Friday night fun – part one

On a Friday evening in March, I read at open mic poetry night for the first time. I had attended with my husband for the first time in January and planned to read in February, but, instead, we had to travel for my aunt’s funeral that weekend. So that brought us to March. B wasn’t feeling well, so I went alone.

There were fewer people this time then in January, but over half of us were reading at open mic for the first time.  (Actually, we meet at RiverRead Books and don’t need to use a mic, but it’s called open mic anyway.) I had signed up to read second, so that I could enjoy hearing the other poets without the distraction of having to think about my own reading.

Barrett, who began the monthly open mic program at RiverRead five years ago, did a welcome and read first, including a new poem he had just completed about visiting the Holocaust Museum. (Barrett is part of the group of poets that I began meeting with last August. We meet twice a month to hear each other’s work and offer comments. Were it not for that, I don’t know if I would have been brave enough to show up and read.)

I started my reading with “Moonlight” because it is my most well-received poem and my good luck charm.  It is the poem that I submitted for National Poetry Month in 2013 to “Off the Page,” a local program on WSKG public radio; they put listeners’ poems up on their website every April. (Well, they used to. The host retired in 2013, so that year turned out to be the last hurrah.)  I was so excited when it was chosen to be read on air! The host, Bill Jaker, read it. It was the first time I had heard someone else read my work aloud.

I say that “Moonlight” is my good luck charm because one of the guests on the program was Nicole Santalucia, who began the Binghamton Poetry Project (BPP). That was how I first learned about it, which led to my attending the spring 2014 workshop. I included “Moonlight” in our anthology for that session and read it at our public reading.  After the summer session, our instructor helped me find and join the critique group where I met Barrett and eight other local poets. With their and BPP’s help, I have learned a lot about poetry, about myself as a poet, and about how to make my work stronger and better. And it all started because of:
Moonlight

In the narrow valley of youth,
the moon was distant,
as though at perpetual apogee.
Cocooned in darkness,
I slept soundly.

In the broad valley of adulthood,
the moon is close,
casting sharp shadows.
Bathed in eerie light,
I lie awake.

I also read two newer poems, “(Not) the Aunt I Remember” and “Downy,” which I can’t post here because I hope to submit them to journals. My reading went well- I didn’t drop anything or lose my place – and then I got to sit and enjoy everyone else’s work. We had eleven poets read, with the first-time readers outnumbering the veteran readers six to five.

A curious thing happened. I had to remind Barrett and the other poets from our group that it was the first time I had read at open mic. While I am painfully aware of my newness as a poet-in-public, it appears that I can project at least some level of competence, which feels good.

Or it could be my silver hair just makes it seem that I must have been around a long time…

 

One-Liner Wednesday: painting and poetry

In honor of US National Poetry Month:
Painting is poetry which is seen and not heard and poetry is a painting which is heard but not seen.
– Leonardo da Vinci

Join us for Linda’s One-Liner Wednesday! Details here:  http://lindaghill.com/2015/04/08/one-liner-wednesday-life-is-too-short/

First time finalist!

I just got an email telling me that one of my poems was a finalist for the Binghamton Poetry Project’s first poetry contest! It didn’t win, but this is the first time I have ever been a finalist. The poem that made the finalist list is “Fifty-four” which is about me and my friend Angie, whom I wrote about yesterday. I’m sorry that I can’t share the poem here, but I’m hoping to submit it to journals, so I have to keep it off the internet.  So, progress…

Fastest response ever

Yesterday, I submitted a poem to the blog of an independent press that features a monthly poetry series on a given theme.  Next month’s theme is “Me, as a child.”  I submitted a poem I had recently written about playing on our school playground. By evening, I had a rejection notice in my inbox, which is far and away the fastest turnaround time I have ever seen. They wanted poems that focus on the individual, whereas my poem focused on children as a group. The positive part of this is that they invited me to send another poem, which feels much better than most of the rejections I’ve received which don’t give any feedback. I don’t know that I will actually submit again for this series; the only poem I have written that deals with my childhood on a personal level would take significant revision to use for this series and I don’t think I have enough brain power to complete it by March 31st.  This does give me confidence, though, to submit to their series in the coming months.

