Category: film

May the fourth

The overhead warning signs on Route 17/86 near Binghamton, New York flashed this message:

Slow down you must.
Arrive safely you will.

They were channeling Yoda because today is May the fourth, the tongue-in-cheek day to celebrate the Stars Wars franchise because the dialogue sometimes included the phrase, “May the force be with you.”

I thought I should provide the explanation because some readers would have no context on this, due to their generation, cultural background, or obliviousness to Star Wars. 😉

(Image by martin from Pixabay)

Review: Nyad

Nyad tells the story of Diana Nyad (Annette Bening), a long-distance swimmer and sports broadcaster, who, at age 60, decided to pursue her dream of being the first person to swim from Cuba to Florida in the open ocean, a distance of 110 miles. She had tried and failed in an attempt when she was 28 but, at 60, felt her mental toughness would make it possible. The film chronicles multiple attempts to reach this goal over several years with the assistance of her friend-turned-coach, Bonnie Stoll (Jodie Foster), and a team of experts who helped with specialized aspects of the swim, such as repelling sharks and jellyfish, navigation, and nutrition.

Even though I knew historically how the film would end, there was a lot of dramatic tension inherent in the telling. I also gained a new appreciation of the hazards involved and the amount of training and behind-the-scenes work involved in a project of this magnitude.

I am not a swimmer – or athletic in any way – and greatly respect those, like Nyad, who can accomplish such amazing feats. Kudos to Annette Bening and Jodie Foster, both of whom trained extensively in order to portray Nyad and Stoll, both of whom are accomplished athletes. The film does not use body doubles; Bening is doing the swimming, even in the most extreme segments.

I also appreciated that Bening and Foster insisted on not being “touched up” so that they appear as women in their sixties portraying women in their sixties. As a woman in my sixties, I appreciated that.

I also appreciated the sense that women in their sixties are mentally tough and ready to take on challenges and achieve life goals. Also, that we have learned a lot about ourselves and about life over the years and that we are (usually) ready to be part of a group to accomplish whatever it is we want.

Even if you are not a woman in your sixties like me, I think you would benefit from watching this film, which is currently streaming on Netflix and may be in theaters in some markets. It is appropriate for teens and adults.

(Image is an official poster for the movie through fandango.com)

Review: Barbie

The Barbie doll first appeared for sale in 1959, the year before I was born. As a child, my sisters and I played with some Barbie dolls. I remember that we had Barbie, Francie, and Skipper, who was my favorite because she was a pre-teen, like me. (We also had Ken, but he was superfluous.) Our Barbies had a lot of clothes, some made by my grandmother, but these were the days before there were tons of accessories.

My daughters also had some Barbies in the ’90s. There were Barbies, Teresa, (non-pregnant) Midge, Skipper, Stacie, and Kelly and friends. While there were lots more dolls and lots of accessories available, we didn’t have too many. There were not a lot of career-oriented Barbies at that point, although I remember T, in her imaginary play, creating a scenario where Barbie had a high-paying job because she liked expensive clothes and things but that she gave money to her sister who worked for a charity that helped people. What was important for T was that she had a gymnast Barbie and a couple of ballerina Barbies who could bend their arms and legs, pose, and twirl; T took dance classes and appreciated Barbies who were not stuck in one position. (They also had twin Kens, who were often cast as father-figures to the younger children in the Barbie universe.)

Yesterday, B, T, and I went to a movie theater together for the first time since before COVID to see Barbie. We had all seen the trailers and were expecting an entertaining movie and it did not disappoint. Greta Gerwig, the director and co-writer, along with Noah Baumbach, delivers a film that is multi-layered and attentive to detail. Margot Robbie is amazing as “stereotypical” Barbie who is forced to confront real-world stereotypes and the patriarchy. Ryan Gosling is well-matched as the sometimes clueless, sometimes superfluous Ken. I also enjoyed Simu Liu’s performance as a rival Ken.

While I had expected some laughs – and there were many – I had not expected tears. The story and dialogue of Gloria, tenderly portrayed by America Ferrera, was especially moving for me. I also appreciated the wisdom of Ruth, delivered by Rhea Perlman.

While we tend to think of movies based on toys as being for children, Barbie is not. It is rated PG-13 for good reason. Many tweens would enjoy it, while probably missing some of the social commentary in the film; younger children would most likely find it confusing.

Barbie‘s blockbuster status proves that many, many adults and teens are seeing and enjoying this film. Greta Gerwig has already set box office records for films directed by a woman. Maybe, someday, it won’t be remarkable to point out the gender of a film’s director.

Someday…

(Photo by Elena Mishlanova on Unsplash)

Review: The Miracle Club

Do you believe in miracles?

Would you recognize a miracle if you experienced one?

