Ronald Perera memorial concert

Earlier this month, I was privileged to attend a memorial concert for Ron Perera, composer and professor emeritus of music at Smith College. The concert took place in Sweeney Concert Hall in Sage Hall, the long-time center of musical life on campus. I had taken five semesters of theory and composition with Mr. Perera and he had been my major advisor. We had been in touch variously over the decades and we had enjoyed a wonderful lunch together last spring when I was back on campus to sing with the Smith College Alumnae Chorus.

All the pieces at the concert were Ron Perera’s compositions, some of which were performed by the musicians for whom they were written. I especially appreciated seeing pianist Professor Emerita Monica Jakuc Leverett perform Out of Shadow almost 36 years after its premiere. Another piano piece that I loved was Three Waltzes for Four Hands, written for Ron’s three daughters, and performed by Professor Emeritus Kenneth Fearn and his daughter, Kaeza. I’m looking forward to ordering a copy for daughter E and son-in-law L to play for our granddaughters ABC and JG.

As a writer and choral singer, I was especially drawn to the choral pieces that opened and closed the concert. The opening was “Hold Out Your Hands Over the Earth” from The Outermost House, text by Henry Beston. The work was commissioned by the Chatham Chorale, on Cape Cod. The Perera family lived on the Cape during the summers and Ron loved to sail there. Some of the text in this movement is:

To all who love her, who open to her the doors of their veins, she gives strength, sustaining them with her own measureless tremor of dark life. Touch the earth, love the earth, honor the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places.

It was a perfect reflection to begin.

Besides the music, there were four remembrances in the program. The first was from one of Ron’s daughters, Rosalind, which also served as a welcome. Two were from pastors of St. John’s Episcopal Church, located in the midst of Smith’s campus, where Ron was a long-time member and volunteer. The other was from Professor Emeritus Donald Wheelock, who was Ron’s composer-colleague for many years and who helped to organize the concert. It was beautiful to hear them speak about his kind, caring nature and the depth and breadth of his thoughts, talents, interests, and beliefs. Even as a college student, I could sense what a wonderful man he was and it was inspiring to hear how he sustained those qualities throughout his life and shared them with so many, most especially his family.

The concert closed with the Smith College Chamber Singers offering Ron’s setting of Percy Bysshe Shelley’s “Music, When Soft Voices Die” conducted by Jonathan Hirsh, who is a current faculty member, friend of Ron, and another concert organizer. He had graciously kept me apprised of the plans as the memorial came together so that I could arrange to attend. It was such a perfect, quiet, love-filled ending to the memorial. “And so thy thoughts, when thou art gone,/ Love itself shall slumber on.”

At the reception after the concert, I was able to speak briefly with Don Wheelock and Jonathan Hirsh and at greater length with the third organizer, Professor Emerita Karen Smith Emerson. I am grateful for their work in putting the program together to celebrate a remarkable, generous, talented man who leaves a legacy of music and writings but, more importantly, of human connection and spiritual strength.

I’m also grateful to CK, Smith ’81, and her spouse who opened their lovely home near campus to B and me for the weekend. I appreciated their hospitality and their companionship at the concert and reception. I’m hoping CK will be able to sing with us the next time I’m back on campus for an event with the Smith College Alumnae Chorus.

It will be bittersweet, though, knowing that Ron will not be there to hear us. Maybe, we will perform a piece of his music in remembrance…