Postscript:  I was entering my tags for this post and was about to type in “submission” as a tag, but, in these days of 50 Shades of Grey, I thought better of it and opted for “publication submission.”  (And, no, I have not read 50 Shades of Grey or seen the movie nor do I plan to do so.)

poetry day

Quick post on an odd day. I couldn’t get to sleep last night. I got up at 12:45 to write down a poem that I had composed and edited several times in my head, then, stayed up until about 3:00 trying to get tired to the point of falling asleep. I think I may have finally fallen asleep at about 4:00. I was awake before my mom called at 8:10, talked a while, ate breakfast, showered, dressed, and wrote down another new poem that had started to formulate in the shower.  I tackled my “homework” for Binghamton Poetry Project, which turned into a rather major edit of the poem I drafted from a prompt in class last week – with research using google and my journal from the Smith College Alumnae Chorus tour of Sicily in 2011. I had had plans for practical things like shopping and cooking, but decided that I needed an afternoon nap instead because I have to get through BInghamton Poetry Project class at 5:30, where I need to be able to write a poem in fifteen minutes from a prompt, followed by University Chorus rehearsal at 7:30, where I need to use brain power to not mess up our new wording in the Mendelssohn.  While not being the day I thought I would have, what transpired is probably the most productive poetry day of my life. I’m hoping I can have more similarly productive poetry days, but with more hours of sleep involved.

My feelings about poetry exactly

Thanks to Gale for posting this. I also believe that the experience of reading/hearing is central to poetry. I always try to leave some mystery in a poem to which readers can bring their own personal meaning.

Gale A. Molinari's avatargalesmind

poetry meaning

The mystery and magic of poetry is in putting yourself into it. Trying to understand the poets meaning dilutes the poem and ruins the spell.

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Empty nest or open face sandwich?

Excuse the (very) mixed metaphor.

As I’ve mentioned before, my spouse and I may have gone into empty nest phase for the final time, with our younger daughter heading off to grad school. Our older daughter is also in grad school – and holding down a job, married, and living 5,000 miles away.  Someone commented to me that empty nest for the sandwich generation is of a somewhat different order than our image of it. Maybe now it’s an open-face sandwich?

Back on July 24th when I wrote the linked post above, I had planned to realign how I use my daytime hours, make some lifestyle adjustments, and readjust how we use some of the space in our home. I anticipated these as some empty nest blessings, although paling in comparison to the biggest blessing, which is that our daughters, both of whom have faced health challenges, are well enough to be off on their own.

And, thank God, our daughters are doing well, finding their way as independent young adults, while still being connected to our family, even with the (considerable) physical distance that separates us.

In the sandwich generation metaphor, one slice of bread is the younger generation, one’s children and sometimes grandchildren. The other slice of bread is the elder generation, with the adult child as the filling squeezed between. Maybe the baby birds eat the top slice of bread to give them strength to leave the nest behind and fly off on their own? Seriously, trying to make these metaphors work together somehow….

My parents, Nana and Paco, and B’s mom, Grandma, live in a nearby senior living complex, my parents in an apartment and Grandma in a cottage. They are all in their 80s and in independent living. As with most people who reach that decade, each was dealing with health issues, but nothing that hadn’t become routine, so, in June and July, anticipating my daughter’s departure for grad school in August, I felt justified in making some plans for myself as an empty nester.

And then, on July 31st, in a coincidence that would have seemed overly contrived if it had been fiction, Nana had a heart attack in the ambulatory surgery unit as Paco was about to be wheeled down to hernia repair surgery.  It sounds dramatic – and it felt dramatic to be in the midst of it – but, after an August filled with doctors’ visits, complications, new medications, and adjustments, Nana and Paco – and I – began to settle into a new normal, with them slowly getting back to their routine of activities, errands, outings, and social time and me back to the daily phone calls, frequent visits, and trying to keep an eye on the medical side of things, especially the complex interplay of all the different diagnoses and meds.

Just as I was thinking that maybe I could get to my own schedule adjustments and other empty-nest projects, Grandma progressed from a September backache to a diagnosis of a lumbar 1 compression fracture to the shattering of that vertebra to a hospital visit to inject bone cement to stabilize it to a period of in-home physical and occupational therapy to increasing trouble with atrial fibrillation to a second hospital stay to being back at home with in-home therapy, all accompanied by problems with pain control, loss of appetite, weight loss, medication changes and side effects, and more worries than I can count. The stress level has been difficult to deal with and, as if to prove it, I developed shingles about a week before Christmas.  I caught it early and got on antivirals right away, so my case was much milder than others I have heard reported, but I am still having some pain along the affected nerve.

This fall, I jettisoned a bunch of what I had planned to do as an empty nester, trying to deal with the ever-changing health challenges of our elders, and, as the new year starts, it is unclear how much of my plans will be feasible/possible/desirable to reclaim.

The amazing thing to me is that I managed to retain one of my original goals, which was to work on my writing, especially my poetry – certainly not perfectly or as much as I had envisioned, but enough that I have made noticeable progress.