In The Miracle Club, four women from three generations, played by Maggie Smith, Kathy Bates, Laura Linney, and Agnes O’Casey, travel from 1967 Dublin, Ireland to Lourdes, France, in search of miracles.

The women share a complicated history which viewers discover as the movie unfolds.

All of this occurs within the context of Catholicism and Irish family structures that resist women having full agency over their lives. All of the women have suffered losses and are in need of healing but will the waters of Lourdes provide them with the miracles they seek?

People tend to think of miracles as sudden events, where individuals are immediately and fully restored to health. Even at Lourdes, the film points out, those kinds of miracles are rare.

But healing is possible when women, though burdened with their own struggles, support and strengthen each other.

I believe that these are miracles, too.

Review: The Letter

At the Vatican on October 4, 2022, the feast day of St. Francis of Assisi, a new film premiered, entitled The Letter.

The Letter in the title refers to Laudato Si’: On Care for our Common Home, Pope Francis’s 2015 papal encyclical which was addressed not only to Catholics around the world but also to all people of good will. Its release in May helped to build momentum for the Paris climate talks that fall that resulted in 196 countries signing onto the landmark agreement on climate change.

Laudato Si’ espouses integral ecology, which involves both care for the earth and care for all people, especially those most vulnerable. The encyclical cites science and various faith traditions to build a framework for fighting climate change and for lifting up those dealing with hunger, poverty, dislocation, water scarcity, and other challenges.

The film’s title has a second meaning, as the first part of the film shows five people around the world receiving a letter from Pope Francis, inviting them to the Vatican to discuss the issues of Laudato Si’ with him. Together, they represent both “the cry of the earth and the cry of the poor.” It is these five people and the communities they represent that form the bulk of the film.

They are:
~ Cacique Dadá, an indigenous leader of the Borarí people from the Maró Indigenous Territory of Brazil, representing indigenous communities
~ Arouna Kandé, a climate refugee from Senegal, representing the impoverished
~ Ridhima Pandey, a teen-aged climate justice activist from India, representing young people who are inheriting a world that has been damaged by prior generations
~ Greg Asner and Robin Martin, a married couple from Hawai’i in the United States, who are both marine biologists studying the impacts of climate change on ocean ecosystems, representing the voice of nature

The stories of their native places are stunningly conveyed by director Nicolas Brown and the team of Off The Fence Originals, in conjunction with The Laudato Si’ Movement. I especially appreciated the segments from the Amazonian rain forest and the Pacific marine environments.

I also appreciated the diversity of age, race, gender, country of origin, and faith portrayed in the film. While Pope Francis and the Vatican officials are, of course, Catholic, we see participants who follow other faiths, including Islam and indigenous traditions. It is a true reflection of the encyclical being addressed to “all people of good will.”

In keeping with that diversity, people in the film speak in their native languages with subtitles and narration available in English, French, Spanish, Italian, and Portuguese. There are also subtitles available for the entire film in many other languages. You may watch the film free of charge at the link in the first paragraph of this post or on the YouTube Originals channel. Details about offering a free screening for groups can be found here.

My hope is that many people around the world will view the film and take action on social and environmental justice issues. We are one human family and we must together care for each other and our common home.

JC’s Confessions #22

In the first few seasons of The Late Show, Stephen Colbert did a recurring skit, now a best-selling book, called Midnight Confessions, in which he “confesses” to his audience with the disclaimer that he isn’t sure these things are really sins but that he does “feel bad about them.” While Stephen and his writers are famously funny, I am not, so my JC’s Confessions will be somewhat more serious reflections, but they will be things that I feel bad about. Stephen’s audience always forgives him at the end of the segment; I’m not expecting that – and these aren’t really sins – but comments are always welcome.

JC

I have never seen any of The Godfather movies and hope I never do.

I have seen (more) clips (than I care to) enough to know that it is way, way, way beyond my level of tolerance for violence.

As an Italian-American on my mother’s side, I shudder at the stereotyping of being part of the Mafia when that is such a small segment of the Italian-American experience, certainly totally divorced from my family’s life in rural New England.

Because this is the fiftieth anniversary of the first film in the trilogy, there have been pieces in the media galore about the significance of the films, the references that have become part of modern parlance, and, surprisingly, a lot of people claiming that they understood what it was to become an adult because of The Godfather.

I think I managed that last part on my own without the movie, thank you very much.

I know that love and commitment to family are eminently possible without violence and that threatening or injuring or killing someone is not the way to solve problems.

In the movie You’ve Got Mail, Tom Hanks’s character, in trying to coach Meg Ryan’s character about business, quotes lessons from The Godfather frequently, including “It’s not personal – it’s business.”

