Review: Barbie

The Barbie doll first appeared for sale in 1959, the year before I was born. As a child, my sisters and I played with some Barbie dolls. I remember that we had Barbie, Francie, and Skipper, who was my favorite because she was a pre-teen, like me. (We also had Ken, but he was superfluous.) Our Barbies had a lot of clothes, some made by my grandmother, but these were the days before there were tons of accessories.

My daughters also had some Barbies in the ’90s. There were Barbies, Teresa, (non-pregnant) Midge, Skipper, Stacie, and Kelly and friends. While there were lots more dolls and lots of accessories available, we didn’t have too many. There were not a lot of career-oriented Barbies at that point, although I remember T, in her imaginary play, creating a scenario where Barbie had a high-paying job because she liked expensive clothes and things but that she gave money to her sister who worked for a charity that helped people. What was important for T was that she had a gymnast Barbie and a couple of ballerina Barbies who could bend their arms and legs, pose, and twirl; T took dance classes and appreciated Barbies who were not stuck in one position. (They also had twin Kens, who were often cast as father-figures to the younger children in the Barbie universe.)

Yesterday, B, T, and I went to a movie theater together for the first time since before COVID to see Barbie. We had all seen the trailers and were expecting an entertaining movie and it did not disappoint. Greta Gerwig, the director and co-writer, along with Noah Baumbach, delivers a film that is multi-layered and attentive to detail. Margot Robbie is amazing as “stereotypical” Barbie who is forced to confront real-world stereotypes and the patriarchy. Ryan Gosling is well-matched as the sometimes clueless, sometimes superfluous Ken. I also enjoyed Simu Liu’s performance as a rival Ken.

While I had expected some laughs – and there were many – I had not expected tears. The story and dialogue of Gloria, tenderly portrayed by America Ferrera, was especially moving for me. I also appreciated the wisdom of Ruth, delivered by Rhea Perlman.

While we tend to think of movies based on toys as being for children, Barbie is not. It is rated PG-13 for good reason. Many tweens would enjoy it, while probably missing some of the social commentary in the film; younger children would most likely find it confusing.

Barbie‘s blockbuster status proves that many, many adults and teens are seeing and enjoying this film. Greta Gerwig has already set box office records for films directed by a woman. Maybe, someday, it won’t be remarkable to point out the gender of a film’s director.

Someday…

(Photo by Elena Mishlanova on Unsplash)