet would read a poem from another poet we admire and one of our own. We each chose whether or not we wanted the poems to be related to each other in some way. I chose to link my selections thematically, reading “Woman in Suite A, 1922” from Kyle Laws‘ book Uncorseted and my poem “Studio 7 – Building 13” which both relate to a woman’s experience writing in a new studio.

After Connie’s welcome, Wendy Stewart provided the story of the Grapevine Poets, the format of the reading, and her selections. We had decided to each introduce the next poet, so Wendy introduced me and, after my reading, I introduced Sharon Ball. We continued with Burt Myers, Andrée Myers, Merrill Douglas, Jessica Dubey, and J. Barrett Wolf, who also led the question and answer period.

One of our big concerns before the event was would people actually come! I’m pleased to say that we had about thirty-five people there, which is sizable for a poetry reading in our area. There was a bit of a scramble to find and set up more chairs but it was a great problem to have.

I was happy that some people that I had invited were able to attend and that one person came because they recognized my picture from the flier that Burt had designed for the reading. Burt is the art director for the communications and marketing office at Binghamton University and we are grateful to have his professional expertise on hand, as well as his poetic voice.


I’m trying to wrap my head around knowing that some people might come to a reading specifically because it involves me. I’m more accustomed to thinking of myself within a group context, whether it’s the Grapevine Poets or the Boiler House Poets Collective or the Binghamton Poetry Project, and of invitations that come my way to read as being because of these affiliations and my more-established poet-friends.

But, with my first time as featured reader coming up on May 13 at 1:30 at the Tioga Arts Council in Owego along with Merrill Douglas and my first chapbook Hearts forthcoming soon from Kelsay Books, I’m trying mightily to adjust my mindset so I can present myself as more professional, for want of a better term.

Not sure I have the chops to pull it off, but I’ll try.

New chapbook from Jessica Dubey!


I’m pleased to share the news that Jessica Dubey’s newest chapbook, All Those Years Underwater, is now available, either from Kelsay Books or from Amazon. If you happen to order from Amazon and don’t yet have Jessica’s chapbook For Dear Life, be sure to add it to your cart, too.

Jessica is one of my local poet-friends, part of the Grapevine Poets here in Broome County, New York, as well as the Boiler House Poets Collective. It has been my privilege to see the poems in both manuscripts develop over time and come together into power-packed chapbooks.

Jessica has a special talent for writing about difficult issues in a way that is beautiful, but searing. As Marilyn McCabe notes on the back cover of All Those Years Underwater, “Danger is so delicate in these poems; it slides like a stiletto between the ribs. The poems stare you down with their lovely eyes, even as they insert the blade.”

For more information, links to previously published poems, and contact information, visit Jessica’s website. I’m sure she would love to hear from her readers!