And maybe that is the root of the problem for me – and perhaps the reason I would not make it in the business world. To me, everything is personal. If I’m going to watch a movie, it will affect me personally and violence, especially fictionalized violence, is not something I want to let rattle around in my mind.

So, perhaps, I have broken my own JC’s Confessions rule in that I don’t actually feel bad about not having seen The Godfather. Let’s just consider it my own tiny, countercultural protest.

(Cue dramatic music)

Review: Encanto

When we went to the UK to visit our family for the holidays, four-year-old granddaughter ABC watched the Disney film Encanto frequently. I was impressed with it but hadn’t realized how popular it had become until after we returned to the US and it seems that I run into commentary on it several times a week, including news that the soundtrack and individual songs from Encanto have been appearing in high positions in the Billboard charts.

For the few of you who may not know, Encanto tells the story of the Madrigal family from Columbia who use their magical gifts to help their community. Granddaughter Mirabel appears not to have been given a magical gift but her strong love for her family and their home powers the story.

Much of the commentary that I’ve seen concentrates on how important it is to have this portrayal of a Latinx family and story, along with inclusion of Spanish in the dialogue and songs. I agree with this point but want to note some other ways that this film feels inclusive to me. As someone whose family is racially diverse, I appreciate that the Madrigals have Indigenous and Black roots, as well as (presumably) European. As someone who wore glasses from a young age, I love that Mirabel wears glasses. I could get all metaphorical about clarity of vision, but I won’t. It’s just nice to see a positive portrayal of a girl who wears glasses in an animated movie.

The biggest point of inclusivity for me is the complexities of the family relationship. The most popular song in the soundtrack, the ensemble piece “We Don’t Talk about Bruno”, reminds me that my own family had an uncle that was seldom mentioned for mysterious reasons. We see Mirabel and her non-magical father struggle with finding their place within the family, which is a familiar issue in many families, for example, when a very sports-oriented family has a member who would rather be singing in the chorus than out on the field with a ball.

We also see the double-edged sword of trying to live up to family expectations. While it’s admirable that members of the family want to use their gifts to serve the family and the community, it’s all too easy to see each only for that one gift and not for the complex being that they are. This leads to feeling that it is only that gift that makes you valuable or loved. The clearest expression of this is “Surface Pressure”, the song that Mirabel’s sister Luisa sings. Luisa’s gift is that she is very strong, so she is much in demand at home and in the village. The song shows how difficult it is to deal with the pressure of those demands and her own worries and insecurities. She sings, “Under the surface/I’m pretty sure I’m worthless if I can’t be of service.” Ouch. How often in our families do we pigeonhole someone in a specific role, overlooking other attributes and gifts they bring? How often do we take for granted the work that someone does or make it seem that they are only valuable in what they can do, not in who they are as a person?

To me, among Mirabel’s gifts are love, thoughtfulness, insight, curiosity, caring, and truthfulness. None of them are “magical” but the results of them can be miraculous.

They can be for our own families and communities, too, if we honor those gifts and each other as Mirabel does.
*****
Join us for Linda’s Just Jot It January! Find out more here: https://lindaghill.com/2022/01/21/daily-prompt-jusjojan-the-21st-2022/

Review: A Secret Love

I grew up in a rural area where television was purely by antenna, although we received NBC, ABC, and CBS, the three major networks at the time, which was a luxury. I’ve never been able to keep up with the increasingly complicated media landscape of cable, premium channels, satellite, and streaming options. I’ve gotten used to reading lists of Emmy nominees of shows I have never seen and to which I don’t have access. I usually can’t even keep track of what show or movie is being offered on which platform.

I do occasionally happen upon a recommendation that I can follow through on viewing. I was reading a list of awards geared for older adults from AARP which included the 2020 documentary A Secret Love. It is available through Netflix, the one streaming service to which we are currently subscribed, so spouse B, daughter T, and I settled in one evening to watch it.

A Secret Love is the story of Pat Henschel and Terry Donohue, two Canadian women who fell in love and made a life together in the United States where Terry had played baseball with the Peoria Redwings of the All-American Girls Professional Baseball League. While family back in Canada knew the two were close friends who shared a home, they did not know that they were life partners for many decades. While the film does give us their remarkable personal history, the documentary concentrates on their later years, as they face Pat’s illness and decisions about where to live.

Having dealt with the issues of serious illness, financial and legal complications, and housing decisions with B and my parents, I found much of what Pat and Terry were facing relatable. The complexity of the family dynamic, the cross-border legal issues, and the fact that, while Pat and Terry had been a couple since 1947, they did not have the protection of marriage when it came to things like hospital visitation added even more poignancy to an already daunting situation.

