The Grapevine Poets Read

April is National Poetry Month in the US and there are often poetry readings scheduled in celebration.

This year, the Broome County (NY) Arts Council invited the Grapevine Poets to present a reading, which happened Tuesday evening.

The Grapevine Poets is a group of local poets who meet regularly to workshop each other’s poems, meaning we bring in our drafts for feedback from the poets in attendance in order to assist us in revisions. We also have done manuscript reviews for each other, several of which have been chosen for publication. I am the current record-holder for most manuscripts reviewed with three, my chapbook Hearts (forthcoming soon from Kelsay Books), my full-length collection Small Constellation and my newest chapbook Half a Duet, both of which I am submitting to presses in hope that they will be published someday, too.

While we have been meeting for years and frequently mention the group in our acknowledgements or bios and although we have sometimes read at the same open mics, this was the first time that we formally presented ourselves as the Grapevine Poets. It was very much a collaborative effort with everyone pitching in and divvying up the tasks of scheduling, organizing, publicity, programming, etc. in conjunction with Connie Barnes at the Broome County Arts Council, which is still settling into its new home in the section of State St. in Binghamton often called Artists’ Row.

We decided on a format that each poet would read a poem from another poet we admire and one of our own. We each chose whether or not we wanted the poems to be related to each other in some way. I chose to link my selections thematically, reading “Woman in Suite A, 1922” from Kyle Laws‘ book Uncorseted and my poem “Studio 7 – Building 13” which both relate to a woman’s experience writing in a new studio.

After Connie’s welcome, Wendy Stewart provided the story of the Grapevine Poets, the format of the reading, and her selections. We had decided to each introduce the next poet, so Wendy introduced me and, after my reading, I introduced Sharon Ball. We continued with Burt Myers, Andrée Myers, Merrill Douglas, Jessica Dubey, and J. Barrett Wolf, who also led the question and answer period.

One of our big concerns before the event was would people actually come! I’m pleased to say that we had about thirty-five people there, which is sizable for a poetry reading in our area. There was a bit of a scramble to find and set up more chairs but it was a great problem to have.

I was happy that some people that I had invited were able to attend and that one person came because they recognized my picture from the flier that Burt had designed for the reading. Burt is the art director for the communications and marketing office at Binghamton University and we are grateful to have his professional expertise on hand, as well as his poetic voice.


I’m trying to wrap my head around knowing that some people might come to a reading specifically because it involves me. I’m more accustomed to thinking of myself within a group context, whether it’s the Grapevine Poets or the Boiler House Poets Collective or the Binghamton Poetry Project, and of invitations that come my way to read as being because of these affiliations and my more-established poet-friends.

But, with my first time as featured reader coming up on May 13 at 1:30 at the Tioga Arts Council in Owego along with Merrill Douglas and my first chapbook Hearts forthcoming soon from Kelsay Books, I’m trying mightily to adjust my mindset so I can present myself as more professional, for want of a better term.

Not sure I have the chops to pull it off, but I’ll try.

National Poetry Month continues

I have been posting about the Broome County (NY) Arts Council’s celebration of poetry, including last week’s reading in which I was featured. This week’s installment is now available and can be found here, along with the prior weeks’ readings.

This week features three of my local poet-friends, Jessica Dubey, Burt Myers, and J. Barrett Wolf, along with Ithaca-area poet and professor Jerry Mirskin.

Jessica, Burt, and Barrett are all part of the Grapevine Group, the poetry circle with which I meet regularly to workshop poems. Burt is the one among us who writes formal poetry most often. He is very attuned to the rhymes and rhythms of lines, which you can hear in the reading and which is helpful to me when we are workshopping because I am not very conscious of those elements when I write.

Barrett, as poet-in-residence at the Bundy Museum and the founder of The Word Place, is one of the sponsors of this reading series and has appeared in each session to ask the poets questions after they read. It was wonderful to hear him read some of his work this week. I was glad that the other poets got to ask him some questions after his reading because I love hearing poets talk about their work and it would have been a shame if they had skipped over that part.

I’m happy to say that Jessica and I share not only Grapevine Group but also the Binghamton Poetry Project and the Boiler House Poets Collective in common. Her poetry is brutally honest and searing. I also admire her use of metaphor. Her first chapbook will be published next year. I’ll be sure to post about it here when it is available for pre-order.

While April is almost over, the BCAC is carrying the reading series into May, so check back next week for the next installment.

Nat’l Poetry Month celebration with me!

I posted here and here about the first two readings from the Broome County Arts Council in celebration of National Poetry Month. I am pleased to announce that this week, I am featured along with Rindi Tas and kohloa, two poets whom I met through the Binghamton Poetry Project. We were scheduled to be joined by another BPP poet, Anita Shipway, but technical difficulties prevented Anita from joining us. The recording of the reading and our bios are available here.

I’m not sure how I came to be invited to participate in this series but I was honored to be asked. And excited. And nervous. This is my first time as a featured reader with a Q&A component and I was anxious to do a good job, knowing that most of the readers in the series are much more experienced, knowledgeable, and academically credentialed than I. I asked poet-friends to review my selections and practiced my reading, recording myself on Zoom to see how I sounded and looked. I plead guilty to over-thinking and over-preparing, but it kept me a lot calmer when we recorded.

I possibly babbled a bit answering Barrett’s questions. Barrett is part of the Grapevine Group, my local circle of poets who meet on a regular basis to workshop our poems, so we are used to “talking shop” together, but I’m not used to interacting with him in a formal setting. He asked thoughtful questions that flowed from the choices I had made for the reading but I am not great at thinking on my feet, so you all can be the judge on whether I made sense or not.

Because I didn’t take up poetry as a serious pursuit until recent years, I am not that well-known or widely published. I decided to do a mini-sampler of the kinds of poems I tend to write, realizing that I would be an unknown quantity to most prospective listeners. Of the four poems I read, only one is published. It appeared in the Nov. 2020 anthology of the Binghamton Poetry Project and can be viewed here.

The recording should be available on the BCAC website at the link at the end of the first paragraph, at least for the next few weeks. It will also be broadcast locally on the Bundy Museum’s radio station WBDY-FM radio (99.5 FM). Because I’m not sure how long BCAC will have the webpage active, I’m embedding the youtube link here, which I think will be permanent:

If you choose to give the reading a listen, I hope you enjoy it. Please feel free to comment here or on the Top of JC’s Mind Facebook page. If you want to send me a private message at topofjcsmind@gmail.com, please put a comment on this post telling me to check for it so it doesn’t get lost among the various digests and posts sent there. My inbox is out of control!