July 31st fell toward the end of the summer sessions of the Binghamton Poetry Project and my correspondence with our instructor led to an opportunity to join a biweekly ongoing workshop of established local poets. I knew that what I needed most to grow as a poet was feedback from a group of knowledgeable, creative, and understanding poets so that I could learn to revise my poems to make them stronger. Even though that opportunity came in mid-September just as things with Grandma were beginning to spiral, I would not allow myself to miss it. So, I printed out copies of a poem and showed up, even though my natural introversion makes groups, especially groups where I know no one, daunting and I feared that the other poets, all of whom publish, teach, give readings, etc., would wonder what ever possessed me to think I should be there among them.

And, despite my fears, it has worked beyond what I had thought possible. The other poets have been accepting of me and constructive in their criticism and I am learning so much not only from suggested revisions to my own work but also from reading, listening to comments, and responding to my fellow poets’ work. Despite my lack of experience, I do have things to say about others’ poems, or at least questions to ask.  I am so grateful to each of them for being so welcoming and generous to me.

Now, I need to get my act together to research and submit some of my newly revised poems for publication. Maybe soon?

I am also proud that I managed to keep Top of JC’s Mind going throughout the year. I was never one for making resolutions and this past year shows why, but I will try to keep growing as a poet and as a blogger.

I hope you will keep reading.

(Even though only some of this post was jotted in January, I figured I might as well add the link for the pingback:  http://lindaghill.com/2015/01/01/just-jot-it-january-pingback-post-and-rules/ .)

Binghamton Poetry Project – Fall 2014

The Binghamton Poetry Project, which is a community outreach workshop series by the writing center at Binghamton University, sponsored a reading this evening for all the participants in the fall session. We also published an anthology of our work. Below are my three poems from the anthology, the first two of which are planned as my reading.

Brittle versus Rigid
by Joanne Corey

Too many years of Fosamax
make osteoporotic bone more brittle.

When the first vertebra shatters,
lifelong habits must change
to protect the fragile skeleton.

But you refuse to use a walker for support,
to bend at the knees instead of the waist,
to store the potholders in the drawer next to the stove
instead of in a basket on top of the refrigerator.

Will your brittle bone
or your rigid resistance to change
deal the next – or final – blow?

*********

Forms
by Joanne Corey

Could I write a sonnet?
Iambic pentameter.
ABAB…CDCD…
and so on…

Or quatrains with feet
trochaic and pyrrhic,
dactylic, spondaic,
and anapestic?

Rhymed couplets? I could,
But would they be good?

No.

My words tumble and twist
and refuse to rhyme
or neatly align.

Like Life.

*********

Aunt Gert’s Indian Pudding
by Joanne Corey

Hand-written from the recipe box
with a molasses stain
in the right corner

Promised to my daughter
who will travel five-thousand miles
to be with us this Thanksgiving

Generations of family tradition
steaming and fragrant
with a melting scoop of vanilla ice cream

National Indian Pudding Day

November 13 is National Indian Pudding Day.  Last year, I (belatedly) wrote and blogged a poem about Indian Pudding. This year, I am sharing an Indian Pudding poem that I wrote in response to a prompt in the fall session of the Binghamton Poetry Project. Will Indian Pudding poems become a tradition at Top of JC’s Mind or next year will I move on to pies?  Stay tuned!

Aunt Gert’s Indian Pudding
by Joanne Corey

Hand-written from the recipe box
with a molasses stain
in the right corner

Promised to my daughter
who will travel five-thousand miles
to be with us this Thanksgiving

Generations of family tradition
steaming and fragrant
with a melting scoop of vanilla ice cream

Another (poetic) step

I just got back from my first ever poetry critique workshop session. And I survived!

The Binghamton Poetry Project summer session leader was kind enough to make inquiries for me about an ongoing poetry workshop with some more established local poets, so that I could get some more directed feedback than our community workshop can provide, in hope that I could accelerate my growth as a poet.

I admit that I was really nervous about showing up tonight, but the other poets were very accepting.  I really wasn’t sure whether or not I would read a poem tonight or just listen and get an idea of how the group worked, but everyone was so encouraging that I did pull out copies of the poem that has recently been accepted for publication to share.  I was grateful that the feedback was mostly positive, although I have a few revisions to consider. Many poets say that poems are never really finished and it is common for poems to be published in several different iterations over the course of years.

So, now, I will have a regular group to attend every two weeks for feedback on my poems and to learn from all the other poets as they present their works in progress and respond to comments.

I feel like a poet….