What comes through most clearly, though, is the depth of their love for one another. I am always moved by couples whose bond is so strong that it weathers decades of life together and Pat and Terry’s story is such a beautiful example of that. I will warn you that if you, like me, are inclined to teariness, you may want to have your handkerchief handy.

I will also say that, while the story is about elders, it also holds meaning for younger adults. T loved the film as much as I.

Ocean and Snowman

This evening, while watching television, I happened to see the last part of the movie Moana followed by the beginning of Frozen.

When daughter E and granddaughter ABC lived with us before E’s spousal visa came through for their big move to London, ABC, at two, was just starting to be entranced with watching (parts of) movies. These were two of her favorites, which she called “Ocean” and “Snowman”.

Both movies celebrate love of family, intergenerationally in Moana and between sisters in Frozen. Seeing them tonight reminds me of how desperately I miss seeing E and ABC and how much I want to meet new granddaughter JG.

When E and ABC left for London almost a year ago, we had assumed that we would be able to visit several times a year. My spouse B, younger daughter T, and I did visit in December. (There are posts about the trip that you can find in the archive in late January into March. It took a long time to get the posts together.) We had hoped to visit again in the spring and then in the summer when the baby was due to arrive, but COVID intervened, so we haven’t seen them yet in 2020, other than on screen.

Most days, I can manage the distance, but, tonight, I could hear the echoes of ABC asking for Ocean or singing about building a snowman and I’m sad.

We do have a visit planned in November, beginning with two weeks in quarantine to be followed by two weeks for visiting under whatever the current UK restrictions are for group size. We are hoping that JG’s baptism will be able to take place while we are there.

Plans are in place, but I’m nervous that travel protocols might change and keep us from seeing them. Meanwhile, we are hoping that people in the US and the UK will be careful about following pandemic control measures so that virus rates stay down and our visit can go forward.

And, people in other countries, I hope you will stay safe, too.

Harry Potter Studio Tour!

When we visited London in December, E got tickets for us to go to the Warner Brothers Studio – The Making of Harry Potter tour! The Harry Potter books and films were very important to our family, so we were thrilled to be able to go. We went on a weekday when our son-in-law had to be at work, so we were a party of five – my spouse B, our daughters E and T, our granddaughter ABC, and me. E was the only one who had been there before.

The Studios are outside London, so we needed to use trains and buses to get there. The last segment is on special studio buses. One of the first things you see after entering is a very large dragon in flight. We weren’t sure how ABC, at two and a half, would react to such things, but she loves dinosaurs and accepted dragons as a dinosaur-variant. (T is holding ABC in the foreground.)
HP flying dragon

Because so many people visit, the start times of the tour are staggered throughout the day. There are some introductory remarks from tour guides and a short film before your group is ushered into the Great Hall. Because we were there in December, everything was decorated for Christmas, including, of course, Christmas crackers at each place at the table.
Great Hall

You can see little details of the set, like the tree-toppers with flying witches…
HP XMas tree-topper

and the wreath around the crest on the fireplace.
Great Hall fireplace

After the Great Hall, the rest of the tour is self-guided, laid out in a uni-directional way. There are lots of sets, like Harry’s Gryffindor bedroom,
Harry's bedroom

costumes, like these from the Yule Ball,
HP costumes Yule Ball

and props, like this display of wands.
HP wands

There were certain displays that ABC did not like, such as these disembodied hairpieces.
HP wigs

Sometimes, context mattered. For example, we rushed ABC out of the dark Forbidden Forest Set with its spiders because she was not a fan, but, later, when we saw the huge model of Aragog, Hagrid’s former pet giant spider, which was several meters wide, mounted on a wall, ABC decided to sing “The Eensy, Weensy Spider” to it.

As a big fan of trains, ABC enjoyed the Hogwarts Express.
Hogwart's Express

Even better, we got to walk through the train cars!
Ada on the Hogwart's Express

For some reason, I had to rush ABC through the grand Gringotts Bank set, because she did not approve.
Gringotts

The destroyed Gringotts was much more to her liking! She insisted on watching the scene multiple times. It must have been the attraction of the dragon…

The last part of the display before the obligatory exit-through-the giftshop was the model of Hogwarts used for the external shots. ABC was a big fan!
J and Ada at Hogwarts model

It was a beautiful model. Because it was winter, we got to see it with snow which made it look even more magical!
Hogwarts model

We all had a lovely time. I hope we will be able to visit again in the coming years. It will be fun to see how ABC reacts over time. Warner Brothers also continues to add new displays, as well as having various limited time features, so there will be new things to see each time.

Eventually, ABC – and any future siblings – will be able to read the Harry Potter books and see the films. Perhaps, E and L will embark on our family tradition of reading each book aloud as a family.

Maybe, B and I will be able to join in via videochat…